This prologue picks up a bit after book 2, after King Crispin and Cedar are married, and Queen Cedar is about to give birth to Mistmantle’s heir; the baby princess is born and on her naming day a terrible incident occurs in tandem with a budding epidemic across Mistmantle. Rumors swirl, prejudice festers, along with complaints and grumbling and accusation against the leaders of the island. Then natural disaster strikes and the danger of mudslides puts everyone in danger and the animals scramble to put things right, at great cost.
One of the best scenes is Crispin dealing openly and publicly with the rumors and accusations against Mistmantle governing, without condemnation of those grumbling against him, rather than hiding, sending someone else, or seeking revenge, a rare thing to read about. Another interesting theme of where to put one’s trust or the nature of faith is explored subtly throughout this installment, coming to a pointed crossroads for one character, who is definitely not a priest or in training for the position, who comes very close to using the Heartstone almost like a magic charm to ward off evil, but an incredibly important distinction is made and lesson on faith taught—to trust in the Heart itself, not the tool provided as a gift from the Heart. A parallel theme of working with what is available, however imperfectly is woven throughout the story.
Overall this was the most tedious of the three books I’ve read thus far. It started and ended well as far as hooking me into the narrative and the pacing of the story, but around the time the rains hit I too got stuck in the mud. The pacing slowed, there was either too much or too little going on to engage me like the prior two books did. It started getting a shade preachier regarding more abstract themes (fear is the enemy to overcome, self identity, legacy…). The timing of this story also was unclear, I’m pretty sure quite a bit of time passes from the start of the epidemic to the end of the mudslide but it’s not really clarified how much time so ultimately it ends up feeling like one really long day. It does tie up neatly and fully, and the very end makes me wonder if the author originally planned it as a trilogy only and maybe ran out of inspiration for the plot.
I will note that the books in this series have heavy themes—don’t let assumptions of the “cute talking animals” trope fool you. This isn’t a cute and cozy read aloud for your elementary crowd. On account of the CCs listed below, I’d recommend this from *maybe* 8th grade as the youngest and up. High school and up if you have a child who is sensitive to death and dying, particularly involving animals.
CCs:
Magic: the animals live on an island enveloped by a mysterious, enchanted mist, which can itself actively allow or prevent creatures from arriving on the island. There’s a rather beautiful discussion with regards to magic and its uses in Book 2 between Urchin and Cedar that seems to clarify some questions about the nature of the sorcerer’s power, as well as the power protecting Mistmantle, in which both evil and good are very clearly separated from each other. The animals are anthropomorphized.
Worldview: There is a spiritual aspect to this story, with Brother Fir serving as a spiritual leader/priest throughout, and multiple characters pray to The Heart, blessing in the name of The Heart, seeking protection, comfort, and guidance from The Heart, and a sacred stone, the Heartstone, given to the inhabitants of Mistmantle as a sign of sovereignty; Juniper is taken on as an apprentice to Brother Fir and at one point intentionally impersonates Fir to hear an urgent deathbed confessional as well as using the Heartstone to validate his priestly status, he later repents of both acts; another character who is definitely not a priest or in training to be one comes very close to using the Heartstone almost like a magic charm to ward off evil, but an incredibly important distinction is made and lesson on faith taught—to trust in the Heart itself, not the tool provided as a gift from the Heart;
Romance : Moth, Lugg the mole’s daughter and faithful mole maid to the culling babies, has a boyfriend, a carpenter mole named Twigg, who intends to marry Moth; a character is revealed to have had a secret marriage and secret baby, and who seeks their destruction in favor of marrying another female squirrel;
Disturbing : Central to the entire plot is a traumatized mother whose own baby was culled in the days of Husk is referred to as being broken and unreasonably terrified in her mind, and subsequently she steals the baby princess to ‘keep her safe’; speculation grows that Husk of the first book is not dead but either survived falling into the pit or possibly undead by evil magic; a character is described as having gone insane and threatens to harm or kill others who attempt to help her, she ultimately attacks those who came to her aid and successfully insisted several and ultimately is the cause if death for one; some animals are taken to witness the remains of a dead character to prove that death did indeed occur;
Violence/death : a story is told in a deathbed confession of a character killing his wife and newborn baby by pushing them off a cliff and when only the baby survives, he attempts to drown it (unsuccessfully); a character dies somewhat slowly in order to reveal a confession; a dead characters demise is described according to the body’s remains; a character is unexpectedly attacked and stabbed, he succumbs to his wounds, the descriptions surrounding his heroic death, noble character, and touching memorial are understandably heavy and sad.
If you’re here from the Reshelving Alexandria 52 Book Challenge 2026, the list below has categories this book would fit into:
2. A story with forgiveness after a great betrayal
3. A book with a person who chose mercy over revenge
5. A book with a character who rescues someone in danger
7. A book with rebuilding after loss
9. A story with a community coming together after disaster
13. A book modeling caring for the sick, elderly, or dying
23. A story with a foster or adopted child
24. A book with a character who stands up for someone being bullied
27. A story where a small good deed has a big impact
35. A book about foresight, responsibility, and the effort to avert harm
37. A book with the making of peace after conflict
39. A novel with kindness in a harsh setting
40. A book with sharing food as an act of love
41. A story with patience towards someone who doesn’t deserve it
43. A book with protecting children in crisis
45. A novel where love is proven through action, not words
46. A book with healing within community
47. A story with choosing responsibility over comfort
48. A novel with hope in hopeless circumstances