This book COULD have been amazing, if it weren’t for two fatal flaws, in my opinion:
First, the principal TNG cast hardly features in this story, aside from Worf. Yes, Picard, Data, La Forge and Riker do appear in the story. But each barely has a page’s worth of dialogue and have supporting roles *at best*. This is, disappointingly, most true of Picard, who has two to three appearances that are almost cameos, given how short they are. Worst of all, in what little we get of our beloved TNG cast makes little use of their unique qualities, traits, strengths and personalities. For example, yes: Geordi does and says some ‘engineer stuff,’ Data does and says some ‘android stuff,’ and Picard and Riker do and say some ‘command things’, but you could essentially re-shuffle who gets which lines and tasks and it would almost make no difference.
We do get, for example, about a page’s worth of some actually interesting exploration of Data’s journey with his emotion chip and we see one or two instances of him interpreting human behavior in his unique, idiosyncratic, ‘Data’ way — which is actually fascinating… but it’s maybe one page’s worth. Similarly, we get a taste of Riker’s coping with a family tragedy, but that lasts little more than a few pages. Worst of all (for me, anyway) we get virtually nothing from Picard besides him opening hailing frequencies, issuing some commands to bridge crew and speaking to Starfleet Command in his ready room — all of which do little more than exposition and move some plot forward. But there’s nothing in the way of his ordinarily exquisite performance of leadership under pressure, pushing people to do the right thing in extreme circumstances, him excavating his past mistakes — none of this shows up, mostly because *he* barely shows up. (As I said, his total lines comprise little more than a page of dialogue in total.)
As such, the lion’s share of this book follows not one, not two, not three, not four, not five, but six — count them — six different away teams sent to a planet’s surface to execute a sabotage mission. Each team consists of four crew people, the only TNG regulars being Riker, Data and Geordi. That’s right, if you did your math correctly, that means we’re following TWENTY FOUR different away-team characters, THREE of whom you’ll be familiar with if you haven’t read any ST novels before. So the middle ~50% of the book was me reading rotated scenes between 6 away teams, having to keep track of 21 new characters. And as you might imagine, there is hardly *any* development of any of them. (There is actually one character who I really developed an affection for, and his development really pays off at the end, but I won’t spoil it. But save for him, I felt like I was watching some network TV show not a quality that resembles something like CSI — very procedural, very boring.)
Lastly, what drives this story is plot rather than character development. The whole story centers around a villainous dictator who acquires weapons of mass destruction and uses them to threaten the Klingon empire directly and the Federation indirectly. The book's plot, thus, is the Enterprise's efforts to stop this 'evil villain' (and yes, that's about all he is, an evil villain). Nothing in this book is driven by, for example, the personal journey of any character, deep philosophical questions about the nature of existence, or any real drama other than: "We have to stop this bad guy from starting a war!" I actually think this story would have worked much better as a feature film, because it is trying to be a race-against-the-clock action thriller and I think that type of plot can work great as a movie, because you can build the intensity with music, camera work, visual effects, acting, action choreography, etc. But in book form, you're just reading action in prose form: 'Character X shoots a phaser blast at the bad guy running toward him, sending him tumbling down a staircase.' I think something like that is much more satisfying to watch than to read. But most importantly, none of the tension in this plot has anything to do with: the TNG crew in any kind of personal way, Earth and its history or cultural distinctiveness, or really anything else that a reader might care about or have an emotional connection to — say, the way "First Contact" had a similar plot, but was embedded into a set of cultural and character histories that the audience cares about: Earth's 'history' with World War III, its discovery of warp drive, and ultimate integration with other worlds, the forming of the Federation; Picard's personal history with the Borg; Data's identity as a machine trying to become human, his emotions chip and his 'temptation of the flesh.' In short, First Contact's action was *earned* because it carried in the balance so many emotional ties that the audience and TNG characters feel deeply connected to. Whereas in this book, the action has virtually no such connections.
In short, if you came because you loved TNG’s exploration of philosophy, politics, existential thought experiments, and deep character development, you’ll get almost none of that here. This was apparently supposed to be an espionage / ‘special-ops thriller’, which wasn’t even that thrilling, considering it’s all based on a conspiracy that you’re told about in act one, so while the characters don’t know about it, you do, so there are virtually no ‘reveals.’
That said, the book managed to partially redeem itself at the end, mostly because there are some big developments that set up the book’s sequel, “A Time to Heal.” (Which I am now ~40% of the way through, and can say that that 40% already has orders of magnitude more interesting content — not to mention better written — than all of “A Time to Kill.”)