Anyone who appreciates great, atmospheric prose is likely to love this book. It’s a story both temporal, of the moment — and yet timeless, reflecting the evanescent nature of the lives of men. A sensory journey into 1941 Louisiana, in company with a group of men who are entirely captives of a railroad and the environment it creates. It’s a deeply immersive book, steeped in the experiences of these men; and the women who wait for them — or not. Deeply evocative scenes, both bucolic and horrific.
On their own, the half-dozen paragraphs that open the chapter titled “Crescent City” constitute a minor masterpiece, some of the finest prose I’ve encountered in a long time; and the entire chapter titled “Sweet Pearl River” is equally good.
One of the men we’re introduced to is Donny Luttrell, a lone telegraphist consigned to an isolated station deep in the piney woods, where once had existed a small town:
“Donny wondered about the town that once lay here, and the people who had dwelt in it, and if any of them ever suspected, in their own deep winters, that all they had built would vanish into silence. Of course they did, he thought. They had no illusions, for the evidence lay not only in their own lives, but in the old wisdom of man that told them all their striving would come to this: a few bricks, an old safe, a burying ground hidden in the vines and no one to look upon it but the high circling birds. The virtue, however, lay not in their knowing, but in their refusal to yield to what they knew. Men strove and strove, and it all came to naught, but no matter, for only in their striving could they prove themselves worthy of anything.”
The book grew on me, chapter by chapter and I found myself slowing down every so often, to marinate in the mellowness of that world, finding myself ensconced in a corner of a caboose, surrounded by the smell of hot brakes, grease, damp wool, stale coffee. Or steaming along in style, at the height of sophisticated travel on a luxury express in the heyday of rail travel. And then, the pace further picks up near the end, rushing toward the inevitable conclusion that we all knew was to come.
Howard Barr is a writer entirely new to me. My thanks to fellow reader Sara, whose review pointed the way to this book. This was a perfect choice to finish off my year of reading.