Ellen Booker Boehm’s life was a tragedy in the making. Between her physical appearance, her questionable upbringing, her need to feel socially accepted, and her overactive imagination coupled with a flare for exaggeration and drama, the young woman’s propensity for being the center of attention stood at odds with her reality. Marrying into a one-sided love story, she carries three pregnancies- one not even fully to term- before she is left bereft and in dire financial straits by her philandering husband, Paul. Though she works hard (at times carrying the burden of two jobs), and has her mother’s assistance with childcare, poor financial decisions revolving around myriad obsessive fan-girl trips to follow the professional wrestling circuit around the country lead to her financial demise. After losing her home, she relocates to a shabby apartment she can barely afford. Spending most of her resources on hotels and travel expenses in the company of her friend, Deeanne, Ellen finds herself the unhappy recipient of multiple red-notices on utility bills and medical expenses, further compounding her financial instability. When her two year old son, David, dies under mysterious and initially unidentified circumstances just a few days after his sister, Stacy, was hospitalized for a bathtub-related electrocution (which she survived), Ellen inherits the proceeds of his $5k life insurance policy as well as $1200 in collection money from her work associates, which should have paid for his funeral and assisted in catching the small family up on their bills. Although some notices were paid, the funeral home was stiffed, the phone was shut off, and Ellen’s trips on the wrestling circuit went on unabated. Strange? Yes. But grief makes people do weird things, and thus nothing is questioned… that is, until her second son, Steven, passes suddenly, as well… this time leaving Ellen the recipient of nearly $100k in insurance compensation. As friends of the family become suspicious, a call to law enforcement and child services starts a chain of events that will uncover gruesome allegations of murder in the name of money.
The Ellen Booker Boehm case is unpalatable. The reader knows that going into the book- no one expects a happily-ever-after when indulging in true crime. This reader’s bevy of complaints against the work has nothing to do with the content, but rather the overall presentation. The fact that the author was a former New York Times editor would have suggested that he had some skills (and some objectivity), but sadly, this would not prove to be the case. From the very first chapters, in his commitment to focusing more heavily on physical characteristics of the primary players’ appearances, the reader is led to assume that these descriptions would somehow weigh heavily (no pun intended) on the events and outcome of the case. They do not. The author takes extraordinary care in denigrating the physical features of females involved in the case, and little to no effort at all in describing the attributes of any of the men. This belies the author’s disdain and inability to remain emotionally detached from the characters themselves, in spite of his strong history in journalism. Add to that the fact that his telling of the events as they unfolded is redundant and, at times, nearly impossible to follow in linear and chronological time, and the entire work is (for this reader) spoiled. Though it is understandable that, as a consequence of the accused killer’s unreliability as a witness to her own crimes, the story could become cloudy, the author did little to assist the reader in navigating the timeline. And though much attention is paid to crimes and aftermath themselves, little if any attention is paid at all to the mental health issues that may have led up to their execution.
Don’t misunderstand- this reader is not suggesting an apathy toward the tragic ends to children’s lives, nor suggesting a sympathy toward the person responsible. However, failure to focus any attention at all to the series of red flags leading up to the events, intrinsic issues, and/or extrinsic influences over the perpetrator is, in this reader’s opinion, inexcusable in objective writing. There is no focus at all on Ellen’s allegations of child abuse at the hands of her father, the potential negative impacts of her mother’s failure to protect her, the contributing factors to Ellen’s need for attention and love, or the struggles of being left by a dead-beat husband who never paid child support, resulting in the financial ruin of the family he left behind. In fact, the author goes so far as to thank Paul Boehm in his post-script acknowledgement for welcoming him into his home as part of his writing research!
Ellen Booker Boehm is a monster. This does not mitigate the fact that she is also a product of her environment- an environment the author conveniently failed to fully disclose, investigate, or entertain. The failings of the justice system notwithstanding, and having no bearing on this work, the author himself failed the story, and the reader, with a subjective and incomplete telling of a tragedy.
Would not recommend.