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How to survive hope
With its thirty interconnected poems, this book is a relatively brief work in contrast to the monumental two hundred pages of her first poetry book Este suelo secreto (1995). But here her poems feel less restrained than before, like she's allowing herself more room after her two previous, more tightly controlled poetry books.
Whereas in Este suelo secreto Parra employed a sort of second person experimental sonnet form, which she would adhere to closely for a number of pages then rupture at the next turn with a two line poem or one that explodes in fragments across the page, and whereas in Antigüedad del frío (2000) she worked with lines that were longer, almost prose-like, written now in first person and more connected by meaning and by proximity, in Aún no we feel at once closer to her than before, owing to her consistent use of a first person narrative voice full of questions and longing, even as her experimentation with visual space – by scattering words and pieces of lines across the page, by using clipped, quick stanzas – opens up distance between Parra and the reader and gives us another world, a new dimension, of readings. Approaching this new dimension, we may find ourselves asking: How should we read these poems on the page, in what order or direction, and what are these blank spaces, what is missing on the page, what of ourselves do we need to add?
Whereas in Este suelo secreto Parra employed a sort of second person experimental sonnet form, which she would adhere to closely for a number of pages then rupture at the next turn with a two line poem or one that explodes in fragments across the page, and whereas in Antigüedad del frío (2000) she worked with lines that were longer, almost prose-like, written now in first person and more connected by meaning and by proximity, in Aún no we feel at once closer to her than before, owing to her consistent use of a first person narrative voice full of questions and longing, even as her experimentation with visual space – by scattering words and pieces of lines across the page, by using clipped, quick stanzas – opens up distance between Parra and the reader and gives us another world, a new dimension, of readings. Approaching this new dimension, we may find ourselves asking: How should we read these poems on the page, in what order or direction, and what are these blank spaces, what is missing on the page, what of ourselves do we need to add?
- GenresPoetryLGBTTransgender
39 pages, ebook
First published January 1, 2004
About the author
Esdras Parra
11 books13 followersEsdras Parra was a Venezuelan writer, poet. She was a founding editor of the literary magazine Imagen. She was born in 1939 in Santa Cruz de Mora, Venezuela and died in 2004. Parras began her career writing short stories and later wrote poetry. Her poetry has been translated into English by Jamie Berrout.
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Displaying 1 - 4 of 4 reviews
August 26, 2017
“Qué significa ese eco
cuya magnificencia visita a la noche
ese eco recorre el oro y lo mantiene de pie
el eco termina al final del muro
donde el aire no entra
¿cómo caminar en dirección a la tierra?
¿cómo calmar el dolor de los bosques?
una acción impensable para el abismo
allí el eco se desgarra bajo la tormenta
todo el eco recogido en la llama
el eco en declive
la noche apoyada en el trueno.”
(p. 25)
cuya magnificencia visita a la noche
ese eco recorre el oro y lo mantiene de pie
el eco termina al final del muro
donde el aire no entra
¿cómo caminar en dirección a la tierra?
¿cómo calmar el dolor de los bosques?
una acción impensable para el abismo
allí el eco se desgarra bajo la tormenta
todo el eco recogido en la llama
el eco en declive
la noche apoyada en el trueno.”
(p. 25)
July 24, 2017
''one must press firmly against the vertebrae / to introduce a dream inside the bones.''
''If the earth exists / it is to establish / the distance of the stars.''
''If the earth exists / it is to establish / the distance of the stars.''
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January 2, 2017Part of my reading challenge for this year is to read fewer books by straight, white men from America/Britain, so this translated book of poetry by a trans woman of colour from Venezuela seemed like a good place to start! This might be because it's a translated work, or because my own personal experiences are so different, but honestly I struggled with understanding many of the poems, especially in the beginning. Regardless, there is something reaching and beautiful about them, and very abstract. There were a few poems in particular that I really loved, He atribuido a los pantanos, Este es mi pasado, and Suprimir el verano. All in all, a very worthwhile read
November 11, 2016
stunning stunning stunning
Displaying 1 - 4 of 4 reviews





