I found this to be an immensely helpful read as a fan of E.M. Delafield's Provincial Lady series. Though a fan, I did not know much about the writer herself nor the breadth of her other works. I read other reviewer's disappointment in the lack of biographical data in this novel. I could see their points; however, Powell writes in the majority of the biographical information in relation to the chronological order of Delafield's novels. Then provides a brief summary with analysis of the work being discussed in a very conversational way. Which I found all of which in keeping with what seems to be Powell's intent based on the title of this book.
I did wish for more biographical information. Powell gives us tantalizing glimpses into Delafield the person vs. Delafield the writer and I was absolutely intrigued. Delafield's mother was a popular author and a hard force in her daughters' lives. We follow Delafield's life as a novitiate in a Belgian convent to her marriage to Paul Dashwood and subsequent move to Singapore for his career as an engineer. On her return to England we follow the rest of her life in which her career begins to really flourish.
I feel Powell rather glosses over Delafield's talent as an educator. Based on her pupils earning awards for their high marks while she taught in a convent, I felt like this was a launching point to discuss Delafield's other works related to her thoughts on education. One glaring piece of information that seemed to be mentioned far too briefly was Delafield's work as the FIRST woman to sit on the Bench at Cullompton as the Commission of Peace. One fellow magistrate threatened to resign if a woman was allowed to become one... he resigned. The male magistrates, after two years, ceased to warn her about "unpleasant cases" which involved sexual or criminal assault. Delafield instead insisted on the benefit of having a woman present when another woman had to give testimony to a room full of men. She also sent mothers of children, offenders and witnesses out of the Court when children had to testify- she found children spoke more freely without "parental solicitude or prompting". Powell also barely hints at the circumstances of Delafield's son's death. It was deemed he met with an accident in the Armoury and died of gunshot wounds. Powell never outright says it, but the way she skirts around the after effects gave the impression there was something more to the story. A quick wikipedia search mentions the possibly of suicide but not proven. Powell's focus is very much on the works of Delafield and she seems to give more privacy than readers who want to know more about Delafield the person would like. I was intrigued with what condition caused Delafield's failing health. It never is really explored. So all in all, we enough peeks into the Delafield's life to want to know more.
The main value in this book is the treatise really on all of Delafield's work as a novelist, playwright, magazine and short story writer, and questionable time as a broadcaster. I enjoyed this book immensely and have another Delafield biography on order. Sadly, the only one I could find on her.