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464 pages, Paperback
First published June 24, 1994
I was fortunate to have read some Hegel beforehand and had also just recently finished Marcuse’s Reason and Revolution before picking up this book. When I asked Arash Abazari—a Hegel scholar—a technical question about the Phenomenology of Spirit a few years ago, he simply suggested me to read this book. Having read it now, I can confidently say that this is the book to start with if you're unfamiliar with the subject matter or still uncertain about it. As Pinkard makes clear at the very beginning, this work is, in many ways, a reconstruction of the ambitious Hegelian project—with a major focus on the Phenomenology of Spirit—delivered in a clear and comprehensive manner. In this regard, the book can absolutely be treated as a stand-alone volume, with an epilogue toward Hegel’s Philosophy of Right. Approached as a Bildungsroman, Phenomenology of Spirit presents a dialectical-historical narrative of how the European community has come to understand and define what it takes as authoritative and self-defining.
Pinkard does an excellent job of placing the Hegelian project within its proper philosophical and historical context. He carefully addresses the many pitfalls of misunderstanding and misinterpretation that have long surrounded this notoriously complex text, ensuring that Hegel’s ambiguous—if not often elusive—terminology is thoroughly explained. At times, it may seem as though Pinkard is repeating himself—again and again—that Hegel is Not a historian, and that the Phenomenology of Spirit is not a record of historical facts. Rather, Hegel examines historical forms of consciousness on their own terms, exposing their inherent contradictions—their negativity—and showing how one form, through Aufhebung, gives rise to the next. Pinkard is insistent on this point, ensuring the reader never loses sight of the philosophical stakes involved. Throughout the work, he draws a crucial distinction between the historical contingencies of any given epoch and the immanent negativity within a form of consciousness—the latter being what drives the historical process forward. It is this negativity that propels agents of history toward new forms, each attempting to resolve the contradictions of its predecessor.
All in all, this is the book for anyone seeking a solid grasp of Hegel’s system of thought. I couldn’t say with certainty whether Marcuse or Pinkard does a better job in that regard—Marcuse perhaps brings a more polemical tone, with a clear intent to defend Hegel against various accusations from the Left, which were prominent after World War II, while Pinkard is far more focused and detailed in his exposition. That said, I did find myself wishing he had engaged with Marcuse’s book directly—unfortunately, there’s no reference to it at all.
Hegel begins his project, as he professes in the introduction, without presupposition, critically probing the claims of "immediate" or self-sufficient forms of knowledge—how we come to know and form knowledge. Each claim of immediate knowledge is examined according to its own merits. He demonstrates how each form arises necessarily from the one before it. Moreover, Hegel seeks to establish the clear object of knowledge in each form and tests whether the claim of knowledge aligns with its object of knowing. While sense-certainty and perception hold up under scrutiny, I found myself in disagreement with portions of the chapter (Pages 34-43) concerning force, laws, and reflective judgment. Yet the upshot remains genuine and correct: "the true object of the understanding is the understanding itself"—what he lables as “self-consciousness”. This claim becomes a more concrete and tangible once we realize that “all consciousness is … self-consciousness in the sense that any awareness of any object is already mediated by the organism’s assuming a position in some normative “social space.”” And this is where the subtitle of the book becomes clearer. The development of consciousness and the conception of Geist, can only happen within the societal normative, whatever they might be.
The third chapter focuses on forms of self-consciousness, and Pinkard puts the matter into perspective quite well. It becomes clear from the onset that self-consciousness requires an object of recognition and that is feasible not through any object, but only through another self-consciousness. This notion of recognition between self-consciousnesses is beautifully explained through the famous Master/Slave dialectic. The crucial point however is that during this process, that Master acquires the recognition through dominance and the salve forfeits his in order to preserves his life, “the dominance of the master’s point of view is dependent on the salve’s having come to accept it as dominant, i.e. the dominance of the Master’s point of view is fully dependent on the salve’s contingently coming to accept it and on his continuing to accept it of… [in this dynamic] the salve acquires a more genuinely social, quasi-objective point of view out of his subjective point of view through his encounter with the other”.
Moving to the next form of self-consciousness, Hegel moves from the abstract format of Master/Slave dialectic into a more practical format by introducing the Stoicism as “historically and conceptually the first of attempted affirmations that emerge out of the kind of reflections on the mastership and slavery... Stoics’s solution is to become indifferent to whether he is a master or slave, for if true independence lies in the freedom of thought, one’s independence cannot be a matter of either servitude or mastery”. The shortcoming of stoicism in terms of its lack of particularity leads to the truth of its matter; the Skeptisim, a divided form of consciousness, torn between two internal standpoints: the contingent, personal perspective and the detached, impersonal one.
After arriving at the stage of unhappy consciousness—which gives rise to the power of religion and the aspiration for unification with the universal, still relevant today in forms of spirituality, nostalgia for the “good old times,” and the longing for “lost empires”—Hegel begins to probe reason as the self-proclaimed authoritative agent, particularly as it manifests in modern science and humanism. Though Hegel’s treatment of science can be somewhat hand-wavy at best, this can be overlooked by attending to the chain of thought he is trying to establish.
