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Mancunia
Shortlisted for the 2017 T. S. Eliot Prize
Longlisted for the 2019 Portico Prize
PBS Autumn Recommendation
Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it resides and how it survives. Mancunia is – like More’s Utopia – both a no-place and an attempt at the good-place. It is occupied, liberated, abandoned and rebuilt. Capacious, disturbing and shape-shifting, these are poems for our changing times.
Longlisted for the 2019 Portico Prize
PBS Autumn Recommendation
Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it resides and how it survives. Mancunia is – like More’s Utopia – both a no-place and an attempt at the good-place. It is occupied, liberated, abandoned and rebuilt. Capacious, disturbing and shape-shifting, these are poems for our changing times.
- GenresPoetry
80 pages, Kindle Edition
First published June 23, 2011
55 people want to read
About the author
Michael Symmons Roberts
27 books22 followersMichael was born in 1963 and spent his childhood in Lancashire, England before moving south with his family to Newbury in Berkshire in the early ‘70’s. He went to comprehensive school in Newbury, then to Oxford University to read Philosophy & Theology.
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
He is married with three sons, and lives near Manchester. (source: http://www.symmonsroberts.com/about_l...)
After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff as a radio producer in 1989. He moved with the BBC to London, then to Manchester, initially in radio, then as a documentary filmmaker. His last job at the corporation was as Executive Producer and Head of Development for BBC Religion & Ethics, before he left the BBC to focus on writing.
His 4th book of poetry – Corpus – was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T.S. Eliot Prize, the Forward Prize for best collection, and the Griffin International Prize. His 6th collection - Drysalter - was the winner of the 2013 Forward Prize and was shortlisted for the T.S. Eliot Prize.
He has previously received the Society of Authors’ Gregory Award for British poets under 30, the K Blundell Trust Award, and was shortlisted for the T.S. Eliot Prize for his 2001 collection Burning Babylon. In 2007 he received a major Arts Council Writers Award.
His continuing collaboration with composer James MacMillan has led to two BBC Proms choral commissions, song cycles, music theatre works and operas for the Royal Opera House, Scottish Opera, Boston Lyric Opera and Welsh National Opera. Their WNO commission - The Sacrifice - won the RPS Award for Opera in 2008, and their Royal Opera House / Scottish Opera commission - Clemency - was nominated for an Olivier Award.
His work for radio includes A Fearful Symmetry - for Radio 4 - which won the Sandford St Martin Prize, and Last Words commissioned by Radio 4 to mark the first anniversary of 9/11. His first novel – Patrick’s Alphabet – was published by Jonathan Cape in 2006, and his second – Breath – in 2008. He is a trustee of the Arvon Foundation, and Professor of Poetry at Manchester Metropolitan University. In 2012 he was made a Fellow of the English Association, for services to the language arts.
He is married with three sons, and lives near Manchester. (source: http://www.symmonsroberts.com/about_l...)
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Displaying 1 - 6 of 6 reviews
January 31, 2014
From BBC Radio 4 - Afternoon Drama:
Criminals' loved ones are being kidnapped around Manchester. When the kidnapper starts asking for very specific amounts of ransom money, word soon spreads that he is an ex-cop with a dangerous grudge against the criminal community. DCI Lise Lazard and DI Mikey Finn take up the case before time runs out for the kidnapper's victims. A noir drama in verse by Michael Symmons Roberts.
Criminals' loved ones are being kidnapped around Manchester. When the kidnapper starts asking for very specific amounts of ransom money, word soon spreads that he is an ex-cop with a dangerous grudge against the criminal community. DCI Lise Lazard and DI Mikey Finn take up the case before time runs out for the kidnapper's victims. A noir drama in verse by Michael Symmons Roberts.
January 26, 2019
After reading Michael Symmons Roberts Selected Poems and then his book Corpus, I expected to love everything he published. I didn't not like this book - I just didn't like it as much as I was expecting to. He uses some of the themes and works with some concepts that are familiar to the ones I've grown to really appreciate in his work, but there was also quite a few poems I didn't connect with or didn't find appealing. Even though it wasn't my favourite, I enjoyed his poem that played with traditional page boundaries and reading. My favourite poem was probably 'The Party Wall' with other favourites including"
Soliloquy of the Inner Emigré
What's Yours Is Mine
Mancunian Miserere
Off great Ancoats Street
Demetrius to the audience
Bliss
Manumission
Soliloquy of the Inner Emigré
What's Yours Is Mine
Mancunian Miserere
Off great Ancoats Street
Demetrius to the audience
Bliss
Manumission
May 2, 2019
not quite as good as Corpus or Drysalter but sill extremely good. best English poet writing today
August 16, 2023
this collection just wasn’t my vibe but i enjoyed the poem ‘manuka’ a lot.
Displaying 1 - 6 of 6 reviews