A LONE RANGER
"Well, the fact is, what I do is not a bad occupation. Someone is always willing to pay."
"I would find it… tiring".
"Oh, no — it's quite restful. It's… almost peaceful. No need to believe in either side, or any side. There is no cause. There's only yourself. The belief is in your own precision".- Three Days Of The Condor.
"When you find that one person who connects you to the world, you become someone different, someone better. When that person is taken from you, what do you become then?"- John Reese.
"Owe and own nothing to push back against. Never wear your beliefs on your sleeve. In assuming an impermeable facade of ignorance, poverty and banality, you blind the enemy to your true strength and intentions."- Robert B Baer, CIA Officer.
“You should know something about me and the people I work with. We deal with the left or the right, with dictators or liberators. If the current president had been more agreeable, I wouldn't be talking to you. So if you decide not to sign, you will wake up with your balls in your mouth and your willing replacement standing over you. If you doubt that, then shoot me, take that money, and have a good night's sleep.”- Dominic Greene, Quantum of Solace.
This century has seen a rise in non-state actors becoming more prominent in world affairs. The Islamic terrorist groups are the most famous example but then there are the private intelligence services and private military corporations. These are lesser known and perform similar functions that armies and nation state intelligence services do, but for profit. One such non state actor which combines the functions of a P.I.S and a P.M.C is the focus of “Nomad”, the first original foray into spy fiction by author James Swallow.
Mr Swallow primarily specialized in science fiction novels before being contracted by Fox for a special project. He was commissioned to write a tie in novel for their “24” TV show. The book focused on the events that took place 48 hours after Day 8. I found it a well plotted continuation novel and by itself a pretty good spy novel in its own right, capturing the feel and tone of the show and providing enough violent action and thrills that one could find in an established thriller series. I suspect this brief dip into the world of espionage had some influence Mr Swallow’s decision to write “Nomad” and enter the espionage genre with an original creation of its own.
So, what is Nomad about? It focuses on the story of Marc Dane. He’s a technician and member of a fictional branch of the UK SIS which conducts paramilitary operations similar to what the CIA Special Activities Division is tasked with executing. During the story a terrorist group working in conjunction with a mysterious non state actor slaughters Dane’s team in an attack, and an asset working for the bad guys inside the SIS frames Marc as a traitor. Hunted by his own service who refuse to listen to his belief that a major terrorist incident is in the works, Dane is forced to turn to a non – state actor of his own, a Private intelligence service called Rubicon, and its mysterious point – woman in order to prevent the biggest terrorist atrocity since 9/11.
We start the novel in Barcelona Spain. A policeman is on his beat and runs across what appears to be a young man caught in the grip of a panic attack. Calling a paramedic, he tries to assist the first responders in taking off the victim’s jacket. Overlooking the scene in a plush hotel is an Islamic terrorist. The man briefly muses on the decadence that surrounds him before activating a unique surgically implanted I.E.D. Below him, the police, paramedics and tourists watching the spectacle are turned into red mist and some of the surrounding buildings are demolished by the blast. A few hundred miles up north in the French port of Dunkirk, Marc Dane and the SIS paramilitary team are prepping for an operation. The team is designated NOMAD. Made up of former British military and law enforcement personnel, we’re quickly introduced to the main players and Dane reflecting on the divide between the shooters and technicians like him.
Across the channel at the SIS Vauxhall Cross office, an analyst named Talia Patel and her superior, Donald Royce discuss the pending Op Nomad is to undertake, namely interdiction of a suspected armaments shipment belonging to an Islamist terrorist group. Before giving Nomad the order to execute the operation, Royce has a quick glimpse at a file designate “COMBINE”, a geopolitical Ghost that may or may not exist.
The op begins and things go mostly smooth. Things disintegrate when the NOMAD assaulters discover the container ship they’ve infiltrated has been doing people trafficking. This surprise wouldn’t have been disastrous but among the human flotsam is a reluctant terrorist who catches the team leader off guard and proceeds to detonate the explosives hidden on the boat. In the ensuring inferno, all but one of the assault team is taken out. Disobeying orders, Marc sprints towards the scene of the inferno and finds the survivor who reveals she knows who is responsible and that the perpetrators have an asset in Vauxhall Cross. Just before he can bring the survivor back to the extraction point, an operative sent to deal with the Nomad support section launches grenades on the warehouse where the getaway van is concealed. Knocked out and with the surviving assault team member bleeding to death, Marc Dane becomes the last man standing.
