2.5
June, 2018:
Ok, I literally wrote this review a 10000 years ago back in November, 2017 and hot damn, looking back at it now, I was seriously salty whilst writing this. So, please, excuse the snobby and whiny undertone. Ew. This book is still bad though, so at least that hasn't changed.
November, 2017:
People think what they want. That's what I've had to accept," he says. "I can fight it, but that's exhausting. I can feel hurt about it, but that's torture. Or I can decide it's their loss,".
I had a lot of trouble rating this book, because on one hand, I thought it was a very atmospheric, sweet, thought provoking story, whilst on the other, an average contemporary with a flat plot and lots of melodramatic behavior and events.
Also, side note: I have not read (nor watched) Thirteen Reasons Why, and will, therefore, be unable to compare the two books. Hence, if you're interested in reading a review placing the books back-to-back in an in-depth, analytical comparison - cheerio! Bye for now. In this review, I will be focusing solely on What Light, and my very mixed and confused opinions on it.
What I liked:
✔︎ - The Christmas atmosphere. During wintertime, I think many people like to surround themselves with different festivities and merriment, that help generate that glorious Christmas atmosphere. Truthfully, I'm one of those people too. I really do like to read Christmas books in winter - they simply get me excited and happy and, you know, help build up that beloved anticipation of Christmas - no matter how cliche that might sound. I am highly thankful for the ambience created in this book - maybe, not everything about it was great, but anything that helps build that Christmas jubilance is worth reading, if you're like me.
✔︎ - The message. I like and value contemporaries with a purpose and/or a message worth hearing, and I think Jay Asher really deserves applause for the matters and problems he decided to include in this book. It was a bold, but very impressive move on his part. One of the characters in this book has a dark past - to put things simply - he does something awful. Truly, what he did was ... well, awful. But,this book focuses on mistakes and forgiveness. We're all just people, and whilst we like to think otherwise, in the end, we all makes mistakes. Big or small, we all make them. But, we're all doing the best we can. Caleb's a great example of redefining (I absolutely love that word) oneself. And whilst we can't erase the past, we can create a better future. Lots of respect for the author.
✔︎ - Caleb was great. I liked Caleb, and his mindset and his determination to become the person he has the potential to be. Whilst he was too often, described as simply 'cute', I thought he was very polite, caring and warm-hearted - and whilst he accepted and strongly regretted the past, he didn't let it hold him back from rebuilding his morals and person.
✔︎ - It was very enjoyable. And entertaining. Despite the darker, brooding side - it was a pleasure to read, and I think, that if you're looking for something that I like to call, a 'relief' book, you should pick this up... because it really is an easy and quick-to-read kind of book.
What I DIDN'T LIKE:
✘ - The melodrama. We've all been through tough times - each and every one of us, that is for certain. Yet, oh my Lord, the drama in this book was INSANE. In the first chapter, the main character is soon to leave for California (not a spoiler, btw) for a month... not a big deal, right?
Um, as if.
It got so damn depressing, I was actually surprised . Like just take a look:
"Please don't do this," I say. "You'll make me cry again. I just want to get through this week without—"
"But it's not a week!" she says. "It's two days. Two days until Thanksgiving break, and then you leave for a whole month again. More than a month!"
I hug Rachel's arm as we continue walking. Even though I'm the one leaving for another holiday season far from home, Rachel pretends like it's her world that gets turned upside-down each year.
Yeah, like moving to California for a month turns your world upside-down. Girl, have you got no bigger problems?
At least she acknowledges the melodrama one page later, before being melodramatic once again on the exact same page. Take a look:
I point to the tear in the corner of my eye. "Do you see what you did? They're starting."
Have these characters never actually experienced anything worse than being apart from each other for, oh my goodness gracious... 1 MONTH. Like how can one possibly live through such agony?
The funny thing is that, I'm certain, Jay Asher knew how dramatic this scene was. I wish people would stop taking teenagers as melodramatic emotional wrecks. Like, yes, that's exactly what we are. But come on, the only time we actually become melodramatic emotional wrecks is when the fridge is empty.
