“[A] beautiful book. . . . This is a must have for all [Bruen’s] fans.”—Jon Jordan, Crimespree Magazine “If you love complex, thought-provoking work, then you’ll find something in this collection to intrigue you. If you love Bruen, there’s no doubt you’ll already have cracked the spine.”—Russel McLean, Crime Scene Scotland Early novellas, short stories, and poetry by the two-time Edgar Award–nominated author of The Guards and London Boulevard . Includes All the Old Songs and Nothing to Lose , considered Ken Bruen's first foray into crime fiction.
The writer/editor/agent Alan Guthrie compiled a list of the 200 most significant noir fictions. On his list were three stories from this anthology of the early writings of Ken Bruen: "Martyrs," Shades of Grace," and "The Time of Serena-May." None of these stories is noir, although there is mayhem in some of them. Guthrie wrote the intro to this collection, and his affection for Bruen is noteworthy. However, the stories are early work, unpolished and in need of editing. There are so many allusions (literary, film, music)that they sometimes seem like a list of quotes held together by narrative. The themes are similar -- alcoholism, alienation, AIDS, The Irish in Britain -- and he hangs on to certain images (the term "Mule-kick" pops up in just about all of the stories). The first story deals with an absolute shit who rebels violently against his mother and his ex-wife. The second is about an absolute shit who contrives a vicious vengeance plot to get back at his old friend because the user he was dating has left him. Only the third story has any charm to it; It tells the story of a loving couple whose lives are changed dramatically by the birth of their daughter. That sounds cliched but it is the best story of the lot. Ken Bruen is worthy of respect and these early works deserve to be collected. However, this is proof that writers evolve.
#13/2011 ... For Bruen aficionados. I, being a ravenous reader of all things Bruen, loved these early tales. See a brilliant author's early style bloom into what is arguably the most stylistically inventive crime writer of the past decade and a half.
No, no, not at all. I don't think Irish noir works for me. At least not of Bruen's ink. Thing is I enjoyed BBC's Jack Taylor series, which are adaptations of Bruen's books and then saw this one on Netgalley and thought why not. Well, here's why not...the style just didn't work for me at all. Choppy, unengaging narratives liberally seasoned with quotes and poetry presenting majority of the characters as basically well read alcoholics of aimless desultory persuasion. Some quotes were actually quite good, but then again should a book ever be outdone by its sampling of other famous literary wares. The progression was interesting to watch, the writing does mature with years, the stories got progressively more readable, but never reached the level of enjoyable. This I believe to be a very subjective view, since this is a highly stylized acquired taste sort of thing. Just really didn't sing for me. Bruen might be one of those singular authors best enjoyed in cinematic form, owning in no small way to the talents behind BBC adaptations (for my money best in the world) and the not insignificant roguish charm of Iain Glen. Thanks Netgalley.
I finished Ken Bruen’s Jack Taylor series and was hardcore MISSING the Irish PI. ⠀ Que me looking for more of Bruen’s work. ⠀ After reading A White Arrest (and hating it) I was scared that maybe I wouldn’t like the rest of his books. Maybe I just liked the JT series...which would be fine, but if I’m going to claim someone as one of my favorite authors I feel like I should like more. ⠀ Well rest assured, I ADORED this collection of early short stories. ⠀ The writing was reminiscent of how it was in JT. Short, descriptive, flowing. HUMOR. The humor was back in full Irish force. ⠀ Bruen wrote this before JT. And you can tell that he pieced together aspects of main characters in these short stories to form his future PI. Even some of the passages are the same. ⠀ All in all, this collection was classic Bruen, literally. And the type of effortless, blue collar writing that made me notch him at the top of my list in the first place. ⠀
Read it if you love Bruen. Shades of Grace and Priest I and II are the best. Overall: 1. The anthology is way too depressing. 2. I'm glad my ancestors left Ireland 3. The men all seem to be depressed alcoholics. One amusing excerpt: "Sixty-two percent of Australians prefer surfing to sex. Eighty percent think of sex while surfing. And fifty percent think of surfing while having sex."
Ken Bruen's early short stories and novellas are Irish delights. He has a way of manipulating words and poems in 'jig' time that are wonderful to read. Ken Bruen is definitely the master of Irish crime and this novel is filled with crime, revenge, humour, pain, chaos and life. Well worth the rating of five stars.
I had expected to read crime stories by the author. Instead it is almost a stream of consciousness, punctuated by bad poetry, and a lot of that! No no no no no.
Hit the bottle when reading this short story in an evening and the bottle hit back. This is one of his lines that appears, along with curling being a cross between hockey and murder.
Not really sure what the point of the story was - it had something to do with families and parenting and typical bruen lists and quotes from other writers. A couple of times I had a chuckle to myself and it was quite enjoyable.
Bruen's beginnings. Like most writer's early works, lacks the focus and range of later books but an interesting look at how the writer thinks. His genius peeks out from behind the mundane which becomes his great skill later in his great career. This book is for Bruen completists (like me.)