The cleaner sent to deal with NOMAD however has other ideas. Surprising Dane just before he can flee, Marc makes a desperate effort to save himself, managing to strangle the better trained killer to death before the man can shoot him. Back at Vauxhall Cross, Royce and Patel immediately begin damage control and are forced to contend with Wells, director of the in house counter – intelligence division who insinuates there might have been a traitor on the team. Royce is later blindsided when Dane walks into Vauxhall Cross on his own free will. Wells takes Marc into custody and proceeds to belittle Dane during the debriefing. Marc is then shuffled off to a black site. With the help of a fellow SIS officer, Marc takes the opportunity to crash the Range Rover he’s being transported in and go on the run. Predictably this does not go down well with the SIS director general who orders his subordinates to recover the escapee.
In London, a woman, Lucy Keyes does her morning workout in an upmarket hotel. She receives her first phone call of the day from her employer. Keyes, who in a past life was the first woman to qualify for Delta Force, in her US Army days, now works as the hatchet – lady and trouble shooter for a private intelligence service founded by one of the world’s most powerful men. The man in question informs her that the SIS have broken the no – domestic operations protocol and orders her to hunt for Marc Dane before they do. She finds him minutes before an SIS team begin staging for an assault on a housing estate. Disobeying her bosses’ orders to not interfere with the operation, Keyes plays guardian angel and saves Dane from being given an impromptu BASE jumping lesson. Both Keyes and Dane then flee the UK, the former trying to recover the latter before he disappears from existence. From London to Europe and then the American East Coast, Keyes and Dane are forced to make a shaky alliance and try stop the machinations of a cabal that seeks to prove their power, regardless of the millions crushed underfoot along the way.
In terms of plot, NOMAD is one of the most smoothly written first novels I’ve read this year. It’s even more impressive when you remember Mr Swallow prior to writing this book, had only slight experience with spy fiction, namely the 24 Deadline novel. It has everything a first rate contemporary spy novel should have and then some. From touching on issues like the increasing sophistication of non – state actors and the paramilitary side of espionage taking over the business, Swallow throws in a well-developed, layered story that examines the increasingly violate world of contemporary spying that the War On Terror has brought about.
Next, action and setting. Mr Swallow had proved back in 24 Deadline that he could write a good gunfight. Here, he gets a wider canvas on which to portray quality, blood splattered violence. From the shocking Dunkirk disaster which opens the novel, to a dicey standoff over an active Southern European volcano, an exciting day trip to a terrorist training camp in East Turkey and climaxing in a fight to sabotage a killing that would make history in Washington DC, NOMAD’s twists, turns and thrills are the equal of spy novelists who have been in the game longer than Mr Swallow.
Now, research. This came as something of a shock. Mr Swallow delivered the goldilocks amount of real world detail in NOMAD. Hardly any spy novelist’s first book has been able to pull off such a feat, but Mr Swallow somehow pulled it off. There’s more than enough kit, geopolitical information and tactical nuggets to make the purists like me smile, while not overwhelming mere mortals who just want a good read. From a crash course on Al Qaeda’s infamous Al – Asari project, to the vulnerabilities of UAV systems, Mr Swallow then utilizes the real world information in creative and imaginative ways. Most prominently, he gives the UK SIS, a surprisingly realistic, yet fictional paramilitary unit. Miles away from the outlandish 00 section of Fleming, Swallow’s creation is more CIA Special Activities Division or DGSE Action Service. It’s something that is not too hard to imagine the firm secretly possessing in real life unbeknownst to us.
Surprisingly one of the most prominent parts of NOMAD, and the element which makes it stand out in the crowded thriller market, is the atmosphere. The story resurrects the paranoid universe of “Three Days of the Condor”, and in some respects is the best spiritual sequel to the source material that never will be. It’s even better than the actual sequel “Last Days of the Condor”. The universe of NOMAD is one bursting with paranoia, where illusions kill, powerful cabals reshape geopolitics for lunch and office politics makes bodies hit the floor. It’s a world where brute force is worthless against competence and trickery. The main character even fits the archetype of Robert Redford’s Condor, albeit a former Royal Navy veteran who does know how to shoot back. It’s this 70’s atmosphere garnished with a contemporary 2016 touch which gives NOMAD a highly distinctive identity of its own, and further makes me impressed by the author, due to atmosphere having played a much diminished part in 21st century spy fiction.
