THE EXILE MARK DANE JAMES SWALLOW
“Man is not the creature of circumstances. Circumstances are the creatures of men. We are free agents and man is more powerful than matter.” Benjamin Disraeli.
“He's lost, unpredictable, perhaps even sentimental. He could fool a professional. Not deliberately, but precisely because he is lost, doesn't know what to do.”- Three Days Of The Condor.
“Just as there are animals that let other animals do their killing for them, employ a trusted proxy when one is avaliable. If the plot is uncovered, you’ll have someone to sacrifice.” – CIA officer Robert B Baer.
For quite some time now, the monopoly on force has gradually been lost by nation states and their institutions. Non – state actors are slowly but surely gaining the power to influence world events in positive and negative ways. Private Military Corporations and private intelligence services can seemingly provide the same services for less red tape. And then of course, we have terrorist organizations who can rip a country apart errode the power and authority of nations that they target. One writer whose work centers around non – state actors is James Swallow.
James Swallow is the guy behind the curtain, the shadowy unsung hero who brings to life books of several properties. From Deus Ex to Warhammer and Dr Who, Swallow cut his teeth writing a library’s worth of tie – in novels for several big name media franchises. He’s also a BAFTA award nominee and until recently, his primary stock in trade was science fiction.
But without warning, he entered the world of espionage fiction. Swallow wrote a tie in novel for the “24” tv series explaining what happened after Day 8. Incredibly well written compared to what trash most tie – in novels are, when I read it, I knew Swallow had a future in spy fiction. And like a bird homing in towards the nest, he did not disappoint my expectations. Shortly after the “24” novel, Swallow created his own original work of spy fiction, the NOMAD saga. The series focuses on Marc Dane, an employee of the SIS who once day has his fellow British spies die around him and finds himself caught up in the real fast lane of espionage, where wealthy non – state actors battle it out for global supremacy.
I reviewed the first book, NOMAD which reinforced my expectations of Swallow’s abilities and his second book, EXILE has cemented them. Exile takes the obligatory nuclear bomb story and begins ripping the safe tropes and foundations of such a story up and begins rearranging them in wild ways. The target is a place you wouldn’t expect. The strategy used by the conspirators is wholly unexpected. And at the end of it all, the protagonists have put a major target on their backs. Now to the review. What happens when organizations that are supposed to keep the peace, completely suck at it?
We start exile in a place that was considered the most god forsaken part of Africa in the last decade, Somalia. The leading public figure, a man named Amadayo is sitting in his swanky Mogadishu residence, having a conversation with an Englishman. The Englishman, a chap named Brett, is an emissary of “The Combine,” a powerful non – state actor that shapes global events for an elite few. Amadayo as it turns out is an asset of the Combine who was tasked with bringing a sembalence of order, to Somalia using his connections and the money the Combine had sent his way. Dr Amadayo however, as its revealled in Brett’s damning performance review has not delivered and the Combine proceeds to terminate his employment.
The primary antagonist is introduced, an Islamist by the name of Abur Ramaas. Ramaas, proceeds to mount an attack on Amadayo’s residence, subdue the security guards with a well placed sniper team, and then ensure his predecessor’s death is suitably humiliating by dropping him onto hard patio tiles and then leaving the residence for looters to strip bare. Ramaas makes it known to Brett that he’s open for business just as the video conference cuts short. We then cut to the Balkans where Marc Dane is reintroduced playing a video game with a colleague at his new workplace.
After resigning from the SIS back in the first book, he ultimately decided to reject his true calling in espionage and took a job with the impotent beuracracy imaginable. The United Nations. Dane however at least had the good sense to pick a job with the WMD non – proliferation branch of the United Nations where he can make a small difference. But this being the UN, not even he, the most talented person in the room can convince his blinkered eyed boss that he saw honest to god nuclear material being exchanged by Serbian and Russian criminals.
Fired and disgraced once more by another institution who has forsaken him, Dane calls upon the non – state actor who stood by him when he was abandoned by his own country, RUBICON. Travelling from the rusting ruins of Southern Europe, to Monaco Dane embarks on a journey where to succede, he must embrace his destiny. And when all is said and done, only one question remains. How much difference can a man without a country make with everyone trying to bring him down?
In terms of plot, Exile is an outstanding. All fast paced spy fiction series have, and should have their obligatory nuclear bomb story. While the threat is overused, the template provides so much scope and challenges. What’s the target, how to get it to the target, what measures are to be used to keep it hidden, and on the heroes side, how to dispose of it when the bomb is found? A good nuclear bomb plot, does not rely on the race against time aspect, although that comes inevitably. Rather, it’s the mechanics and tactics used by the hunters and cospiractors against each other before the bomb is stopped. And if the writer is a sadistic son of a gun like the creators of “24”, who knows, they might even detonate it now and then?
Exile is in the category of the smartly written nuclear bomb story. The target is one you wouldn’t expect. The tactics utilized by the conspirators are up to date and current. And the heroes are unable to use the usual methods of nuclear device disposal that have been done to death in other books. Alonside all this is a slickly written contemporary espionage tale, that retains the Three Days of the Condor vibe of the previous book, but modernizes the cynical 70s type of spy novel for the new cynical decade of 2010 – 2020.
Action and setting? All old hat for Exile’s highly experienced author who wrote my favorite fight scene of 2016, with Dane going up against a psychotic Special Air Service trooper on an American rooftop. With EXILE, Swallow expands his range. From violent encounters in Balkan warehouses and slums with Dane surprised to use his combat skills once again, to a sneaky infiltration of a remote CIA black site, a car chase through Dubai in the fastest police car on earth, and finishing with a frantic finale in the most geographically beautiful but horrid city in Italy, Exile may be written by an Englishman, but captures the grand American sense of scale that British spy fiction usually lacks and is all the better for it.
