Meatyard as self-taught a portrait of the photographer by acclaimed art historian Alexander Nemerov The legendary, mysterious photographer Ralph Eugene Meatyard (1925–72) lived in Lexington, Kentucky, working in a close-knit community of artists and writers while making his living as an optician. Ralph Eugene American Mystic , by esteemed art historian Alexander Nemerov, is a groundbreaking study of Meatyard’s work, creative thinking and sources of inspiration.
Given rare access to the personal library in which Meatyard had tellingly annotated works of fiction, poetry and other pages of personal significance, Nemerov examines the artist’s process of creating characters and staging dreamlike scenes. American Mystic also considers the artists and writers whose work influenced Meatyard, such as William Blake, Ludwig Wittgenstein and Thomas Merton.
Meatyard’s celebrated series The Family Album of Lucybelle Crater and many of his other photographs cast family members and friends in central roles, often masked and enacting symbolic dramas. Of these mystical works, Nemerov writes, “For Meatyard, a photograph is a careful or casual arrangement meant to produce a feeling it cannot name.”
A scholar of American art, Nemerov writes about the presence of art, the recollection of the past, and the importance of the humanities in our lives today. Committed to teaching the history of art more broadly as well as topics in American visual culture — the history of American photography, for example — he is a noted writer and speaker on the arts. His most recent books are Wartime Kiss: Visions of the Moment in the 1940s (2013) and Acting in the Night: Macbeth and the Places of the Civil War (2010). In 2011 he published To Make a World: George Ault and 1940s America (2011), the catalogue to the exhibition of the same title he curated at the Smithsonian American Art Museum. Among his recent essays are pieces on Peter Paul Rubens, on Henry James, on Thomas Eakins and JFK; and on Rothko and Rembrandt.