Now, characters. Competently done. I’ll focus on a select few. Firstly, there’s Marc Dane, the hero of NOMAD. I’ve always, apart from a few exceptions, loathed the “every man protagonist” template. Most of them are foolish and would get killed if it weren’t for luck and plot armour protecting them. Dane on the other hand is different. Perhaps it’s because he take a lot of elements from the granddaddy of everyman heroes, Condor, but I find him a cut above his equivalents. He’s competent, but not a badass killer, despite having had the potential to become one when the SIS assigned him to NOMAD. One of the elements in his character arc over the story, is rediscovering that potential he had to become an outstanding intelligence officer, potential that he had rejected but is forced to tap into as the SIS and Combine close in on him. He can shoot a gun well but where Dane shines is his intelligence. Going up against trained killers, Marc fights dirty. A moment where this is highlighted is when he corners the real traitor, a homicidal former SAS trooper. Rather than the direct approach, Dane smashes the lights in the room they’re in and grab’s the man’s discarded SIG – Sauer before he can react. Marc is also very relatable, with Mr Swallow nailing his characterization perfectly. While he gets hit with fear, doubt and self – pity during the story, he isn’t overtaken by such problems unlike many other everyman protagonists. The single minded drive he has to kill the men who ruined his life helps of course, but Dane balances his humanity with a clear objective that he will do anything to accomplish.
Next, we have Lucy Keyes, hatchet lady for RUBICON and the deutertagonist of NOMAD. Making history as the first woman to qualify for Delta Force, Keyes suffered a tragic event which led her to become a woman without a country and the point – woman for a private intelligence service. While Marc is the fearful and paranoid straight man, Keyes plays the funny guy hiding some very dark secrets. Jovial and optimistic, Lucy plays off well in her interactions with Mr Dane and provides the muscle in their partnership. As the more experienced killer, Keyes as you would expect is a highly competent badass. And you would be right. From her first appearance in London to an attack she mounts with Dane against a team of mercenaries on a freighter in New York, Lucy has gained membership to the growing club of strong, female protagonists that have hit spy/military fiction in this decade. During the story, her character arc is that of an amused protector, getting surprised and appreciative at how capable the protectee is. Despite being more experienced and capable at handling herself in a straight up fight, Keyes lacks the lateral thinking Dane has and where she occasionally falters, his out of the box solutions pick up the slack.
Finally, we have Solomon, owner of the RUBICON non – state actor. A most enigmatic figure, he began life as a Sierra Leone child soldier. Somehow he managed to survive the war but was left with a desire to right the wrongs of the world. Years passed and through mysterious means, he soon became one of the wealthiest and most powerful men on the planet. Despite the newfound riches, Solomon hadn’t forgotten the promise he made to himself back in the hell hole he was born into, and in an act of nobles oblige, he built RUBICON, a non – state actor which would right the geopolitical wrongs that nations and those that wished to watch the world burn committed. As a character, Solomon combines an affable fatherly charm with an edge of menace. While a good man, he’s got a lot of baggage from when he built up his empire, baggage which makes him willing to do whatever it takes to protect his investments and employees by all means necessary.
Constructive suggestion? Well while well researched and thought out, Mr Swallow will need to up his game with the next “epic threat” for the NOMAD Sequel. Be daring and willing to change things up from the usual bombs and other overused threats.
So, NOMAD, my verdict is this. Love the great 70’s spy/conspiracy thrillers? Believe that contemporary thriller fiction no longer has atmosphere and character? Look no further, to Mr Swallow’s first original spy novel. NOMAD is the best sequel to James Grady’s Six Days of the Condor that never will be, a book which combines an extraordinarily well crafted 21st century spy fiction plot, with the wild, paranoia inducing climate of a darker time. Combining rock solid plotting, impeccable characterization of a cast of compelling, flawed characters searching for redemption, and an astonishingly perfect level of research and technical detail, NOMAD is a first time spy novel written to perfection. James Swallow up until now has remained an unknown quantity. I knew he had talent but he has blown away my expectations. NOMAD is his coming out party to the world of spy fiction. And the entrance has been perfectly staged. He and his creations Marc Dane and Lucy Keyes are to be watched closely. In 2017, Dane and Keyes will be return. Their past lives are dead. The fire have started. And a new war has just begun.
RECOMMENDED.