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580 pages, Kindle Edition
First published June 1, 1995
This book is first of all a work of imagination.
In the form called the biographical novel the writer must make music in two keys at once, fulfilling the responsibilities of fiction and biography. These sometimes yield harmony and sometimes dissonance, because each seeks a different kind of triumph.
The biographer’s fidelity is first of all to the shape of his subject’s life …. He restricts himself, more or less, to what can be proven.
The novelist’s aspiration … is less to limn the particular form of the life of his subject than to discover the profile of what is permanently human in it.
So a story that begins as reportage, then metamorphoses into history, and is transformed once more, this time into myth ….
And the tools [the novelist] uses to create are not analysis, logic, and judgment, but feeling, imagination, and dream.
This is the freedom that the novelist claims but the biographer does not.