Michael A. Stackpole concludes his exciting Dark Tide duology in “Dark Tide II: Ruin”, which pits New Republic forces, with the help of the Imperial Fleet led by Admiral Pellaeon, against the Yuuzhan Vong.
Within the Galactic Senate, resentment and fear of the Jedi continue to grow, based primarily on a misguided belief that the Jedi, if given more political power, would usurp the Senate and declare galactic martial law.
Growing reports of Yuuzhan Vong attacks throughout the Outer Rim are making the government take the alien threat more seriously. Temporarily, the Senate has decided to put aside their mistrust of the Jedis in order to utilize the Jedi strength to bolster the military.
Most of the Jedis, however, are extremely aware that their actions are being viewed under the lens of a very unforgiving microscope.
The primary figure in the Dark Tide duology is Corran Horn, a character that Stackpole popularized in his “X-wing” series. Horn, a Force-sensitive X-wing pilot, has become a Jedi Knight. Unlike some of his more trigger-happy Jedi comrades, Horn is trying his best to put the Jedi Knights in a good light, as a peace-keeping force and NOT a tool for the military.
Unfortunately, a series of events has led Shedao Shai, the leader of the Yuuzhan Vong forces, to target Horn---along with his friends and loved ones---out of a vengeful spite. A climactic showdown on the planet Ithor leads Horn to do something that will have drastic impacts for the New Republic, the future of the Jedi Knights, and the Yuuzhan Vong.
Fast-paced, with a convoluted plot, Stackpole’s Dark Tide duology carries on the New Jedi Order series into the edgier, darker, and more mature direction started by R.A. Salvatore in “Vector Prime” in 1999.
To be clear: The use of the word “mature” here is not intended to be offensive. I don’t mean to disparage the lovers of “Star Wars” by insinuating that their love of “Star Wars”---borne, most likely, from the 1977 original film created by George Lucas---is in any way childish.
Lucas, a baby-boomer who grew up in the 1950s, created “Star Wars” out of a nostalgic love of his childhood and the kinds of entertainment that he grew up with: westerns, war movies, Saturday afternoon sci-fi serials. It’s fair, I think, to say that there was almost a child-like innocence about the baby-boomer-era entertainment; a simplistic black-and-white worldview in which the good guys were incorruptibly good and the bad guys always lost in the end.
The Vietnam/Watergate era of the late-1960s/early 1970s fundamentally altered that worldview. Society became more cynical and jaded. Things once looked at as black and white issues now had a lot more grey area.
“Star Wars”, which premiered in 1977, harkened back to a simpler time. Free from cynicism, politics, deep social commentary, Lucas’s film was a straightforward narrative about good vs. evil and about good winning in the end. It was a much-needed message for the late-‘70s, which is part of the reason why it became so popular.
Sustaining that level of innocence throughout the rest of the series, however, was a task that Lucas couldn’t---and most likely shouldn’t have been expected to---tackle adequately.
His prequel films---starting with “Episode I: The Phantom Menace” which premiered in 1999---were critical flops (albeit financial successes) due primarily to Lucas’s attempt to replicate the same level of innocence as his original film; a tone that may have been refreshing in the late-‘70s but seemed almost insulting for a late-‘90s audience.
“Star Wars” needed to change with the times.
In the publishing realm, the Star Wars Expanded Universe (SWEU) was still garnering praise thanks in large part to a variety of science fiction writers carrying on the storyline that ended with the 1983 film, “Episode VI: Return of the Jedi”. Talented writers such as Timothy Zahn, Kevin J. Anderson, Kathy Tyers, and Kristine Kathryn Rusch all brought their own unique perspectives and interpretations of the SWEU. Even so, the series steadily grew stale.
The New Jedi Order series started by Salvatore’s “Vector Prime” was a much-needed shot in the arm to the SWEU.
Well, for some fans, at least. For other fans (Lucas “purists”), Salvatore’s novel was sacrilege.
Primarily, Salvatore had the audacity to kill off one of the major characters of the original film---a decision that many die-hard purist fans still find unforgivable. Their main argument is that the decision was based on sales figures rather than furthering the narrative arc of the SWEU. It is a dubious controversy that still continues to rage within the circles of Star Wars fans.
“Vector Prime” nevertheless jump-started an incredibly popular series-within-a-series that has generated roughly 20 sequels and several other series since.
I am not a Lucas purist, but I sympathize with those fans who are. Still, the level of writing talent has certainly not diminished within the New Jedi Order series, and Salvatore and Stackpole continue to prove that tackling socio-political issues that resonate with current events in our own galaxy can be done successfully within the SWEU.