Derek Milman's Scream All Night is one of those books that I can't get out of my head. I've read it a couple of times now, and it grows richer and deeper each time. On the surface, it's a dark comedy. But as you delve deeper into the world, there is a tragic, almost gothic (in both the traditional literary sense, and the "goth" sense) story lurking underneath the farcical scenes of filmmaking chaos and the wry commentary of our hero, Dario Heyward.
At first glance, you might think Dario has an enviable life. Legally emancipated from his family, and living with his best friend Jude in a group home, Dario has a bright future ahead of him. But a phone call beckoning Dario back to the creepy castle he grew up in (that serves as set and studio for his father's infamous B-horror creature features and home to dozens of actors and crew members) sets the plot into motion.
After a literally explosive first chapter, Dario finds himself with a dilemma on his hands, and responsible for the livelihood of Moldavia Studios and its many employees. If choosing a college is a challenge at seventeen can you imagine finding yourself weighed down with the responsibility of dozens of people depending on you to make the right decisions, and to quite literally save them from financial disaster?
Milman has created a believable and immersive world that is both creepy and hilarious. You'll learn about filmmaking. You'll also find yourself wanting to watch many of Moldavia Studios' movies. I mean, who wouldn't want to watch a horror movie called 'The Vomit of Sergei Ramona?'
One of the central relationships that hits home and gives the book depth and poetic beauty is the story of Dario and his dramatic, over-the-top, eccentric brother and rival, Oren. Oren believes himself to be a misunderstood genius whose filmmaking career will revolutionize horror movies. But Oren's belief in himself doesn't necessarily reflect reality. Dario is put in a position where he has to choose between hurting his brother and saving a lot of other people. The choices he makes are tough and painful, but hopefully, provide a path for the redemption of his family legacy and his relationship with Oren.
Dario's first love, Hayley, also lives and works at Moldavia Studios, and the deep friendship and shared history of the two is a touching storyline that could be explored again down the road if Milman ever wants to revisit Moldavia (I hope he decides to one day.) Hayley is a fierce, strong, and funny character who is one of the most compelling voices in the novel. She's much more than a love interest. She's a force of reason and an anchor for several of the main characters, but she has dreams of her own. Dario and Hayley are clearly soulmates, and the progression of their story is lovely and fragile.
This book kind of has everything I look for in a read. It's funny, scary at times, and delves deep into family dynamics, while also being a beautiful and touching love story. It's a great gift- a sweet at its core coming of age story wrapped in darkly glittering ribbons. It's deeper than it may seem at first glance, and as haunting as the phantoms that Dario and company commit to film.