I'm kidding, chill. But, not all of us, cry over such small things.
Alright, I'll stop now. But, it was frustrating.
✘ - The occasional fickleness and repetitiveness. If you took a penny each time Caleb's dimples were mentioned, you'd be able to pay the tuition for my dream university. Jokes. No, but for real... it was frustrating how many times she swooned over them. Also, the number of times the adjectives: 'cute', 'hot' and 'good looking' were used to describe guys was kind of unnecessary. I get that the guy was hot and super attractive, but maybe cut down on the word count, a little? Once is enough. There are different words too, like 'intelligent', 'caring', 'kind', 'trustworthy'. And Sierra comes off as an intelligent, well spoken girl, who uses words like 'peruse' and 'complacent'. It's great to see characters using such big words and being well spoken, but why can't they use big words to describe people too?
Plus, there were too many major, totally unfeasible coincidences. Like, she meets Caleb while stapling a poster to a light pole, and then she meets him again at the lot, before bumping into him, ONCE MORE at the Hoppers' lot and then... surprise, surprise... she happens to go to the exact restaurant he works in. Yeah, I wish it worked like that.
✘ - Sierra. The thing with Sierra, the main protagonist, is that she did have the potential to be a cool, interesting heroine, if not for ... well, pretty much everything. I won't beat about the bush - Sierra was one annoying character. She was way over-dramatic at times, impolite, petulant and just, straight up, unlikeable. Alright, alright, I liked her confidence, her standards and her need to care for the things she loved... but, we all like a heroine which we can support and not roll our eyes over their actions, and stupid decisions. There were times when I liked Sierra, and there were times when I didn't. And it's not a very balanced ratio. Imagine blowing up a huge balloon, and then watching it pop and whizzing around the room, before flopping to the ground, deflated, like some kind of badly flipped pancake. That's the case with Sierra. The author tried so hard to make her fierce, and confident, that it was just an overload, and what had intended to be a strong character was just a huge mess. Like I mentioned earlier, I appreciated Sierra's confidence, but it sometimes felt like it was bordering on arrogance. Why can't we have female characters that are confident and strong, but also kind? I hated the way she treated Andrew at the beginning. Whilst, later on, his actions really weren't too great, I hated how disrespectfully she treated him, using her parents authority as a way to shut him down.
✘ - All that... whining. Another thing was bugged me quite a bit, was how moping and complaining this entire book was. Sierra keeps on worrying about the day she'll have to leave Caleb, instead of actually enjoying the time she's got left with him. Instead of simply accepting the fact, that she will one day have to return back to California and living her life at the fullest, she keeps on worrying and whining how it's not fair and how she wishes she could stop time. If Sierra really was the intelligent, practical girl she's meant to be, she would acknowledge the truth, just live her damn life in the present and plan for the future. Long distance relationships exist... there are so many people out there who keep things going that way. It. Is. Manageable. Maybe not perfect, and convenient, but manageable. Sierra makes it seem like the end of the world. Also, Heather really got on my nerves too. Her constant complaining about her boyfriend was just frustrating to read about. While, I did like her towards the end, the way she talked about Devon, who kind of annoying too, was really disrespectful and rude, and not worth fawning over.
✘ - The poor plot-line. This didn't really strike me whilst reading, but when I finally put the book down, I realized how poor the plot was. It just felt a prolonged tunnel, which we, the readers, need to drive through in order to get to the 'oh so forbidding, terrible, goodbye' day of Christmas. There were, of course, different events and situations, but nothing that could really improve the plot and make it original. It wasn't boring or terrible, but it might not be the best action packed, OH-MY-GOD-WHAT-A-PLOT-TWIST kind of story to reach for. It was a tad (and by tad, I mean: very) predictable. Sadly.
Alright, all in all, this might not have been the most ambitious, incredible book on my shelf, but it definitely did have its pluses. Apart from it being irritatingly cloying, I do recommend reading it if you're looking for a quick, fun contemporary. It was perfect for the Christmas season.