As for setting, Swallow is above average and certainly superior to other Sunday Times Bestsellers whose own backdops are bland and boring. The two standouts of Exile are the Monaco Swallow brings to life with an unmatched glamarous flourish and the chapters set in Dubai where Dane gets a look at both the tourist traps and the seedy horrifying underworld of the city that is responsible for making the enjoyment of Dubai’s visitors possible.
Research? Outstanding, and at times so much better utilized than the Clancy’s or Leathers of this world. Accurate depictions of government departments, combat tactics, capabilities of firearms and the maths and dynamics on how to use a nuclear weapon most effectively, Exile is a well reseached spy thriller that is able to anchor the awesome escapist private spy shops that are set to do battle in this thriller series. Even the small things like how a contempoary intelligence service black site have that ring of plausibility. Swallow doles out the research like Santa does for presents, but doesn’t do it in a way that makes all the kit seem like product placement.
Everything that Dane and his enemies utilize against each other has a place and purpose, and Swallow also shines in other areas. One of the highlights I found most impressive in the book was the exploration of the god – forsaken foreign labourers and contruction workers that are the gears and grease that have made Dubai into the glamarous city it is today. As Swallow shows, they’re treated like dirt and abused despite being the only thing that stands between Dubai and a reversion to its past as a fishing village in the Persian gulf.
Characters? Pretty well done all things considered. Early on, I feared that there would be no character development in this story. But ultimately, I was proved wrong and the central story arc is anchored by a boost of character development. I’ll focus on two standouts. Dane and the Rubicon team. First, Marc Dane, our hero. After NOMAD, Dane had a moment of self – doubt and attempted to leave the spying game, cutting off all but two links, with the Legoland Lads who had fed him the wolves and the Rubicon organization that stood by him every step of the way as he fought to stop a terrorist conspiracy. But, not even he, desiring normalcy can refuse his calling. Dane is perhaps the best “everyman” hero protagonists done in recent spy fiction, and at times, fills the boots of the legendary James Grady’s Condor.
He’s not a steely eyed Regiment man like the chap he killed in America, nor is he a winging pom. Dane has the training Condor lacked, but is not super spy who lives for danger and wants to enjoy life while it lasts. Rather, it’s his ability to think outside the box compared to the blunt intrument soldiers and assassins that try to kill him, is where his true strength lies. Whatever seemingly inescapable trap his enemies come up with, Dane, in the words of Robert Ludlum, can find a way to reverse it with devestating results. His character arc is also quite special. As he’s drawn back into the spying game, Dane is forced to finally embrace his talent for espionage and the calling that comes. Taking that plunge between running after psychotic Somali terrorists, is what humanizes Dane greatly with a very relatable, understandable motive. And Swallow pulls all this off perfectly with a home run.
Next, we have the RUBICON team. In the previous book, we only got a hint of their true potential, but in EXILE, they’re unleashed and we get to see their full capabilities. Led by a man named Ekeziel Solomon, one of the most powerful men on earth, RUBICON is an idealized version of a private intelligence service, but one that is well thought out and an exemplar on what level of sophistication today’s non state actors will need to get to before they can completely rip the monopoly of force out of the hands of nations. Agile, staffed by talented operatives and well financed with Solomon’s power turbocharging the whole enterprise, we get to known them better. One of the main highlights is Solomon’s bodyguard Malte Riis, who gets to go on several ops with Dane. Tacturn but handy with his Glocks, I hope we see more of him in the future.
Constructive criticism? Not much really. Just that after a two excellently executed books with two “conventional” threats, I do hope Mr Swallow’s third book, provides surprises with the first assymetric threat story in the Dane books. Cyberwarfare. There can be only so many nuclear bombs in a thriller series and while Exile was a nuclear bomb story in a class of its, own, I am already looking forward to seeing how Marc counters unconventional warfare in “Ghost”.
James Swallow revealled this year, the catalyst of his dive into the thriller genre that the majority of my goodreads reviews focused on. In his words, the writing process was driven by the following trend:
“I saw critics talking about the modern espionage thriller as a dead genre, a relic of the bad old days, fit now only as a setting for period fiction. It made me angry; it fuelled my book.”
Defiance in the face of such blinkered snobbery by mainstream critics and the occasional publishing house is what drove Swallow to persevere, and this defiance shines through in Marc Dane’s own fight to carve out a place for himself in the cut throat world of espionage which is his calling. Whoever says spy fiction is dead can f### off. The genre is more relevant than ever in this chaotic world, and needed more than ever.
Murder mysteries and fantasy novels are not the ones who have the monpoly on complex stories, rich characterization or an exploration of some complex theme that you may have forgotten at school English literature lessons. Spy fiction too can have all those things and so much more than your average small town whodunit book can ever hope in hell to have. As such, I salute the defiant James Swallow for buggering on, like Churchill said one must do when faced with obstacles to be overcome.
Exile is symbolic of this. Like Dane accepting his calling as a private spy and coming into his own, so too are Swallow’s abilities as a writer in his own original spy thriller series. Exile has a far more sweeping plot that its predecessor, throws in a lot of world building that expand’s Marc Dane’s universe and updates the magic of classic spy novels for this cynical age.
Swallow has written a world class spy novel that has a good chance of becoming one of the kings of mainstream British thriller fiction in the near future. As Marc Dane accepts his fate as an exile and vanishes into the European night as his second appearance closes, the opportunities and possibilities are limitless for him and his creator, both for whom, the best is yet to come.