Third book of the Children of Arthur series has more fun with medieval literature
Tyler Tichelaar continues to make fun and engaging reading out of ancient and medieval literature and legends in the third book of his Children of Arthur series. I have read the first two books in this five-part series, and I have to say I enjoyed this one the best. In the first novel, our main characters Adam and Anne discover that they are the descendants of figures from the Arthurian legend. In the second, their histories are entwined with figures from the medieval epic poem The Song of Roland. In that one they had two twins, Lance and Tristan, who were kidnapped as a cliffhanger at the very end. This book picks up the intrigue and seems to double the amount of surprising twists and turns that will keep you on your toes.
As I indicated, until now this series has centered on modern characters who discover that they are descendants of figures from the literature and myth of centuries past. This novel adds a new twist: reincarnation. So not only are characters the descendants of figures from the past, some characters literally are characters from the past—sometimes not just one! Tichelaar creates a struggle to gain influence across generations with bloodlines that mix and combine in order to gain and concentrate power, making for an exciting and engaging twist on the familiar castle intrigues we are used to. Now, instead of just concentrating power through marriage, we are concentrating power across centuries and though various incarnations of notable people.
The villain of this novel is Gwenhwyvach, more familiarly known as the False Guinevere to students of the Arthurian legend. She is the reincarnation of Lilith from the Bible, and is seeking to gain power by possessing rings that first belonged to Adam and Eve. Merlin, who adds a fun liveliness to this tale as he does to most, is the reincarnation of Joseph of Arimathea. While Adam and Anne scramble to locate and save their children, they learn that their kids are the lynchpin of a global, cosmic effort to control and perhaps destroy the world.
As occurred in the last novel, at a certain point the story opens into another, older story, in this case concerning Ogier the Dane, an obscure figure from the Song of Roland and other works of medieval literature. I confess I had to do a Wikipedia search for Ogier the Dane in order to get the background. His story crosses with Roland and Charlamagne while also encountering Morgan le Fay and Gwenhwyvach. The story returns to the present day at the end, but contrary to what you might expect, Tichelaar has another very big surprise up his sleeve, one that sends the story spinning in yet another direction that will no doubt be explored in the next installment, Lilith’s Love.
Many books and other entertainments these days strive so hard to be important and hard-hitting they forget the one thing we enjoy most from reading: fun. The thing I love most about Tichelaar’s novels is that they are so enjoyable and just plain wild. You truly do not know what is going to happen next, but when it does it is not silly, but an intelligent synthesis of the literature of the past processed by a lover of those old tales and skilled writer of today. I’ve already ordered Lilith’s Love and look forward to continuing the tale.