The history of the early Civil Rights Movement in the present tense. The first of two volumes on the mid-twentieth century movement (as distinct from the "long civil rights movement" posited by Jacquelyn Dowd Hall), RCM is a sterling collection of newspaper and magazine articles, supplemented by excerpts from books and memoirs. Beginning with A. Phillip Randolph's proposed March on Washington, which led to FDR's Executive Order 8802 banning desegregation in defense industries, the volume chronicles the chaotic evolution of the movement through the individual breakthroughs represented by Jackie Robinson, the NAACP-sponsored legal challenges culminating in the Brown decision, the Montgomery boycott, the largely successful counterattack by white supremacists in the late 1950s, and the renewed energy of the sit-ins and freedom rides. The last two articles in the volume, which takes the story through mid-1963, sound cautionary notes. The first focuses on the failure of the Albany (Georgia) Movement to attain its goals, largely as result of Albany Police Chief Laurie Pritchett's co-optation of Martin Luther King's approach to "theatrical non-violence) and the outbreak of major violence in Cambridge, Maryland, which presages the riots in northern and western cities which would soon become common.
The most important thing to be gained from reading these pieces, as opposed to the many excellent histories of the Movement, is that it reminds us that at the time, no one knew whether, or to what degree, the Movement would succeed. The key word's contingency. America generally seems content with a triumphalist memory of the Movement as a success, which, Obama aside, leaves out the day-to-day circumstances of life in very large swathes of black America (and raises questions of the relationship between class and race). It's often presented, and celebrated on MLK Day, as a story of moral redemption, in which "liberal" America responds to the call of King to correct unfortunate injustices (which happened long ago and far away, i.e. in the South). RCM makes it clear that the moral dimension of the Movement, while important to individuals both black and white, played a secondary role in the federal government's grudging support for desegregation. The most important factors--you can choose which order to list them in--were the international struggle for the allegiance of the emerging nations of Asia and Africa--the CRM takes place at the height of the Cold War); and the economic realities of Southern life, especially the dependence of white middle class families on cheap black labor and the desire of southern businessmen to shed an image of barbarism which discouraged businesses from building plants, etc.
I'm a major fan of the Library of America, and especially the "Reporting" volumes which include Reporting Vietnam, Reporting World War II, and The Debate on the Constitution. RCM may be the best of them all. That's because the list of "literary" writers in the volume includes Ralph Ellison, Anne Moody (Coming of Age in Mississippi), Robert Penn Warren (Segregation), John Seinbeck, Langston Hughes and James Baldwin (several brilliant essays and the entire text of the major section of The Fire Next Time).
The shortcoming of the volume is built into the series format and can't really be separated from its strengths. There's no framing essay and readers will have to pick out the currents noted above on their own. Anyone plunging into the volume without a sense of both the general Movement story *and* what's referred to as the "New Civil Rights History" (which has shifted focus from male leaders, legal battles and the televised campaigns in places like Montgomery and Birmingham to the "organizing tradition," the crucial role of women, and the cultural weapons used in areas where the TV cameras never went) is likely to emerge with a fragmented sense of what mattered and why. This isn't a criticism of the editorial team headed by Clayborne Carson and David Garrow, but both are associated with the older movement history.)
For non-specialists--and I *do* recommend RCM for general readers--the best approach is probably to read it alongside (or in sequence with) a standard movement history--Taylor Branch's trilogy on the King years beginning with Parting the Waters deserves its status as standard--and a sampling of the New Civil Rights History pioneered by John Ditmar (Local People), Charles Payne (I've Got the Light of Freedom), and Danielle McGuire whose brilliant "At the Dark End of the Street" I'm using as the supporting text for the two RCM volumes in my seminar on Soul Music and the Civil Rights Movement.