En este libro fundamental, Seven Stories Press presenta una poderosa colección de escritos literarios, filosóficos y políticos del enigmático vocero de los zapatistas, SubComandante Marcos. Con la Introducción del ganador del Premio Nobel, José Saramago, e ilustrado con bellas fotos en blanco y negro, Nuestra Arma es Nuestra Palabra cristaliza, la pasión de un rebelde, la poesía de un movimiento y el genio literario de los indígenas de México. Marcos captura por primera vez la atención mundial el primero de enero de 1994 cuando un grupo guerrillero indígena que se llama a sí mismo "Zapatista", en rebelión contra el gobierno de México, se apodera de poblaciones claves en Chiapas, el Estado más al sur del país. En los ocho años que han pasado desde esa rebelión, Marcos ha alterado el curso de la política mexicana y ha surgido como un símbolo internacional de la construcción de los movimientos de base, rebelión y democracia. Su prolífico torrente de escritos de poesía política, cuentos, mitos tradicionales que Marcos ha recogido desde el primero de enero de 1994, llena más de cuatro volúmenes. Nuestra Arma es Nuestra Palabra presenta lo mejor de sus escritos, muchos de los cuales no habían sido publicado antes en inglés. Nuestra Arma es Nuestra Palabra está dividido en tres secciones. La primera junta sus ensayos políticos esenciales y muestra la evolución del pensamiento zapatista como un movimiento tanto dentro, como fuera de México. La segunda, presenta el pensamiento filosófico de Marcos, sus reflexiones personales e incluye una recolección humorística de sus primeros días de guerrillero, así como sus cartas a otros escritores. En la tercera aparecen muchas historias cortas, cuentos populares, y mitos indígenas que Marcos ha conocido, incluída la premiada "Historia de los Colores". A través de este libro extraordinario oimos la voz no comprometida de las comunidades indígenas que viven en resistencia, expresando por medio de manifiestos y mitos el apremio universal de dignidad, democracia y libertad. Es la voz de un pueblo que rehusa ser olvidado, es la voz la transición de México, la voz de un pueblo luchando por la democracia, usando sus palabras como su única arma.
Subcomandante Marcos (date of birth unknown) is the spokesperson for the Zapatista Army of National Liberation (EZLN), a Mexican rebel movement. In January 1994, he led an army of Mayan farmers into the eastern parts of the Mexican state of Chiapas in protest of the Mexican government's treatment of indigenous peoples.
Marcos is an author, political poet, adroit humorist, and outspoken opponent of capitalism. Marcos has advocated having the Mexican constitution amended to recognize the rights of the country's indigenous inhabitants] The internationally known guerrillero has been described as a "new" and "postmodern" Che Guevara. He is only seen wearing a balaclava, and his true identity remains unknown.
Tons of Marcos's strange communiques from the Lacandon Jungle, from 1994 through 2000. The first half of the book are the (for Marcos) more or less standard reports about Zapatistas actions and invitations to encuentros etc. The second half as the Don Durito the Beatle stories and the truly excellent Viejo Antonio stuff, a mix of Popul Vuh and post-everything rebellion. I wish the editors had just left everything in chronological order because reading one kind of missive for while gets a bit tiring. blah blah, dignity, blah blah, 500 years, blah blah, neo-liberalism, sudden burst of poetry. Marcos didn't write it like that. He'd send out some heavy, serious call to "arms" and then get all weird and 'deep Mexican' in the next. I don't think it does his writing any service to split it up by category like this. Also, they could have used a better copy editor. I am tired of typos. Publishing industry: PAY FOR EDITORS. Can anyone recommend a collection or a history that would take me from 2000 to 2010 with everyone's favorite central american guerillas?
On New Year's Day 1995, the day the NAFTA Agreement came into force, a group of indigenous Mexicans, manly armed with wooden guns, occupied five towns in the southern state of Chiapas: they were fighting to be seen, yet their leader wore a ski mask and his face was never seen. The politics of the Zapatista rebellion (named for the national liberation leader in the early 20th century) are quite brilliant and paradoxical – a fight to be left alone, a fight to be seen, a fight to demand that Mexico lives up to the provisions of its constitution. Subcommandante Marcos – the leader wasn't even the commandante, that is the people – is a writer of great power whose work presents some of the potent critiques of contemporary neo-liberalism.
These are politics for the new millennium that are designed to build space and world for the marginalised, the subaltern, the unseen, the indigenous people. These are politics that are against neo-liberalism, against the state, against the power of the plutocrats, the bourgeoisie, the old families who hold power because they have always held power, and politics that are for localities, for the people, for democracy and the right to be: this is a way of being indigenist that challenges the basic claims of bourgeois democracies and also refuses to presuppose a single answer for us all.
Terminado de leer hace mucho, me faltaba tiempo para la reseña. Le doy 3 1/2.
