William Daniels' autobiography, "There I Go Again: How I Came to be Mr. Feeny, John Adams, Dr. Craig, KITT, and Many Others," tells the story of a man fans will recognize from many of the characters he has played: smart, irascible, talented, and frank. In fact, Daniels notes that he's a lot like Dr. Mark Craig, the character he played on the TV show "St. Elsewhere:" "I can be rather abrupt, very critical, and sometimes judgmental -- a real martinet." Fortunately, he is clearly not like John Adams, his character from "1776," who was "obnoxious and disliked."
Daniels also reveals a deeper, more nuanced person than any of his roles, a man whose early life as a child performer in New York left him with crippling self-doubt, despite his lifelong success in the competitive acting profession. He shows considerable generosity in relating the story of his childhood, making clear that his relentless mother had pushed him and his siblings into performing, but questioning (years later, with the help of analysis) why he never rejected the blueprint she created for him.
Those who enjoy entertainment biographies will appreciate Daniels' backstage stories from Broadway and his behind-the-scenes looks at TV and film in Hollywood. Although he has worked with some of the biggest "names" of the past century, he is not much of a gossip about his fellow actors, telling generally positive stories, apart from a few drunken escapades and frustrating performances. He is actually much tougher on producers and directors, particularly Jerome Robbins.
His descriptions of the acting profession, from countless takes and difficult performances to unemployment and stardom, reveal a man who is completely dedicated to his craft. He seems to have had a career-long, single-minded devotion to offering the best performances possible, even when that means turning down roles he judges as sub-par or tangling with producers and directors. Daniels circles back to his childhood to suggest the roots of his perfectionism, but he seldoms strays too far from the narrative for deep introspection.
Daniels is notably humble in describing two of his biggest successes: His term as president of the Screen Actors' Guild and his seven-decade marriage to actress Bonnie Bartlett. In the chapter discussing his work with SAG and the successful re-negotiation of favorable contract terms, for instance, he spends considerable time congratulating other actors, who worked in the negotiations or contributed to the union's strike fund. (His assessment of the SAG professional staff is scathing, though.)
Regarding Bartlett, he paints a glowing portrait of a talented, successful, steady, long-suffering spouse, who is the ideal counterbalance to his turbulence. The book made me want to know more about her -- I'd be fascinated to read her autobiography!
"There I Go Again" is a thoughtful, entertaining memoir. Daniels' fans -- and film, TV, and theatre fans -- will enjoy it.
(Review copy courtesy of NetGalley.)