SECOND SON [2016] By Derek Blount
My Review One Star*
SPOILER ALERT!!!
This novel by a new-to-me author was offered as a free book from Goodreads the first week in April of this year. It was originally published in the fall of 2016, and the genre classification is listed as "suspense thriller".
I decided to give this book a shot and read it this past week. The story held my interest to the extent that I finished reading it. But...
The events that take place all occur within a tightly compressed time frame, and the chapters are literally dated and timed along a linear timeline. This is not a new writing technique of course, and it occurred to me that all of Deaver's Lincoln Rhyme books take place within a very brief time frame. However, in the case of SECOND SON, it reminded me of a video editing software program wherein the "author" drops one scene after another onto a linear storyboard in order to later connect the separate scenes and make a single video comprised of the different components.
To be fair, it was for a number of reasons, but the compressed timeline failed to create any semblance of suspense nor did it create any much needed momentum in a stationary yet puzzling narrative. I would posit that the writer's aim was to pull the reader back and forth along a straight line that marched relentlessly forward to an explosive climax. But in fact, the opposite occurred in that the alternating story segments came across to me as compartmentalized with no obvious connection to one another.
The author also opted to switch characters and POVs along the continuum, and did not limit himself to switching between what was happening with the two main characters, but rather included secondary characters and even those fictional characters that were limited to what might be called "bit parts" if it were a movie. Alternating the characters and POVs in a long series of action-packed scenes is hardly a new gimmick. Robert Dugoni did a superlative job utilizing this technique in his best selling novel THE JURY MASTER. Each chapter featured either the book's hero or alternatively one (or more) of the "good guys" engaged in an intriguing or dangerous situation with a cliffhanger at the end of each chapter. This technique failed for a number of reasons, but certainly one big contributor was the fact that the alternating "scenes" did not tie in or relate to any identified main plot. As an example, and I realize it is an oversimplification, we have our idealistic young Dr. Grant (hero of the book) behaving like a star-struck teenage boy over his recently deceased (and possibly murdered) beloved Grandfather's health care provider one minute, then in the next chapter the reader's senses are assaulted by a scene of sadistic brutal killing and/or maiming courtesy of Kane (villain of the book).
At 37% into the book---I still found myself pondering when or even if the two story lines would ever converge, and even if they would, could it possibly salvage the novel? 1-a young black homicide cop and his best friend since childhood (a philanthropic MD devoting his skills and time in poor African villages) investigating his Grandfather's murder by one of the members of his own family of hypocritical narcissistic leeches who want the inheritance (aunts and uncles, their spouses) AND 2-the manhunt for serial killer Silas Cane with Grant's BFF ERIC (black cop) heading up manhunt for KANE.
In fact, it isn't until Page 247 that the author tacks the two story lines together and applies a couple of staples to hold it. Bear in mind that the book's length is only 338 pages. So there does reach a point along the timeline when a link between Grant and the vicious sexual psychopath Kane is revealed.
But the overriding factor in the failure of this book as a whole was not attributable to the writing or story telling techniques this author deployed. Rather it was solely due to the inability of his main character to "carry" the novel's main plot. "Character is king" is true irrespective of the genre of fiction an author chooses to creatively pursue. Character development as a whole was sorely lacking in this book, but in the main character of Grant Armstrong it was worse than lacking. The hero (Grant) was depicted as a cardboard caricature and that is being kind.
The main character of the story is the pure and idealistic young, handsome, and morally incorruptible Grant. This is a boy who was born into an affluent family, lost his father when he was young, but remained very close to his paternal grandfather. Grant was painted by the author as almost able "to walk on water" from the very beginning. Even as a boy, he abhorred his family's riches, drove a clunker to school, wore simple clothes, socialized and played sports with all of the poor kids in his public school. The reader would learn that even as a teenager, Grant funded the lunch money for many a poor kid during his time in school (anonymously of course). Much to the chagrin of his family (excluding his grandfather naturally) his best friend was a young and impoverished black boy, later his BFF and the brother he never had. They were inseparable until he simply had to leave the negative influence of his aunt and uncles behind (who were portrayed as remorseless leeches from the get-go). Grant attended an Ivy League School, graduated with an MD behind his name. The young doctor naturally went to Africa where he could donate his time and talents to caring for and treating the poor people and children of the impoverished landscape. Meanwhile, BFF Eric opted to join the police force and naturally went on to became the youngest man to ever make it to the rank of Homicide Detective in the history of the department.