El Subcomandante Marcos es el vocero y estratega de los zapatistas, un movimiento insurgente indígena basado en México, Chiapas específicamente.
En los diecisiete años que han pasado desde esa rebelión, Marcos ha alterado el curso de la política mexicana y ha surgido como un símbolo internacional de la construcción de los movimientos de base, rebelión y democracia.
"Nuestra Arma es Nuestra Palabra", está dividido en tres secciones. La primera junta sus ensayos políticos esenciales y muestra la evolución del pensamiento zapatista como un movimiento tanto dentro, como fuera de México. La segunda, presenta el pensamiento filosófico de Marcos, sus reflexiones personales e incluye una recolección humorística de sus primeros días de guerrillero, así como sus cartas a otros escritores. En la tercera aparecen muchas historias cortas, cuentos populares, y mitos indígenas que Marcos ha conocido, incluída la premiada "Historia de los Colores".
Las palabras de Marcos aquí expuestas son las de un poeta revolucionario (como detesto está palabra), llenan un libro valioso de lucha y dolor, alegría y resistencia, cuya visión surge de las aspiraciones de quienes apoyan sus esperanzas en él.
El libro vale la lectura, a pesar de tener algunos discursos repetitivos o desgastados que van de la mano con el cuentete izquierdoso, Marcos escribe con un particular punto de vista sobre tópicos rancios llenos de fracasos y traiciones.
Read for the third time in October 2015. Original review below.
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I first heard about Subcomandante Marcos in a writing class three years ago but never got around to reading any of his publications until more recently. But once I cracked open Our Word is Our Weapon, I was hooked. Marcos writes about the history of the Zapatista National Liberation Army and the physical fights they've had to go through to get the slightest bit of attention. He writes of them being blown off or being regarded as terrorists. He tells tales of their struggles for acceptance and identity. Marcos does all of this in a fantastic series of essays, manifestos, histories and fairy tales to bring together a picture of what indigenous Mexico has looked like in the past few decades.
Marcos is the clear face of the EZLN movement, and his eloquence at writing these essays — some of which included letters of solidarity to other freedom fighters or letters of pleas and contempt for world leaders. They are all a powerful look at the oppression and discrimination the indigenous Mayans of Mexico have faced. If you know anything about Mexican politics (or American politics, for that matter), Our Word is Our Weapon is a must-read. And even if you don't know anything about politics, it should be required reading to learn about the struggles and plights of oppressed citizens around the world.
"Once upon a time, there was a lime who was in torment. “I’m neither a lemon nor an orange,” it told itself, worrying a great deal as it hung from its tree. It looked and looked at the oranges on their tree and the lemons, too, and grew even more tormented because it didn’t belong anyplace. Then Saul and Andulio came along, cut the lime down from its tree, and began playing soccer with it, using it for a ball. “I’m cured!” shouted the ex-lime, as Andulio dribbled to Saul and kicked it toward the opposing goal, which was, of course, a chicken coop. The yell—G-o-o-o-o-a-l—woke up a little piglet who, thinking he was a chick, had been sleeping on a roost in the chicken coop. Tan-tan.
"We are the end, the continuation, and the beginning. We are the mirror that is a crystal that is a mirror that is a crystal. We are rebelliousness." Wearing masks so they might have a face, going nameless so they might be known, dying in order to live . . . Upon consulting with the dead in the mountains, the Zapatistas demand everything for everyone and walk in a world with many worlds. Marcos is a master of the communique, but I probably enjoyed the stories of Old Don Antonio the most, where the shaman weaves together Mayan myths with contemporary struggles against Power and Money. ¡Todos somos Marcos!
Subcomandante Marcos has a way with words. He relays his political ideology through a series of whimsical and humorous short stories and essays. He brings the real-world tragedy of a people to light, in a way that is not preaching nor heavy handed, but lyrical and beautiful. An enlightening read, and one that will change the way you look at society, and the plight of the Zapitista movement.
the actual content of this is absolutely glowing but i think the missives suffered from anthologizing; much better to encounter these more spontaneously, as momentary portals in potential futures rather than a collection of essays; they’re not essays. they are communiques. to me they run the risk of blending and losing their revolutionary form/feeling when read together in succession like this
Over 400 pages of Zapatista writings are collected here, from communiniques to media and UN outreach, to rich works of picaresque fiction and indigenous mythology. All in all it gives a multidimensional scope to the Zapatista uprisings in Chiapas from 1994-1999.
“We are sorry for the inconvenience but this is a revolution.” - Subcomandante Marcos
In 1984, the Zapatista National Liberation Army (EZLN), otherwise known as the Zapatistas, were formed in the Lacandon Jungle of Chiapas. They communicated with each other and built up their army for 10 years. When the Mexican government decided to privatize indigenous lands and sell it off to multinational corporations, the Zapatistas began an uprising on January 1st, 1994, the day the North American Free Trade Agreement (NAFTA) went into effect.
