A unique M/M fantasy with depth, adventure, and erotic romance
Rowan Speedwell builds stories through compelling characterization, careful story development, and a gift for subtle world building and engaging dialogue. Her novels have a compelling, authentic feel, even when the story, as in Bitterwood, is a fantasy, which is achieved through the careful layering of details that unobtrusively coalesce in and around her characters. Notably, I'm not sure I know of an author who does a better job in thinking through the physical choreography of her characters' movements - which implies that she has also thought through the spaces they occupy and the personalities that motivate them. Her worlds and characters feel right because she is clear about who they are, where they are, and why they act as they do. There are a good many authors out there who don't come close to the artistry she uses in bringing these elements together.
While considerably shorter than her Regency novel, Kindred Hearts (which has acquired the feel of a near brilliant tour de force in my mind, telling the story of a spoiled English aristocrat confronting addiction, his sexuality, and himself to save the lover he tried to resist from the gore of Waterloo's battlefields), Bitterwood is a good read all worth your time. It's actually two stories, first that of Faran, a captain guarding a desperately ill teenager, Meric, who is a potentially powerful mage, and Joss, the Lord of Bitterwood, who lives a hard scrabble life with his subjects. Faran and his men are forced to seek refuge in Joss' manor, which is where Faran falls for Joss but Joss' fifteen year old son also falls in love with the sickly Meric. But Faran's mission is to save Meric, which means they have to leave both Joss and Eissa and confront a magical beast that could save - or kill - Meric.
What makes this book unique - and effective - is the parallel relationships that develop between the mature older men and the two teenagers, the way Speedwell explores the ways that communities embrace and support their same sex love, and the surprisingly fresh vision that emerges as the two couples - older and younger - are compared (sometimes to humorous effect). Bitterwood is first and foremost an engaging fantasy novel that hints at an intriguing world of magic and not a social critique. But it also presents an important question in a slightly new way: How many lives might be saved, loving relationships nourished, and communities enhanced if the real world was more like the one we discover in Bitterwood?
The interplay and contrast between the adult and teen couples acts as a prism. Through it we see the prejudice of the real world filtered out, and what is left is more than an image of intergenerational acceptance, but an image of love being nurtured by a loving community across the lifespan regardless of the form love takes. Because Speedwell's talent lends her worlds a feeling of authenticity, this image has a special allure, a wholesome emotional honesty that is not only important to the novel but, at least in my case, the reader. We feel the innocent passion, tender intimacy and exuberant devotion between the teens, Meric and Eissa, and the way it's supported by the people of Bitterwood, just as we feel the hopes that this community of wives, husbands, children, and lovers has for the older men, Faran and Joss.
And this is just one aspect in the Bitterwood novel. I haven't touched on the author's other accomplishments. But they're worth your time to discover, and I recommend this book