Honestly, the paragraphs that featured the main protagonist Grant, and his unadulterated idealistic, pious, and righteous belief system was enough to really make the average man stop reading. For example, at one point in the story Grant eats a plate of Lasagna. But the author feels obliged to illuminate Grant's innermost feelings about this commonplace culinary experience.
"GRANT HAD TAKEN HIS MEALS WITH THE VILLAGERS. THE CLINIC HAD PROVIDED DECENT RATIONS FOR THE MEDICAL PERSONNEL, BUT GRANT OFTEN GAVE AWAY HIS FOOD TO THE CHILDREN AND SHARED THEIR GRUEL." (GRANT FOUND HIMSELF " FEELING SPOILED FOR HAVING ENJOYED HIS REPAST TO SUCH AN EXTENT.")
In fact, the only time in the novel that the fictional character of Grant feels like a real person is when he instantaneously gets sexually aroused by his deceased Grandfather's "health care worker" Julie who has remained at the family's luxurious island property. To be fair, he exhibits some self-guilt when he finds himself ogling her at every occasional encounter, and is a "mature" enough man to ignore the physical manifestations of his sexual attraction to Julie by not jumping into a cold shower or doing what the average young red-blooded male would do in that same circumstance, namely take the matter into his own hands.
But our righteous saintly hero Grant did not have to feel guilty for long. He was able to stop feeling guilty for the strong physical attraction to the health care worker by the arrival of an epiphany.
"THE ONLY THING OF WHICH GRANT COULD BE CERTAIN, IF EVEN AT A SUBCONSCIOUS LEVEL, WAS THAT AT SOME POINT IN THE PAST TWO DAYS, HE HAD BEGUN TO FALL IN LOVE WITH JULIE RUSSELL. "
This part of the story line now sounds like a fictional romance novel..."fall in lust" inside of 48 hours maybe but you don't "fall in love" with a stranger in a couple of days which held a handful of brief meetings between the two of you.
Frankly, the author simply reveals little talent in creating real-to-life fictional characters. They all come across as caricatures or cliches, including the main protagonist and the larger-than-life villain Kane. Based upon the description of Kane in the book I immediately pictured the actor who portrayed (ironically 'KANE" from horror genre film KANE SEE NO EVIL---except the author's Silas Kane liked to snap hooker's necks during sex as he climaxed (instead of violently killing all women in his path and plucking out their eyeballs not necessarily in that order). Derivative? The giant psychopath from the gore fest of a movie sure feels a lot like his larger-than-life monster of the book named Silas Kane.
Sadly, SECOND SON was populated with stereotypes and there was not a single character that felt genuine to me. Grant's family members are cardboard characters, all of them presented as hypocritical narcissistic leeches who want the inheritance. The young black brilliant hunky Homicide Detective Eric is too perfect, and additionally unsympathetic. Grant and Eric were so close and devoted to one another I felt at times that the "bro-romance" was absurdly over the top. He was ultimately revealed as an arrogant hot-head that was a rogue cop whose own irresponsible actions directly resulted in his innocent partner's death. Character development, or more aptly, the lack of, was a critical flaw, and one that simply couldn't be overcome.
The reader is treated to a disjointed narrative, unsuccessful attempts at misdirection, gratuitous sexual references that go beyond vulgar, and graphic gore and sadistic torture depictions with no obvious contributions to the plot. The sick sadistic torture in this novel is such that I had to actually think to myself whether I had ever read any novel that was this nauseating. I can recall only one book with an incredibly powerful torture scene that rivaled the level or depth and degree of this fellow's numerous descriptive acts of horror. In that case, however, it was gruesome, yes, but integral to the plot. I also recently read RAIN WILL COME by Thomas Holgate and its torture/murder scenes in my opinion didn't come close to those in SECOND SON.