The Zapatistas describe their struggle as a continuation of 500-years of indigenous resistance, they declared war on the Mexican government. This was an indigenous rebellion against the Mexican state. The Mexican government accused the Zapatistas of violating Mexico’s “national sovereignty”, in other words, Mexico’s right to occupy indigenous lands. They accused the EZLN of creating a “state within a state” by forming an autonomous zone.
The Zapatistas are made of indigenous Mayan people of Tzotzil, Chol, Tzeltal, Zoques, and Tojolabal. They view the Cold War as World War III, and their war against neoliberalism, as the Fourth World War.
The Zapatistas synthesize strands of Mayan tradition, liberation theology, anarchism, and Marxism into what they describe as Zapatismo. They reject political categorization and consider their practice to predate colonialism and always evolving.
Zapatismo is probably the closest thing I can find to describe my thinking: being exposed to different ideologies, and consolidating it into one thought, if that’s possible. A world in which many worlds fit.
This was a really different book. Owning to its reputation of Subcomandante Marcos's political essays and personal writing, the book is divided into two main structures with the first part detailing the struggle of the Zapatista Army of National Liberation. There are many profound observations and lessons in their political writing, which commented on the downsides of several ideologies, especially capitalism and neoliberalism. And yet, with such a heavy subject, the second half of the book enters the boundaries of magical realism as we see more about the person behind the mask. While the first half was about the collective will and stories of the Zapatista, the second half reveals Subcomandante Marcos's invigorating spirit and artistic expression, displayed through seemingly children's "tales" that are inspired by both his experience and indegenious traditions. In that sense, we see more of the intellect and, more importantly, human facets of Marcos who portrayed his love, desire, hope, despair, wants, needs, and reflections between the lines of his stories. The book is very different, and that's what makes it so beautiful and special in its account of human struggle...
This book sheds light on the EZLN movement through the speeches and writings of Subcommandante Marcos. The texts are political statements, but they are also playful and evocative, and, at times, even mystical. Everyone who cares about social justice, leftist politics, and indigenous sovereignty should read this book. The Zapatistas are truly an example to us all as we try to build more just societies under late stage capitalism. You will find in these pages an account of how imperialism functions in Mexico and how a group of indigenous-led activists were able to capture and hold territory against the state and extractive industry. The book also gives insight into the wide breadth of the Zapatista movement and its different initiatives (armed insurgent, medical / humanitarian, and educational).
This work of poetry, speech and parables was a very slow read for me. At some points throughout, the flowery language and poetic rhythm was a bit disengaging and repetitive. Regardless, I found deep meaning through the learning of the EZLN struggle, all the way through the afterword. I was surprised to find deep within this book letters from EZLN SubCommandante Marcos to imprisoned Americans Mumia Abu Jamal and Leonard Peltier.
Recommened if you are interested, determined, into poetic and literary speeches, and have other reads to go back and forth with.
“For some strange reason, the Zapatistas speak to the future. I mean our words don’t fit in the present, but are made to fit into the puzzle that is yet to be finished.”
To plant the tree of tomorrow To open a crack in history That is what the Zapatistas want
Democracy! Liberty! Justice! Vale.
PS Thank you MLS for assigning this book. I think you knew what you were doing
[...] Tojolabal Comandante Tacho asked him: “What do you think of the conch?” “What conch?” asked the Sup, in the Zapatista method of answering a question with a question, the eternal game of questioning the mirror
This is unfortunately poorly edited. There is about 200 pages of passionate political writing here, and about 100 pages of cute fairy tales. Either of those on their own would make a great book, but putting them together into a giant 400+ page book makes it less than the sum of its parts
It's not exactly a light hearted page-turner and I found the missives from the 90s out of date, but the other stories were interesting and surprisingly fun as well as deep
En este libro el revolucionario Subcomandante Marcos cuenta la historia de la revolución. Es un colección muy grande de obras de poesía, ensayos de política, y cuentos. Enfoqué en la tercera parte en que Marcos cuenta las historias graciosas de Don Durito de Laconda que es una parodia de Don Quijote. As veces la narrativa me hace reír. Otras veces lo me hace rasguñar la cabeza y me pregunto, "Qué?" Las acciones y plática de Don Durito no hacen mucho sentido as veces pero vale la pena leer por el entretenimiento.
zapatista, globalisasi dunia, negara-bangsa, dan cerutu kuba.
sebuah buku dengan berbagai kisah tentang mereka yang terpinggirkan, tertekan karena pilihan, yang setia menjaga nilai-nilai warisan dari tanah kelahiran.
perjuangan tak melulu soal peluru dan senjata, selalu ada 'ruang untuk kata'. karena bagi marcos, kata adalah sebuah senjata.
This collection of writings by the head of the Zapatista movement in Mexico tracks the growth of this important grassroots rebellion against neoliberalism. Don't expect a dry read; Subcomandante Marcos is an clear and poetic writer with an enlightening message.