Re: Smith's "Lying in Wait" (his best, in my opinion)
Smith's writing style made me care about George O’Leary, the ill-famed former Notre Dame football coach who was fired for lying on his resume. The author's profile brings you up with O’Leary in his Irish Catholic home, then knocks you down with him when news of his embellished résumé first breaks. It ushers you into the team's weight room, granting you access to its sacred rituals. It lets you peek over O’Leary’s shoulder as he pens his own demise. And eventually it transforms you into a juror, prompting you to evaluate O'Leary's guilt or innocence. If I could captivate readers as well as Smith does, I would consider myself a gifted and successful journalist.
Smith is also a remarkable reporter. He seamlessly interweaves action with intimate details and personal anecdotes that make the reader feel as if he or she is privy to privileged information. It’s almost as if he moves in with his subjects, rises to their alarm clocks, eats their casseroles, and says their prayers -- he's the ultimate fly on the wall.
I also admire how he creatively organizes his work. Both the mock résumé format of “Lying in Wait” and the twelve-angled approach of “Crime and Punishment” impressed me. I find the task of organization the most difficult part of writing, but Smith seems to have an instinct for how best to piece together a story. His organization is often symbolic, always inventive, and never stale.