KATHERINE MANSFIELD – The Ultimate Short Stories & Poetry Collection: 100+ Titles in One Volume (Literature Classics Series): 100+ Modernist Tales & Poems

by Katherine Mansfield

This carefully crafted "KATHERINE MANSFIELD – The Ultimate Short Stories & Poetry 100+ Titles in One Volume (Literature Classics Series)" is formatted for your eReader with a functional and detailed table of
Bliss, and Other Stories
Bliss
Prelude
Je ne Parle pas Français
The Wind Blows
Psychology
Pictures
The Man without a Temperament
Mr. Reginald Peacock's Day
Sun and Moon
Feuille d'Album
A Dill Pickle
The Little Governess
Revelations
The Escape
The Garden Party, and Other Stories
The Garden Party
At The Bay
The Daughters of the Late Colonel
Mr. and Mrs. Dove
The Young Girl
Life of Ma Parker
Marriage A La Mode
The Voyage
Miss Brill
Her First Ball
The Singing Lesson
The Stranger
Bank Holiday
An Ideal Family
The Lady's Maid
In a German Pension, and Other Stories
Germans at Meat
The Baron
The Sister of the Baroness
Frau Fischer
Frau Brechenmacher Attends A Wedding
The Modern Soul
At Lehmann's
The Luft Bad
A Birthday
The Child-Who-Was-Tired
The Advanced Lady
The Swing of the Pendulum
A Blaze
POEMS
1909- 1910
1911-1913
Poems at the Villa 1916
1917-1919
Child 1907
Kathleen Mansfield Murry (1888–1923) was a prominent New Zealand modernist short story writer who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. Like Woolf, Mansfield was also interested in the feelings and thoughts of her characters and hence her short stories show the complexities of a character's interior life in all its various shades.

642 pages, Kindle Edition

Published July 27, 2016

About the author

Kathleen Mansfield Murry (née Beauchamp) was a prominent New Zealand modernist writer of short fiction who wrote under the pen name of Katherine Mansfield.

Katherine Mansfield is widely considered one of the best short story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies. Mansfield also proved ahead of her time in her adoration of Russian playwright and short story writer Anton Chekhov, and incorporated some of his themes and techniques into her writing.

Katherine Mansfield was part of a "new dawn" in English literature with T.S. Eliot, James Joyce and Virginia Woolf. She was associated with the brilliant group of writers who made the London of the period the centre of the literary world.

Nevertheless, Mansfield was a New Zealand writer - she could not have written as she did had she not gone to live in England and France, but she could not have done her best work if she had not had firm roots in her native land. She used her memories in her writing from the beginning, people, the places, even the colloquial speech of the country form the fabric of much of her best work.

Mansfield's stories were the first of significance in English to be written without a conventional plot. Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allan Poe, Rudyard Kipling, H. G. Wells), Mansfield concentrated on one moment, a crisis or a turning point, rather than on a sequence of events. The plot is secondary to mood and characters. The stories are innovative in many other ways. They feature simple things - a doll's house or a charwoman. Her imagery, frequently from nature, flowers, wind and colours, set the scene with which readers can identify easily.

Themes too are universal: human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering, and the inevitability of these paradoxes. Oblique narration (influenced by Chekhov but certainly developed by Mansfield) includes the use of symbolism - the doll's house lamp, the fly, the pear tree - hinting at the hidden layers of meaning. Suggestion and implication replace direct detail.