An essay collection edited by James Hillman, a student of C. G. Jung who broke with his master to create his own system of psychoanalysis just as Jung had done with Sigmund Freud. Other contributors than Hillman himself include Henry A. Murray, Tom Moore, James Baird, Thomas Cowan and Randolph Severson. As the title indicates, the main theme of ”Puer Papers” is examining the archetype of the Puer Aeternus: The eternal boy best known in modern pop culture from J. M. Barrie's Peter Pan and Antoine de Saint-Exupery's Little Prince.
One of the most obvious points where Hillman broke with orthodox Jungians (e. g. Marie Louise von Franz) was that Hillman did NOT view the Puer Aeternus as an inherently negative presence. Instead he identified the Puer as the solar hero striving ever forwards to new heights, embodying human awareness of future and eternity. In here, Hillman and his co-writers argue that the Puer forms a necessary balancing counterpart to the Senex, the archetype of the wise old man embodying awareness of past and history. Both these archetypes can become destructive and negative when lacking a constructive relationship with each other. In one essay, Hillman defines a clear distinction between spirit and soul – the former universal but the latter particular to a specific time and place – transcending the gap between spirit and soul being the Puer Aeternus' task as a heroic archetype.
Other interesting topics discussed include: A psychiatric case study titled ”American Icarus” by Henry A. Murray, examining a patient suffering from similar psychological insecurities as the mythological hero; essays by Hillman and Severson about the role of wounds serving as mortal weaknesses for Puer type heroes (e. g. Achilles' heel); the relevance of such characters' frequent connections to horses, even bringing up Sigmund Freud's famous case of ”Little Hans”, a 5-year old boy with a debilitating fear of horses; an essay by Tom Moore about the Greek mythic hero Actaion's transformation into a stag after having seen the hunting goddess Artemis naked, which from the viewpoint of Hillmanian archetypal psychology becomes not just an illustration of humanity's relation to the dark side of the divine feminine (a perennial fascination of Jungians) but also how often people's decision to following their fated life paths necessitates becoming completely unrecogniseable to the parents who raised them.
As a matter of fact, ”Puer Papers” is along with ”Animal Presences” one of the few latter day Hillman books which do not require an in depth familiarity with Hillman's eccentric re-interpretations of Jung (for a crash course in that read ”Re-Visioning Psychology”) to understand. I consider ”Puer Papers” necessary reading for any Jungian who finds the Puer Aeternus archetype relevant to the condition of modern man, since this book provides some much needed counterpoint to traditional Jungian interpretations. A counterpoint I consider especially relevant in an era where many people encounter Jung second hand through Jordan Peterson, who attaches Jungian psychology to a conservative Christian morality that Hillman ended up very much opposed to despite starting with similar psychological premises.
I also find ”Puer Papers” interesting as a work of literary criticism alone. In addition to analysis of Greek/Roman mythology, it also contains essays by James Baird and Thomas Cowan about how the characters in novels by Herman Melville and James Joyce respectively reflect the archetypes described here. Certainly made me more curious about exploring those 2 authors' bibliographies.