Le théâtre de Kālidāsa, c'est trois pièces, c'est-à-dire trois héroïnes, Sakuntalā, Urvasī, Mālavikā, toutes figures de l'amour vrai, absolu, triomphant des obstacles, infrangible. Que le héros l'oublie et la méconnaisse, qu'il se laisse distraire l'espace d'un instant par la beauté d'une autre, qu'il tremble devant la reine en titre, l'héroïne demeure inébranlable et sûre de son amour, dût-elle comme Sakuntalā demeurer sept années à attendre son époux. Un amour qu'elle partage avec l'univers entier, car, autour d'elle, tout s'y abandonne comme à un principe universel et supérieur : hommes, dieux, bêtes, plantes, rivières et montagnes.Il n'est rien, en effet, que n'évoque ce théâtre : grandi par le mythe et par l'histoire auxquels il emprunte, il montre sur la scène le ciel et la terre, l'alliance des dieux et des mortels, la communion de l'homme et de la nature, et proclame l'unité du monde. Esthétique fusionnelle où romantiques et symbolistes, jusqu'à Claudel, aimeront à se reconnaître.Y répond l'unité de l'œuvre : loin d'être une simple collection de textes autonomes, le théâtre de Kālidāsa est un ensemble qu'un réseau de correspondances et de motifs récurrents constitue en système dramatique. Il trace une sorte de comédie humaine, traversée certes par les dieux, mais humaine avant tout.
Poetry of Indian dramatist and lyric poet Kalidasa (circa 375-circa 415) represents the height of the kavya style, which his epic poem Raghuvamsha and his lyric poem Meghaduta exemplify.
Poeple widely regard Kālidāsa (Devanāgarī: कालिदास "servant of Kali") as the greatest renowned writer in the classical Sanskrit language.
We know nothing with certainty about the life of Kālidāsa apart from works but speculate about the place where he lived or the dates of his birth and death. According to legend, his known beauty brought him to the attention of Vidyottama, princess, who married him. Kālidāsa, however, legendarily lacked much education, and his ignorance and coarseness shamed the princess. A devoted worshipper of Kali (by other accounts of Saraswati), Kālidāsa is said to have called upon his goddess for help when he was going to commit suicide in a well after he was humiliated by his wife, and was rewarded with a sudden and extraordinary gift of wit. He is then said to have become the most brilliant of the "nine gems" at the court of the king Vikramaditya of Ujjain. Legend also has it that he was murdered by a courtesan in Sri Lanka during the reign of Kumaradasa.
i’ve only read sakuntala’s story but it was fun and i really liked a happy ending for a change even though the plot is, as always in the theatre genre, dumb and could’ve been resolved in one conversation literally.