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205 pages, Paperback
First published February 3, 2015
The naked reality of capitalism is today on display. And it's horrible.————
The subject of this book is not merely crime and suicide, but more broadly the establishment of a kingdom of nihilism and the suicidal drive that is permeating contemporary culture, together with a phenomenology of panic, aggression and resultant violence. This is the point of view from which I’m looking at mass murder, focusing in particular on the spectacular implications of these acts of killing, and on their suicidal dimension.There really seems to be two (probably really three, as suicide begins coupled with the mass murdered but is eventually broken off in the latter half of the book) distinct explorations here – there is the “mass murder and suicide” of the title – the inadvertent heroes of a nihilistic society; and then there is the shift of capitalism to semiocapitalism, where we trade in signifiers as opposed to currency, or that the abstract signifiers (the shifting of algorithms, thought capital as worth, and techno-information-as-value) have become the predominant currency. Berardi attempts to link these two – that semiocapitalism is a form which produces nihil, and is in its essense “annihilating nihilism” where the easiest way to grow abstract value is by destroying concrete wealth/structure. He attempts to link this shifting of signifiers – deterritorialization – as the undermining factor creating a culture of nihilism which produces these mass-murders. But, he also focuses a great deal on the amount of time we as society are hooked into the internet, and how the constant exposure to simulation is in its self an undermining factor. And he tries to link this exposure to simulation as a replacement for parental upbringing, where we learn more by exposure to machines and simulation than parental interaction. Also, suicide is originally explored through the confines of these mass killers killing themselves at the end of their rampage, but later in the book he looks at suicide as cultural phenomenon, such as the wave of suicides in Japan in 1977 and some Balinese mass suicides that occurred at the turn of the twentieth century, over 100 years ago. He does eventually bring that focus up the past decade though. If that all sounds a bit jumbled, well, it is.