BOTTLED is a fantastic concept that suffers somewhat in the execution. Overall, it's a worthwhile read, but be prepared for some inconsistencies and gaps.
The core concept is captivating and imaginative: The story is told from the point of view of Adeelah, a young girl transformed into a genie, who lives in servitude while hoping for reunion with her lost love.
Adeelah's internal monologue is written in a flowing, archaic cadence that emphasizes her otherness in this modern world. Except when it isn't. Her phrasing and frame of reference jump back and forth and the inconsistent voice, while not excessively distracting, make it difficult to differentiate Adeelah as a character. This is a dual loss, as her lack of self-examination makes it difficult to know her through anything but her variable and unreliable voice.
The author gives an amusing presentation of the interactions of two teenage boys and the younger brother of one of the teens. It's clear that she has some real-life experience with that! But in all, there are too many clumsy inconsistencies and convenient plot mechanisms to make this a truly enjoyable read for an adult or a discerning YA reader. [specific examples below the SPOILER line.] It will resonate well with less-particular teens and tweens, who will likely be sufficiently enamored of the story concept and and won't closely examine the narrative quality.
I loved the concept so much, I really wanted to be able to recommend this book. I read it once, and don't consider the time "lost" or "wasted," but I certainly won't read it again, and can't in conscience recommend it. I gave it three stars because Goodreads doesn't permit me to give half stars, and 2 seemed a little too low a grade.
***SPOILERS***
Adeelah's lack of introspection contributes to incongruities throughout the narrative. For example, as she continually expounds on the wonders of her lost love, her commentary makes it clear to the reader that she is attracted to her new master, blandly-painted generic-good-guy Nathan. This would have worked well if we had seen an arc of discovery or realization. Instead, we move - in the matter of a few paragraphs - from Adeelah's unthinking observations on Nathan (hints of unrecognized attraction) to her matter-of-fact mention, more or less 'in passing', of her growing attraction to him. Presenting it as something already recognized, she just as swiftly dismisses it in favor of her commitment to long-time love Karim.
Her thoughts on Karim, too, offer inconsistency and incongruity. Adeelah tells us the narrative of how Karim's father turned her into a genie, and is keeping father and son immortal. She expresses her certainty that Karim is a good man who deplores what his father is doing. And that's pretty much it. For a guy she is in love with, and has been obsessed with for 1,000 years, her musings don't offer much depth, or observations that would allow someone else to assess his character. When she is reunited with him, she is appalled that in 1,000 years of waiting and sometimes searching for her, he has also spent some time engaging in relationships and other activities of *living. Karim could have declined his father's evil acts, including the murders required to create his immortality elixir every century, but he cooperates and assists in order to get the elixir. Adeelah sees this as nothing but necessity, and it does not once cause her to question her opinions of Karim's nobility and honor. But for him to have friendships and relationships with people while she is away for centuries is somehow a betrayal so grave, she just can't forgive him. A few dozen murders, fine - but interacting with other people rather than living a millennium as a hermit is crossing the line. After spending the book mooning about him, this causes her to cut him off without a backward glance.
Finally, there is the matter of her waning powers. The reader, who has known Adeelah for a few chapters, can clearly see that her powers are waning for some reason, and are likely to disappear. This doesn't occur to Adeelah until she is unable to complete a teleport spell correctly, stranding her and Nathan far from home and help. After multiple mentions of how Karim's father would be in a hurry to create his elixir, as the century would expire soon, I concluded that perhaps the immortal alchemist was fading, dying, and Adeelah's powers were waning with the life force of the man who created her a genie. I was wrong. In fact, the power loss is caused by (a convenient last-minute discovery!) the fact that *all* human-genies like Adeelah lose their power after 1,000 years. Karim explains that he and his father will die without their elixir; in fact, we see no indication of this when the elixir-making is interrupted. When Adeelah dumps him, Karim wanders off as strong and healthy as before. The years will not, however, catch up with Adeelah. Instead, this recently discovered (coincidentally, now just as it is about to occur!) feature leaves her a healthy 17 year old, just in time to hook up with 18-year-old Nathan.