I was hoping this would be better than the first book, but it was worse. Even setting aside my own dislike of surprise pregnancy stories, this was worse.
I've got the two relevant quotes highlighted for reference, but early in the story, maybe one or two chapters apart, our hero Mike offers two different versions of his reaction to waking up and discovering Indi left at the end of their weekend together without saying goodbye. First, he's grateful and relieved that he didn't have to deal with the awkwardness of shooing his brief fling out of bed. (My reaction to this: kind of a dick move, but he's got the whole book to grow into a better person, right?) But the second time he tells the reader how he felt, it was RAGE. RAGE that his little boho sexy beauty was gone, RAGE so bad that it took him a few days to feel able to interact with the rest of the world. (My two reactions to that: 1) how on earth can you feel both grateful and enraged that she left before you woke up, I don't believe those feelings can coexist as you've presented them, and 2) am I really supposed to believe you formed such a connection with her in two days of marathon sex that you're enraged that she left? Or is this rage because you no longer have access to her body?)
Because Mike has serious control issues about access to Indi's body. Thankfully the narrative takes abortion off the table right away, Indi always intended to continue with the pregnancy, so at no point does Mike have to "convince" her not to abort. But he spends most of the book using emotional manipulation tactics to persuade her to allow him to raise the child rather than giving him up for adoption (I'm going with "him" because eventually they assigned "him" to the baby, whose gender was actually undeterminable at this point of her pregnancy.) Later in the story when she's pretty okay with that idea, he ups the pressure and starts working on the idea of them sticking together as a family even though she's made it clear she doesn't want to be a mother.
But my problems don't end there, because Mike also has a girlfriend, Skylar. He had his fling with Indi after Skylar left him, no issues with that, he was single. But they later got back together, and he's about to propose. Literally, he intends to propose the evening of the day Indi re-enters his life. But Skylar is quite conveniently about to leave town on business, so instead of having to actually deal with the mess Indi's making of his life plan and how it impacts his current relationship, the narrative shoves Skylar into a box for a while so Mike and Indi can have their screen time together. It takes until 70% for Mike to finally talk to Skylar about what's happened and for them to break up with very little fanfare or negativity--but then, they were never a love match, they both say so, they were a high-powered business partnership willing to be married to each other for mutual social benefit and (presumably) sex. (I actually can't recall if the book ever explicitly states that Mike and Skylar had a sexual relationship. Everything we do see of them together is incredibly dry and society-minded, so if you told me they weren't sleeping together, I'd believe you.)
So, Mike is prone to controlling and manipulative behavior (remember, he's the one in the first book who hired Chelsea in secret to deceive Adam in prepping for the company's big presentation--that, at least, is consistent with his character) and also HE'S A CHEATER because he finger-bangs Indi but stops himself before they have penis-in-vagina sex, because apparently that's the line where he thinks he'd be cheating. I guess it's not "sex" to him if he doesn't orgasm? Because Indi definitely does, and yeah, sorry, you're a cheater, Mike, that was sex. You were having sex with Indi before you broke up with Skylar, and Indi even calls you on it, saying what you did "wasn't fair to me or Skylar." So, Indi, I guess you're okay being with a cheater?
And man, I haven't even gotten to how the entire book is the spawn of a single giant plot hole. Indi re-enters Mike's life in the first place because she needs him to post bail for "breaking in" to Chelsea's apartment because she's not on the approved list of guests. It could all be cleared up with a single phone call before police ever get involved, but Chelsea's on her honeymoon at a "no contact" resort, completely cut off from the outside world. Like, call the resort even if you can't call Chelsea directly? They've got to have a policy in place for reaching guests in times of emergency. What if a guest's family member died or something else life-altering like that? There's absolutely no way they wouldn't reach out to a guest in a crisis, and I think "loved one about to be arrested for a crime you could exonerate her from" would count. (But if we write that scenario logically there's no plot, because she doesn't need Mike for bail and then he doesn't feel responsible for keeping her close by the rest of the book.)
I'm done, I'm out, I will not be continuing on with this series.