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Milk stone
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January 29, 2022
Laugh, or spit.
They have postulated microbes
building cities on a muccous membrane
or a great sucking pump
like the animal heart.
I prefer laughter
visible
as in absolute cold,
or a boy working up his juices
for the ultimate
all-time champion
distance spit.
* * *
Imagine it –
tympanum, cochlea,
cunning little frogs-legs ossicles,
all that delicate absurd machinery
petrified, rattling stonily
in the skull’s cavity
like garnets in a hollow rock.
Or like a whale’s eardrum
I saw once preserved,
blank as a great flint chip
and lonely as one cymbal.
And the blood’s surf beating
then always like the sea
unheard on solitary stone.
* * *
I am waiting for you
in the lowest room beneath the building
I am smooth as a gourd
without resistance
my shape spreads
downward
seeking the lowest
centre of gravity
I spend hours memorizing
the labyrinth
beneath our skins
by which I came
waiting for your long shadow
in the passage
I am green as a gourd
but inside I am red
All through the folded hours
I am burning
quietly
I am becoming a red hollow
skin
a gourd for drinking
Only now do I recognize
shards patterning the dust
between my legs
they are my former skins
How many times
have I come here
How long have I been waiting
* * *
Work one face of a stone
only
so I can always have you:
at times I am one-dimensional.
Love on paper.
It’s easier to photograph you
with my mind
arresting you at mid-point
in some brilliant exposition
before discovery moves you
off the surface.
Although I know you’re
a cave splendid with crystals
and white bats,
sometimes I am
afraid to go there.
They have postulated microbes
building cities on a muccous membrane
or a great sucking pump
like the animal heart.
I prefer laughter
visible
as in absolute cold,
or a boy working up his juices
for the ultimate
all-time champion
distance spit.
- The Origin of the Universe, pg. 29
* * *
Imagine it –
tympanum, cochlea,
cunning little frogs-legs ossicles,
all that delicate absurd machinery
petrified, rattling stonily
in the skull’s cavity
like garnets in a hollow rock.
Or like a whale’s eardrum
I saw once preserved,
blank as a great flint chip
and lonely as one cymbal.
And the blood’s surf beating
then always like the sea
unheard on solitary stone.
- Stone Deaf, pg. 36
* * *
I am waiting for you
in the lowest room beneath the building
I am smooth as a gourd
without resistance
my shape spreads
downward
seeking the lowest
centre of gravity
I spend hours memorizing
the labyrinth
beneath our skins
by which I came
waiting for your long shadow
in the passage
I am green as a gourd
but inside I am red
All through the folded hours
I am burning
quietly
I am becoming a red hollow
skin
a gourd for drinking
Only now do I recognize
shards patterning the dust
between my legs
they are my former skins
How many times
have I come here
How long have I been waiting
- The Last Room, pg. 44-45
* * *
Work one face of a stone
only
so I can always have you:
at times I am one-dimensional.
Love on paper.
It’s easier to photograph you
with my mind
arresting you at mid-point
in some brilliant exposition
before discovery moves you
off the surface.
Although I know you’re
a cave splendid with crystals
and white bats,
sometimes I am
afraid to go there.
- For Selected Friends, pg. 58
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