Even Neal Shusterman's fans might not know that UnBound was far from his first published collection of short stories. The mid-1990s brought us Darkness Creeping and Darkness Creeping II. The years 1996-2000 added Mindquakes: Stories to Shatter Your Brain, Mindstorms: Stories to Blow Your Mind, Mindtwisters: Stories to Shred Your Head, and Mindbenders: Stories to Warp Your Brain, each of which ranged from good to great even by the sky-high standard Shusterman set for himself. Then came UnBound in 2015, the capstone to his electrifying Unwind dystology, and Neal Shusterman proved as excellent at spinning short stories as he'd been twenty years earlier. From longtime favorite protagonists—and villains—to new characters presenting fresh ethical dilemmas, the ten stories in this collection remind us why the Unwind dystology is a masterpiece, a concept so well considered and executed that it's difficult to think of any YA author who did better. UnBound visits some dark places, but you'll understand your humanity better for the journey, and that's the most significant thing a book can achieve.
UnSchooled starts us off with Jasper, a young student from a wealthy family, who would give anything to step back from his prep-school upbringing and join the local gang of feral teens. He admires Alph, the gang's unquestioned leader, who grudgingly lets him hang around from time to time. Jasper would rather be like him than his own boring, angry father. Jasper believes he's on the verge of Alph accepting him into the gang, until one day Jasper makes a blunder and Alph's weighty retribution lands squarely atop him. Alph is just an impoverished kid; looking up to him was a mistake. But Jasper is clever and has a mean streak of his own, and he'll come up with a way to get even. A new law pending approval after the Heartland War is intended to solve the problem of feral teens like Alph. "Unwinding" sounds gruesome, but it's a powerful weapon for those with the wherewithal to wield it. How will a kid like Jasper use his wealth and privilege to do so?
Co-authored with Michelle Knowlden, Unfinished Symphony portrays life in the state home with Risa Ward before the unwind order that set everything in motion. The main character is sixteen-year-old Brooklyn Ward, training to be a military boeuf. Brooklyn is dynamic at combat, but her temper gets her into fights, a harmful vice in the era of unwinding. Overcrowding at the StaHo means teens are regularly selected for unwinding, and the worst-behaved and least-promising are always the ones taken. Brooklyn isn't like Risa, who's never punished for wrongdoing. Risa's beautiful piano-playing captures even Brooklyn's imagination, as much as she resents the girl. Brooklyn isn't worried about missing the next "cut" and being unwound until several things go wrong at testing and she has a pair of loud fights. These demerits drop her below the unwind line, but Brooklyn has a contingency plan: thirteen-year-old Thor, a deaf kid and tech wizard who's a friend of hers. He can hack into the database and fudge Brooklyn's test results so someone else gets the axe. But with whom would she deliberately swap her death order? Sentencing anyone to be unwound is no small matter, but Brooklyn won't forfeit her own life. There's no going back once this decision is made.
Next is UnDevoured, a story Neal Shusterman wrote with his son Jarrod. Young Roland Taggart survived a super-aggressive stepfather on the way to earning his reputation for toughness. Bad luck while surfing once pitted him against a shark in a fight, much like the shark Roland has tattooed on his arm that will eventually wind up on Connor Lassiter's body. We read not only about the pressures that shaped Roland into the pitiless person he became, but how he learned to triumph in any situation through machiavellian tactics and his own brutal rage. UnDevoured is followed by UnClean (co-authored by Terry Black), the first story that delves into ethical concerns. Jobe Marin feels empty when his parents sign the order to unwind him. He's never accomplished anything and probably wouldn't have, but fate intervenes to prevent the division of his bodily assets. Doctors discover that Jobe has terminal cancer, and his organs are no good to them. After an AWOL advocate program rescues him, Jobe becomes the center of controversy for Heath and Anissa, the two people in charge of it. Heath's researchers have developed a way to mask the symptoms of cancer—or any deadly disease—at the cellular level, so carriers aren't rejected by the unwinding industry. If unwound parts start inexplicably making transplant patients sick, it will end unwinding. Anissa hates the idea. Her firefighter father died years ago saving lives, and willfully killing thousands of people is the last thing he would have approved. Heath and Anissa heatedly clash until an emergency puts her in position to be a hero like her father, but not without an equally extraordinary effort. What will Anissa do when presented with a conundrum where right and wrong seem indiscernible? Can the anti-unwinding movement survive if the good guys forget why they're fighting?
