I feel like this book is a small fragment of what could be a much larger story. Give these characters and the ideas for their storyline to Ken Follett and you would have an epic tome and I am sorry that we don't. I love all the ideas in this this book, but it certainly left me wanting more. Brief summary: Floridians Maeve and her twin brother Robin are orphaned at age six and move in with their Grandmother, Perri, to the hotel which she owns. At age 12 Maeve is bitten by a shark and thus blossoms her love for the creatures, as well as her love for childhood friend Daniel. The book opens on her 30th birthday as she swims with sharks, now a marine biologist, and we relive her past and face her future over three months during a sabbatical back at home in Perri's hotel. There is so much in this story, but sadly so much is left out!
I want a whole section dedicated to life before age six and the parents' deaths. I want those years up to age 12 spelled out as the twins deal with their pain and form a bond with their grandmother. I want to sit next to Maeve's hospital bed while she transitions from shark victim to shark champion. I want the high school and college years as Robin runs amok and Maeve and Daniel fall in love in graphic detail. I want Perri and Marco's story written across the page. I want the entire episode, from Daniel's point of view, of Maeve's time in Fiji, and then, from Maeve's point of view, of the struggle after. I want the entire six months on Bimini so we can fall in love with the sharks as Maeve does. I want the crime of finning to be a mystery that rocks the whole island instead of being a lightly touched subplot. I want to explore the theme that as Maeve is saving the sharks, she is actually saving herself. I want to watch Perri paint every quote onto the walls of her hotel while each character grows, each relationship builds, each transgression strikes a blow. It's all in there, briefly, but I just want more. I want to be deeply invested but in reality, I did not really care about the finnings, I didn't really like or dislike any character too much, and I had actually forgotten about Perri and Marco until the very end. It was all very "eh".
As far as the characters go, there are quite a few, and they all have the potential to be so very interesting: Maeve, the practical scientist; Robin, the brokenhearted bad boy; Perri, the eccentric grandmother; Daniel, the chef with abandonment issues; Hazel, searching for a mother-figure. And these are only the main characters, what about the others? Van, Marco, Nicholas, Libby, Troy, Rachel, Russell- all have a hint of a back story dropped in there but never explored. Again, we are left wanting more. In fact the hotel, the ocean, and the sharks themselves are all characters that need to be explored, but we are left without. The Hotel of the Muses is just about the coolest setting that I have ever read with the exception of maybe Hogwarts. I want to walk down its hallways and attend every annual Book Bash the hotel has, but sadly, we only get invited to one.
To her credit, Ann Kidd Taylor is a gifted wordsmith like her mother Sue Monk Kidd, and for a debut novel, this is quite good. But, at a mere 271 pages, she doesn't give herself the room to dig deeper into her creation which I find truly lacking. Instead we are left with easy, fluffy chick-lit. We have enough chick-lit already. With ideas, characters, and writing as delightful as Taylor's, we need more epics.