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Black Snow

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Black Snow is the stunning portrait of a dissatisfied and emotionally illiterate young man's search for meaning and companionship in the gray world of totalitarianism. After serving a three-year sentence in a prison labor camp for his involvement in a juvenile street fight, Li Huiquan returns to Beijing and begins work as a street peddler. At night, he frequents a karaoke bar, where he enters into the shadowy world of the black market and meets a beautiful, naive young singer who becomes the object of his dangerous and overwhelming obsession. Riveting and relentless, Black Snow offers an extraordinary glimpse into the psyche and lifestyle of the young generation in contemporary Beijing.

256 pages, Paperback

First published January 1, 1991

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About the author

Liu Heng

62 books5 followers
Liu Heng (Chinese: 刘恒; pinyin: Liú Héng; born in May, 1954) is a Chinese writer. He is generally seen as a realist writer. He became a professional writer in the 1970s after having worked as a peasant farmer, a factory worker and a soldier, classes which have served as fodder for his stories and, not coincidentally, classes which Mao Zedong promoted as the audience for literature in his 1942 Talks At The Yenan Forum On Literature And Art. "Dogshit Food" won the 1985-86 best short story award. "Fuxi Fuxi" won him the national Prize for Best Novelettes in 1987, and was the basis for the movie Ju Dou. His novel "Hēi de xuě" (Black Snow; 黑的雪), about the problems faced by a young juvenile delinquent upon his release from prison, was made into a feature film, and "Pínzuǐ Zhāng Dàmín dē xìngfú shēnghuó" (The Happy Life of Chatter-box Zhang Damin;贫嘴张大民的幸福生活) has been made into a television series in the same name.

(from Wikipedia)

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Author 2 books3 followers
July 22, 2024
Little has been translated into English by Chinese writers whose novels are set in the 1990's. Liu Heng, author of the story which formed the basis for the film, Ju Dou, fills in much of that gap with Howard Goldblatt's excellent translation. A poignant, compelling novel of unrelenting realism, "Black Snow" portrays contemporary life in Beijing in stark and everyday terms. It is a masterpiece of insight into the neglected landscape of ordinary workers existing in extraordinary times. Somehow the mundane comes alive in Liu's writing. The characters are round and, therefore, believable, unlike so many we read in other novels by both exile Chinese and American writers. Nothing is predictable yet nothing is made sensational for its own sake to merely titillate the reader. My graduate students are reading it with keen interest here in Beijing and confirm its veracity. They even admit to having learned a thing or two about the lives of street peddlars in the process. The novel addresses the question of what happens when a disaffected youth attempts to redeem himself, not so much in the eyes of others, as in his own eyes. The finest novel available in English in this genre, in my opinion.
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