Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection ― in terms of both quantity and quality ― of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’sBananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations fromPlayboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects ― and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
Legendary EC, Mad, and movie poster artist Jack Davis finally gets his due in this gorgeous oversized career retrospective. After a forward/career overview by William Stout, the book reproduces Davis works in six sections: Early Years, Comics, Record Covers & Movie Posters, Gags & Illustrations, Time & TV Guide, and Advertising. Each promises a host of riches including numerous sketches, original art from several comics, and beautifully-crafted, forgotten, and fondly remembered art. The book concludes with a lengthy biography by Gary Groth and endnotes. Disappointedly, the endnotes do not include dates and publications for all the included art. Additionally, while one of the great cartoonists of the 20th century, the interesting aspects of Davis' fairly mundane life rest with his work. The book would have been better served with more reproductions and less biography. Still the extraordinary Jack Davis: Drawing American Pop Culture successfully reaffirms the artist's place within the upper echelon of pop culture craftsman.
Admittedly, I skipped the biography at the end in favor of the introduction, but this kind of book is more about the looking, anyway. And I still learned a couple of interesting facts, specifically that Davis' speed was a big part of his marketability, and also that he was, apparently, Episcopalian.
Excelente versión en kindle de un libro que cuesta casi 100 dólares . Las imágenes se pueden ampliar en excelente definición y así apreciar cada detalle de los dibujos de Jack Davis