UnStrung, co-authored by Michelle Knowlden, is the crown jewel of UnBound. After Lev Calder ditched Connor and Risa halfway through Unwind, he made his way to sanctuary on the Arápache Reservation before passing out from exhaustion. He awakens in the care of the Tashi'ne family. Heart full of bitterness, Lev is soothed by Wil's almost magical guitar playing. Still only an adolescent, Wil's gift is to ease burdens through his music, and Lev grows close to him as he adapts to life in Arápache country. The culture is different, but there are many appealing aspects of it. Wil prefers free-flowing Arápache education to the typical American version. "It even prepares kids for university every bit as well as your system. We learn because we want to, not because we have to, so we learn faster. We learn deeper." Installing love of learning rather than rote sets of facts lays the groundwork for a lifelong education that can't be completed in thirteen years of childhood and adolescent instruction. Lev meets Una Jacali, Wil's fiancée, and observes the uneasy dynamics of Wil's family. His talent for music is viewed as a responsibility, to ease sorrows and heal broken hearts and minds, and Wil isn't always happy about being obligated to serve his community first. He dreams of performing under the bright lights of world-class venues where millions can appreciate his gift. The Tashi'nes aren't sure his priorities are right, but Wil proves his purity of heart on a recreational outing with Lev and a bunch of younger kids from the rez, when parts pirates try to abduct several of the children. Wil won't allow them to be harmed even if it means sacrificing what gives his life meaning. Wil's actions impact every novel of the Unwind dystology, and give UnStrung a haunting and emotional ending.
Neal Shusterman teams up with son Brendan for Unnatural Selection, one of this book's more thoughtful stories. After his parents ordered his brother Ryan unwound, Colton left home and is now in Thailand trying to make sense of life. He meets a charismatic girl named Karissa and the two have drinks and conversation, sharing life stories, but she abandons him in a taxi that turns out to be headed for suffering and horror. Colton is now prisoner of the Burmese Dah Zey, whose unwinding is particularly barbarous. The Dah Zey have been known to prolong an unwinding for weeks as the victim's body is sold at auction piece by piece. They eschew dealing in gray matter, so the victim certainly ends up brain dead. But Colton hasn't heard the worst of the Dah Zey's atrocities. Dr. Rodín's wing of the facility creates freak human/animal hybrids, and he takes more "volunteers" every day as fodder for his experimentations. Kunal, a teen from the India/Asia region, has four hands and no feet, moving like a monkey, acting as Dr. Rodín's assistant. Persuading Kunal to defy his master and join an escape attempt is Colton's last shot at freedom, but does Kunal see himself as Dr. Rodín's victim? Can Colton's Thailand adventure end well for him and the friends he's made in lockup under the Dah Zey?
A short interlude, UnConfirmed, bridges Unnatural Selection and the next story. Hayden Upchurch is thriving in the afterglow of UnDivided, his radio show expanding nationally and globally. Today he has an appointment with Grace Skinner, whose newfound wealth has gone to good use. UnConfirmed is primarily a conversation between Hayden and Grace, catching us up on what occurred after the Unwind dystology, leavened with hints of what happened to certain characters. Because of these hints, a simple story lacking drama or suspense possesses an emotional core that makes it worthwhile. UnTithed (written with Michelle Knowlden) is a return to mystery and action with Miracolina Roselli trying to sort out her inner conflicts after her part in UnWholly with Lev. She volunteers at her church's soup kitchen and community shelter, helping AWOL teens find sanctuary from unwinding with a local group. Bryce is a smart AWOL who knows to run when someone suspects he's on the lam from the Juvenile Authority, but Miracolina convinces him to head to "Jack and Jill Exterminators", a front for some friends of hers who hide AWOLs. Jack and Jill are pleased to help, but Jack confides in Miracolina that an unknown informant is feeding the Juvenile Authority information on them, and Miracolina shouldn't bring any more kids. Who would sell out lonely, desperate teens to the government? Miracolina has no idea, but Bryce might, and he's the only one capable of exposing the mole. Sometimes Miracolina can't imagine how AWOLs continue on when the world seems to believe they're just a collection of human organs worth more as medical assets than as whole people. "How do you dream of a future when you're not supposed to have one?" she asks Bryce in a moment of forthright inquiry. "How do you keep going when the world has disowned you?" Bryce found his answer a long time ago. "I keep reminding myself that I'm right, and the world is wrong." When the majority insists you're subhuman, the only way to not be crushed under their collective weight is to know they're wrong. You're as valuable as anyone, and the deeper that awareness runs in you, the stouter your resistance will be in a war for your very existence.
"Genius serves no one if it never makes it out of your head."