The most compelling section of this chapter is undoubtedly the Faustian project, where Hegel draws on the famous story of his contemporary celebrity, Goethe, using Faust as a symbolic figure of the hedonistic individual—one whose agency is believed to be fully independent and without limits, capable of forcing the world to yield to his will. This marks a step beyond the Baconian scientific mindset, which merely “forces” nature to reveal its secrets. The Faustian agent’s belief in being the master of his own fate is, however, hollow and self-deceptive; the tragedy of Faust lies in the realization that he is, in fact, anything but. Marshall Berman explores this modern tragedy beautifully in a dedicated chapter of his book All That Is Solid Melts Into Air: The Experience of Modernity.
Out of the nihilistic and hedonistic Faustian project emerges the birth of the Romantics—champions of "natural virtues" and expressive egotists. Within these dialectical encounters, one can easily trace the early currents of both socialism and liberalism (Pages 98-111). On page 122, Hegel (and Pinkard!) very clearly shows—and this remains strikingly relevant today—that for individuals to express themselves meaningfully, they must conform to certain normative structures within the social space, above all linguistic ones, if only to be understood at all, for “what counts as the individuality if the individual is not something that is the real thing (die Sache selbst) that transcends contingency or circumstance; it is as much a part of the pattern of social recognition as its expressions were taken to be. The attempts of each of the spiritual animals to preserve a part of himself as the real thing turns out to be a deceptive enterprise”. In other words, “the social space” is the absolute medium of “reason”.
This becomes a crucial point in the following pages of the rest of this chapter, where Hegel then moves toward what could be seen as the pinnacle of Enlightenment by briefly, and somewhat obscurely, engaging with Kant. Pages 121–132 are especially important here, as Pinkard does an excellent job of situating Hegel’s ideas in perspective. Hegel clearly appreciated Kant’s attempt to examine reason on its own terms—a genuine pre-Hegelian project—but he ultimately critiques Kant for introducing fixed categories, rather than generating them immanently from within the movement of reason itself.
At this stage, Hegel examines the possibilities of authoritative reason through his own methodology, grounded in the unfolding of European history. This becomes the topic of the long chapter 5. Pinkard takes his time through this chapter—it's not as exciting as the earlier chapters, but it carefully preserves the coherence of Hegel’s trajectory. It’s important to remember, and Pinkard repeatedly reminds the reader, that Hegel’s project does not aim to uncover the sociological details behind historical events. Rather, he sets out to examine claims to authoritative reason as they appear historically, evaluating them according to their own term, their internal logic and contradictions. The first example is that of the Greeks, a society in which the social roles of its members—father, mother, king, soldiers and so on—are pre-defined, and each individual feels “at home” within their role. Hegel refers to this shared set of mores including the divine rituals, as ethics (Sitte), and thus, self-conscious reflective life unfolds within the context of a widely held understanding of ethical life—the Sittlichkeit of the community. This could be seen as the ideal form of society, were it not for its inherent negative force, which Hegel addresses in the pages following (page 144 onward), particularly through the tragedy of Antigone. It is important to recognize that the paradox lies in the inherent conflict within the predefined social roles themselves—not in any external force. This is the essence of Tragedy, and what sets it apart from other forms of storytelling. It is precisely through the internal contradictions of the Greek Sittlichkeit that there emerges what Hegel calls the “unhappy consciousness”; the Hellenistic period. The breakdown of the Greek form of life gave rise to a new social space in which individuals could recognize one another only through purely contingent, legally defined forms of community. This becomes the normative of the Roman form of life. In contrast to the Greek world, the Roman community was held together solely by custom and human law. The major difference in “the way things are” in the Roman form of life lies in the legality of social roles and norms—binding the individual regardless of whether he identifies with them or not. Chapter 5 closes with what Hegel ultimately proposes as the model of the modern Community. The long journey of self-consciousness through its historical unfolding slowly culminates in this point. Pages 180–193, which deal with the actualization of individual will as the authoritative source of reason—especially within the context of the French Revolution—are among the most compelling parts of the chapter. The text becomes somewhat iterative afterward, but the ideas stick. One does not forget.
Chapter 6 shifts the focus to religion—as a self-reflective form of life. It opens with the early impersonal, nature-based religions such as the Zarathustrians, followed by the Egyptian gods, and eventually arrives at the Greek forms. I have to admit this was the most boring chapter. For the careful reader, the repetition of certain concepts—particularly those related to Greek drama and tragedy—feels redundant and unnecessarily prolonged. However, pages 260–268 are dense and powerful: a true condensation of the Phenomenology of Spirit. These pages clearly outline Hegel’s understanding of philosophy as the only communal, self-reflecting form of knowledge that can—and perhaps should—offer an account of ground truth, of absolute knowing. The recap beginning around page 265 is especially sharp; it brilliantly gathers the threads of the entire work into a lucid but dense Coda.
After the Phenomenology, the path leads toward the realization of Geist through the Philosophy of Right. This, too, is no straightforward walk—Hegel undertakes a long, tedious investigation of various conceptions of "freedom." But in the end, the project rests on the possibility of an ethical society: something that resembles the Greek format of Sittlichkeit, yet is grounded not in myth or tradition, but in moral and rational justification. The crucial point Pinkard tries to emphasize here is that Hegel’s vision is by no means a reflection of his own contemporary society, nor is it an endorsement of conformity. This isn’t about validating the status quo—it’s about charting a philosophical map toward a form of communal life that is both rational and ethical, even if still unrealized.