A few notes before I begin reviewing this book:
1. I hate it when someone gives a book a bad rating because it is in a genre they do not enjoy. I bring this up because I suspect there are aspects of this book that bothered me which would not bother someone who reads and enjoys romance (particularly category romance) a great deal. I usually don't read romance unless it has historical or fantastical elements, or if it makes me laugh; however, there have been some science fiction romances I read and enjoyed a great deal, such as Eve Kenin's Driven and Hidden, and I even liked Mancusi's own Moongazer, which was also part of the Shomi imprint. So I don't think that's what happening here.
2. This is a zombie apocalypse book. I'm not as into zombies as a lot of people, though I have read zombie apocalypse stories I enjoyed and thought were better than this one, such as The Forest of Hands and Teeth series and Xombies. I had many of the same problems with this novel as with Ann Aguirre's Enclave, although the setting of the latter was more vividly realized and the characters had greater depth. Razor Girl did not feel very original to me, but I also had the book for awhile before reading it, and I don't think zombies were quite as ubiquitous in 2008. So I am trying not to let the fact that zombies feel terribly trite to me now affect how I review the book.
With that out of the way, I really wasn't crazy about this book.
Molly Anderson is a cybernetically enhanced 21-year-old who has just emerged from the bunker in which she and her mother lived for 6 years, advised to do so by her scientist father. When Molly entered the bunker, the world was just starting to crumble around her: people taking ill from a disease that gave them the graving for human flesh. Molly's father gave enhancements to protect her---ocular implants with GPS and life sensors and razors under her fingernails, like a character from the novel Neuromancer--, trained her as a fighter, and instructed her, when the bunker opened, to find her way to Disney World where her father and his scientist colleagues would be waiting to revive civilization. Molly plans to do so, but first she encounters a friend from her past, Chase Griffin, who has been holed up in a Walmart with his friends, brother, and a group of small children. Chase and the children join Molly on her journey, but will they be a help or a hindrance? And when she reaches her destination, what will be waiting for her?
I wanted to like this novel, I really did. I like a kickass heroine, and Molly was, albeit a reluctant one. Which can work; part of what I thought was so appealing about Buffy, for instance, was how her role as Slayer robbed her of having a normal life, and how much she suffered because of it. And Buffy at least looked like a normal person; Molly's ocular implants can't be removed (the cover shows them over her eyes like sunglasses, making me wonder if "implant" is even the right word), so she is going to look like a misfit whether or not she chooses to follow her destiny to Disney World. This would be enough to cause her great distress, to be sure. However, more often than not, we are told about this distress, rather than seeing it where it originates or how it affects her. Molly outright says to her father "I just want to be normal!" and shows some concern over Chase's reaction to her appearance at one point, but it seemed like there were a great many lost opportunities to show how "freaky" Molly thinks she is. If we had more evidence of people reacting badly to how she looks, or if we got to see that the cybernetic enhancements were just the last straw in an already troubled relationship, I think Molly would have been a much more interesting character.
Molly was simply boring; the bulk of my vitriol has to be reserved for the "hero" of this novel, Chase (originally Chris). I suppose it's a good thing that I didn't always dislike him for the same reasons, but all the same, he annoyed me throughout much of the novel. The story alternates between scenes taking place 6 years earlier, when Chris and Molly were teens, and when she emerges from her bunker in the current day. When they were teens, Chris had an unrequited crush on Molly, his "goddess", while she just saw him as an annoying geek. Which, to me, he was; and I like geeks. Chris seemed to constantly thinking: "Why doesn't the hot girl see the real me?" That's an okay place to start the relationship, especially considering they are both 15 at the time, but I never felt that Chris the adolescent or Chris the adult ever saw past Molly's appearance to her personality (though, to be fair, she hardly had one). Chris makes some idiotic choices throughout the novel, some of which seemed like the author was trying to introduce believable flaws, but without giving him any strengths to make up for it. I appreciated the role reversal between the two characters, in that Molly had to rescue him more than the other way around, but not the incompetence that led to his need to be rescued. What bothered me most, however, was the fact that he was either trying to protect Molly or feeling bad that he wasn't able to, and given that she was a superhuman warrior, I lost my patience. I have no great love for macho posturing, and when it's a character without the wherewithal to live up to it, I like it even less.
This novel had potential, I thought. As much as I hate Walmart, I liked the idea of the kids living there, looting for medicine and clothes, and growing food in the gardening section. I like the idea that the conspiracy nut was right, and would have enjoyed seeing more of Molly interacting with her father, rather than just dealing with his reputation at school. And having the destination be Disney World was inspired, if it had been put to better use. This was a novel that kept me interested enough to read up to 30 pages from the end . . . and then go "well, I am not going to stop reading with only 30 pages left" and finish it despite my annoyance. And, with its wasted potential, trite storyline, and shallow characters, there was plenty of annoyance to be had.