—UnBound, P. 60
Whatever happened to Camus Comprix, Roberta's prototype rewind who starred in UnWholly, UnSouled, and UnDivided? That question is answered in Rewinds, a profound exploration of what it means to be human. After the demise of Roberta and Proactive Citizenry, Una Jacali and Cam—now married—have taken on the responsibility of caring for the other rewinds, virtually new teens stitched together from dozens of unwinds. Their minds are as jumbled as Cam's once was, full of nonsense they won't be able to decipher before charting their own individual mental landscapes. Rewind #00039 is as disoriented as any of them, but he chooses a name for himself—Keaton Miguel Shelton—and Cam mentors him in learning his new body and brain and how to exert control over both. "The world is full of bad ideas that turn into wonderful things," Una tells Cam, and the herd of rewinds are slowly but steadily proving her correct. Stitching together new humans was an act of hubris, but Cam's gentle coaching is transforming the rewinds into a nobler lot than Roberta envisioned. All except #00047, "Dirk". Dirk's parts don't seem to have come together as a real human. He moves, and thinks, but there's no discernible soul behind his eyes. Dirk reinforces Dr. Pettigrew's assumption that the rewinds are closer to animal than human. Dirk is only a problem for Cam and the others in the rewind compound, fenced in on the Hawaiian island of Molokai, until the seemingly soulless rewind escapes and disappears among the populace. What will happen to Cam's humanitarian project if Dirk hurts someone? The jaded rewind must be captured, but Cam may not be equipped to handle this mission. Can Keaton, who's much closer to Dirk's unintegrated state than Cam is, rein in his troubled peer before Dirk burns the rickety bridge connecting the rewinds to the rest of the human race?
Cam, Keaton, and Dirk's situations are full of connection points to the real world. The rewinds never fail to surprise; experts theorized they were like their own species and would be attracted to one another like animals of any species, but the rewinds find each other physically unappealing. Discolored patchwork skin, scars and stitches, awkward movement of the limbs, bizarre speech patterns...they're a peculiar sight. If rewinds are just parts of normal humans cohabiting the same body, and humans are attracted to youth, beauty, and intelligence, why would they be drawn to "monsters"? Try as some rewinds do to tame their hormonal instincts and be pleasant, civilized people, it takes only one or two bad rewinds to taint them all in the public eye, undoing the work of the others to bolster their communal reputation. Keaton isn't a monster. He's not dumb, out of control, or evil, but people who judge him by Dirk just see two criminals they want locked up. What should you do when people don't care if they malign your reputation even if you've done nothing wrong? All you can do is live as exemplary a life as possible and not be drawn into bad behavior by those who take an immoral path. Make the most of your moments out of the spotlight to work on your flaws and cultivate yourself as an individual worth knowing and loving, and you'll be surprised what may come. "Being ignored has its advantages," Una points out to Cam. "Dignity doesn't grow under a microscope." Maybe some of the rewinds will eventually blend into society and not be viewed as a subspecies. Maybe all kinds of people can get along and accept one another regardless of superficial differences.
What was the fate of Argent Skinner, unwilling valet for international parts pirate Divan Umarov on his private jet, the Lady Lucrezia? In Unknown Quantity, Divan believes the Connor Lassiter regularly appearing with Risa on television is an impostor; he witnessed Connor's unwinding himself, so how could the Akron AWOL be alive? Argent knows how, but he's not about to admit his part in it to Divan. That would guarantee an agonizing death. Argent must continue serving Divan with no end in sight, sorry a life as that is. But something interesting happens when Divan's sister Dagmara boards the Lady Lucrezia with her ne'er-do-well teenage son Malik. Divan and Dagmara are extravagantly wealthy, executives in the family business of pirating unwound parts, but their relationship is contentious at best. Civility is further strained when Dagmara brings a Mr. Sonthi with her for the visit. A representative of the Dah Zey, Sonthi proposes merging business interests with Divan, and has Dagmara's full support. It's a deadly game of wits and betrayal with an unfathomable fortune as the jackpot, and all parties play exquisitely. Divan has Argent, though, and strangely enough that might tip the balance...though not in the way you likely expect. The end of Unknown Quantity is surprising and poignant, a good conclusion for this book and for an overall story a decade in the making. When Neal Shusterman puts that much time into something, it's bound to be all-time great.
In my opinion UnBound doesn't measure up to Unwind, but no other book in the series does, either. The quality of thought in these pages is remarkable, but the soul-blistering nuclear potency of Unwind isn't rekindled, nor did I expect it to be. That's a once-in-a-lifetime accomplishment for almost any author, though Neal Shusterman arguably has done it multiple times. UnStrung is the best story of this compilation; it affects so much else beyond the limits of that particular short story. Rewinds is next best, breaking new philosophical ground while never failing to keep the reader's rapt attention. UnTithed is third best, so Michelle Knowlden wins my vote as best co-author. I'd rate UnBound three and a half stars, and I'm not sure I can praise Neal Shusterman enough for what he does. His Unwind world may be the best I've encountered in literature. I no doubt have said this before, but I'll repeat myself: We are lucky to have him.