Morgana is very sad because her father recently died. She and her mother are trying to still run their family house as a hotel, but her dad was no good with money so they’re in huge debt. Plus, there’s an entail, so a distant cousin will soon arrive to turn them out onto the street. So it’s the 1980s, but via the 19th century.
I’ll go along with this whole entail thing, but I’m outraged. There is no way that you couldn’t really easily get this overturned. Morgana is practically a minor, there’s her mum, the property is the family business and their only source of income. Of course I know nothing about legal stuff, so maybe I’m wrong, but still: ridiculous.
Morgana is all miserable about being homeless. And she doesn’t really want to marry her boyfriend Rob, because he his sister is a bitch and his mother a real snob. She goes up to Aslan’s table and casts a spell to make the distant cousin drive his car over a cliff.
Ok, it’s not Aslan’s table and no one’s going to strap a lion to it, but it totally impresses entail benefactor Lyall with Morgana’s witchiness. He calls her his little witch for the rest of the book. And Morgan Le Fay.
Lyall is into Morgana and is immediately about getting intimate in her single bed. She’s intrigued, not falling for it because she has her sort of boyfriend, and she doesn’t trust Lyall. He does some further legal magic to lock her and mother into running the hotel for another 12 months. He does get it all renovated so they now have plumbing and electrics. He is outraged that Morgana doesn’t see that his motives are pure, and gets really snarky about it.
Morgana is a bit of a psychopath. As well as casting her black magic spells, she also flirts her boyfriend into putting Lyall onto a bad horse so that Lyall will fall off and break his neck. She has anger management issues. I kept trying to give her a pass because she’d just lost a parent, but she made it really difficult.
The best thing about ‘Witching Hour’ is Elsa, the tarot-reading cook. She talks like a cross between Adam Lambsbreath and Judith Starkadder from ‘Cold Comfort Farm.’ Every time she appeared in a scene I wondered if she was clettering her dishes with a hawthorn twig or a liddle mop?
Lyall spends most of his time with Rob’s horrible sister Elaine. This is understandable because Morgana is an idiot, and Lyall is trying to buy Elaine and Rob’s parents out of the farm. At least Elaine is good at something. Morgana’s all about how Elaine is a bitch (which she is) and contributing nothing to the horse training business she and Rob runs (which is possibly true). But Elaine does show jumping things, and at least that’s something other than miserably waiting for a man to come along and rescue you from a life of drudgery.
There’s also an old family secret and the plot of history maybe repeating itself, but I wasn’t really feeling this one. It’s basically just ok.