From the publisher: When Boston television reporter Jane Ryland reports a hit-and-run, she soon learns she saw more than a cara crash - - she witnessed the collapse of an alibi. Working on an expose of sexual assaults on college campuses for the station’s new documentary unit, Jane has just convinced a date rape victim to reveal her heartbreaking experience on camera. However, a disturbing, anonymous message that arrives in her office mail - - SAY NO MORE - - has Jane really and truly scared. Homicide detective Jake Brogan is on the hunt for the murderer of Avery Morgan, a hot-shot Hollywood screenwriter. Morgan’s year as a college guest lecturer just ended at the bottom of her swimming pool in the tight-knit and tight-lipped Boston community called The Reserve. As Jake chips his way through a code of silence as shatterproof as any street gang, he’ll learn that one newcomer to the neighborhood may have a secret of her own. A young woman faces a life-changing decision - - should she go public about her assault? Jane and Jake - - now semi-secretly engaged and beginning to reveal their relationship to the world - - are both on a quest for answers as they try to balance the consequences of revealing the truth.
In the opening pages, Detective Jake Brogan, grandson of a former Police Commissioner, one of the city’s top homicide cops and his partner, Paul DeLuca, discover Avery’s dead body at the bottom of her pool. That same morning, Jane witnesses the hit-and-run which puts her in the middle of a tough balancing act between her obligations as a citizen and those of a journalist. The entire fast-moving and page-turning plot takes place over a four-day period. A second story line deals with the issue which is the crux of Jane’s documentary being prepared for airing on her TV station, taking her into the lives of women who have reported the sexual assaults visited upon them and duly reported to Edward Tarrant, the dean of students at the University and the Title Nine coordinator whose job it is to make sure all assault complaints are investigated, if the students want that done. Jane, now nearly 34 years old, is a former award-winning investigative reporter who has spent more than seven years in news, often on the crime beat, though no longer covering crime.
Unfortunately, Tarrant sees himself as the “fireman . . . When there’s a public relations fire, I put it out.” As to the “incidents” themselves, his job, to him, calls for them to be “glossed over, erased, redeemed, or Band-Aided.” The timing of this novel, in this pre-election period when sexual assaults are in each day’s headlines, is nearly prescient.
Interestingly, p.o.v. changes are identifiable by the chapter-like (although often mid-chapter) headings. Another excellent entry in the series, and one which is recommended.