I loved this tour de force of Las Vegas history which focused mostly on the architecture of the strip – the casinos, the hotels, the neon signs, and most importantly, the motels!! “The popularity and financial success of the new motels has been so great, however, that…the motel has become a symbol of up-to-dateness, of informality and modern planning” according to the Dean of Columbia University Architecture School in 1955. This book’s author, Hess, is a master at weaving the cultural themes into his discussion of architecture. I heard him speak at the Utah Preservation Conference last month on “Googie” architecture and I just had to read his books. They are big, so plan on checking them out at the library (thanks, Susan!). The photographs are phenomenal. This book covers Las Vegas growth from pioneer outpost to silly overbuilt gambling mecca and everything in between. Given my obsession with old motels, this book really fit into my current research into motel signs, especially one-of-a-kind neon signs from the 1940s and 1950s (think “Sleepy Lagoon Motel” sign in Beaver). I loved reading about the strip in the 1960s, when every neon sign was a work of art, drawn first, then illuminated. When we were kids, our parents would stop in Las Vegas as we drove from California to St. George. We were too young to go in the casinos back then, so we sat on the sidewalk outside The Mint and baked in the heat, mesmerized by the lights. This book reminded me that there is art in every city, even Las Vegas!