Zorro Rides Again, third the original series by Johnston McCulley, sees Zorro still unmarried and after a huge time skip: three whole years since the ending of The Further Adventures of Zorro. Apparently it is because Lolita took so desperately ill that, even though she couldn't say marriage vows, she could still travel back to Spain to receive treatment. Despite how suspension-of-disbelief breaking that is, it's really just a pretext for McCulley to still have his main character still be unmarried, and thus able to be Zorro. In this book, Zorro needs to ride because some imposter has been going around dressed in the cloak and mask abusing all the people Zorro was famous for helping - namely: natives, women, and the poor - and everyone thinks that Diego has gone mad if he's doing this. Diego takes up the mask once more to catch the imposter, who turns out to be the new commander, a man of many motive: revenge, as he was a close friend of Captain Ramon; greed, as he's been promised reward by the governor for ruining Zorro; and jealousy, as he's trying to force a newly-returned-from-Spain Lolita to marry him instead of her betrothed.
This story was...okay. The whole 'there's an imposter Zorro' is a pretty common trope throughout Zorro media, so I wasn't surprised to see it in the original stories. However - and these are my twenty-first century sensibilities peeking through - the plotting and characterization are not great. McCulley wrote himself into a corner with the ending of Mark/Curse, when Zorro's identity was revealed to everyone and he vowed that, as a married man, he would ride as Zorro no more. Unfortunately, that means that, in subsequent stories, he has to write around his main character no longer having a secret identity - which opens up some story possibilities, but closes off a lot of others - and needing to be unmarried to maintain his status as a man of honour (because riding as Zorro after his marriage would mean breaking his solemn word). Thus we are starting to see increasingly unlikely plot devices to avoid the romance that the entire first book set up and the second book expanded on; I'm almost not sure I want to see what the next book, The Sign of Zorro, does. But I do own Sign so I will read it, though I will probably not read any more of McCulley's original Zorro stories unless the quality begins to vastly improve. As with a lot of old fiction, these are interesting views into the past, but that doesn't mean I particularly enjoy the time spent there.