Mar 2021. High hopes, partially fulfilled. The recordings and recitations are of the highest quality. I prefer the first half.
* The "Infant" and "Schoolboy" selections are appropriately fun and diverse and lengthy.
* The selections for "Lover" are not entirely predictable.
* "Soldier" could almost be retitled "Great War Poetry." This glass is half empty, with all the misery of war and none of the glory. Odd thing for such an old country; perhaps this is why the opening poem - the Prologue from Henry V - is whispered.
* The "Wisdom" section is distressingly Romantic.
* Half of "Sixth Age" (six of thirteen poems) is buffoonery, which seems fitting but hardly "poetry for a lifetime."
* "Last Scene" is much shorter than the rest and powerful.
In terms of eras, the glaring omission from the production is the long 18th century, with appearances only by outliers (Rochester, Blake, Burns). Where are Dryden and Pope and Johnson? They could have balanced out the romanticism of "Wisdom." In terms of human life, the omission is the supernatural; only 'secular' mystics make the cut (Dickinson and Lawrence, in addition to Blake).
Still, I would listen to it again.