Finally, the credibility gaps and poorly researched parts of the book. One of my biggest problems was the author's flagrant derogatory remarks about RNs who have an Associate Degree (and to PTs needing NO degrees). Refer to quotes below:
"SHE HAD MENTIONED THAT SHE WAS NOT A REGISTERED NURSE. THAT HADN’T SURPRISED GRANT AT ALL. MOST IN-HOME HEALTHCARE WORKERS HE HAD KNOWN WERE YOUNG WOMEN WITH ASSOCIATES DEGREES IN NURSING, SPECIALIZING IN SIMPLY BEING THERE FOR PATIENTS WHO NEEDED MINOR PHYSICAL THERAPY AND, MORE THAN ANYTHING, SOMEONE TO TALK TO. "
"HEALTHCARE WORKERS OF THAT CATEGORY NEVER WORKED FOR THOSE WITH ANY SERIOUS MEDICAL NEEDS."
There are so many things wrong with the above narrative in the book that I wouldn't know where to begin. First, women and men who earn an Associate Degree in Nursing go on the take the State Boards to allow them to becoming a practicing nurse in every field from hospital specialty wards to long term care. Second, an RN with an AD takes the SAME State Boards as a graduate from a BS 4 yr program (2 years are nursing and 2 years are liberal arts plus maybe a few "leadership" courses); the obsolete Diploma RN has NO college degree at all, takes the SAME State Boards that the do the AD and the BSN graduates. Typically the Diploma RN is seen as the low RN on the totem pole because of NO college education, but in fact has 3 years on the job training from typically a respected Catholic Hospital who in turn gets blind obedience and slave labor for 3 years. It is the Diploma RN who takes the Boards and is ready for anything. The author is completely uninformed. I've personally known RNs with ADs who have been not just Nursing Supervisors in both hospitals and long term care facilities but also heads of specialty departments. His remarks are flatly insulting to nurses in general. Any fool would know that if a woman or man wanted to be considered for a teaching position in a School Of Nursing or a DON or Administer in a major metropolitan hospital he or she had better consider not just a BSN but an MSN in Nursing. OH, and the author should have researched physical therapy. That is an advanced degree, typically at least four years. His narrative also insults PTs.
But talking about credibility gaps, at the conclusion of the book when our virtuous hero Grant has became abundantly aware that Julie is not destined to be the love of his life, she has him in the cross hairs of a gun and is ready to blow his brains out if he doesn't recant his declaration that he doesn't care any more. Any man on the face of this earth, would say anything to a sociopath ready to kill him, even if it wasn't the truth, to get her to put down the gun, and then try to get the upper hand. Not our righteous Grant. He will NOT take back his I don't love you now, even if it literally means his life. But of course, his BFF Eric crawls to the rescue over quite a distance of unfriendly terrain, miraculously is masterfully coping with his broken bones and terrible beating by Kane (not to mention the chest pain from 3 bullets blasting into his armored vest). He not only makes it to the scene before Julie pulls the triggers but demonstrates his masterful marksmanship under unbelievable conditions and hits her square in the eye.
I did read this book in its entirety, and I have a rule that I won't give a book only 1 Star unless I've not been able to finish reading it. I made an exception recently and doggone it I'm making another. This book is so disgustingly vulgar so many times, and for no apparent reason other than to be disgusting. It is obvious I also feel the same way about the gratuitous and repeated torture sequences with no discernible motivation for the book to read like torture porn.
Finally based upon information about the author, he is a genuinely warm, and giving human being, a religious man, a philanthropist, and as I mentioned earlier a legitimate Mensa card carrying genius to boot. That information is hard to reconcile with the content of SECOND SON. I am clearly an outlier here to the point where I found myself genuinely questioning if those other readers on Goodreads and Amazon read the same book I did.
PERHAPS THE WORST BOOK AND CERTAINLY MOST DISGUSTING I'VE READ THIS YEAR