Learn The Complete Book of Lettering and Design. Professionally spiraled and resold by a third party. This spiraled book is not necessarily affiliated with, endorsed by, or authorized by the publisher, distributor, or author.
Easily the best calligraphy manual I've come across. The book teaches not only the basics of the lettering styles, but the finer points, with explicit instruction in the small details that make a hand look right. You're never left copying the same letter over 25 times and wondering why yours doesn't look like the sample. If a curve is supposed to meet an upright at a specific point, the book says so, with illustrations and visualizations to help you internalize the style. It's priceless for beginners like me, who haven't learned how to "see" new alphabets.
It's also priceless for people who find that in the absence of clear instructions to the contrary, their writing reverts to however they normally form letters. I've been having a heck of a time learning calligraphy for that exact reason, but just a week with this book had me writing a presentable Italic hand--practically from scratch.
Although the book proceeds through four different hands, you don't need to do all four in order. I skimmed the start of the book, then jumped straight into Italic, the last hand in the book, and had no trouble understanding the lessons.
This book is also a seriously badass display of calligraphy. The author wrote the entire book by hand. The entire book. The lessons, the preface, the title page, the frontispiece, the copyright page. She wrote the copyright page by hand.
In the pre-digital-correction era.
With a dip pen.
I recommend this book to beginners, to more advanced calligraphers who want to master a specific hand or who want to learn to analyze styles, and to anyone who wants to see what a book looks like when a talented calligrapher creates it start to finish.
The author wrote all the text in this book by hand, showing the reader on every page how to adapt calligraphy to the available space. While this effort is charming and inspiring, her choice of style (italic) ultimately makes this book disappointingly difficult to read, a real minus for a reference book.
If one can get over this, one will find in this book good explanations (see the effects of nib width on letter weight on p. 31 and p. 121), many of which are cutely illustrated (see width categories of letters compared to the angle at which you view fat or skinny bunnies, pp. 104-5).
One of the best beginner´s calligraphy manuals I´ve found. A few styles are carefully selected to begin your learning path in Western traditional calligraphy. Besides that, it's beautifully penned and illustrated by hand. You only need a broad-edge calligraphy pen or marker, ink, good quality paper, and follow the step-by-step instructions to realize how fulfilling the calligraphy practice can be. I highly recommend it!
I picked this up at a thrift store, on impulse (I recently got a nice pen and wanted to play with it a bit), and it's done exactly what I wanted it to, got me to use the thing and enjoy it. I think my handwriting itself has improved a bit too!
It's light and readable, with just a bit of history sprinkled in with the exercises.
This book, like many things in life, is designed for right handed people. The small section that was written for left handed people was difficult to understand. She was rude about anyone trying to learn calligraphy while being left handed. No encouragement there.
This entire review has been hidden because of spoilers.
Useful overall, detailed, however the main text and instructions are written in a quasi-handwriting font (a form of italics), making them hard to read—hence three stars not four.
I really wanted to enjoy this, I really did, the content seemed interesting and helpful. However, I'm not sure if it was because I read the digital edition, but the font was so hard to read!
She is an amazing teacher. She really breaks down the skills and makes the basics and variations seem really easy - and fun! Her choice of animal for each script really works - I especially like the fact that she chose (female) humans for Italic, because the human face really is a great way to explain the shape of the Italic "a", and floating scarves are great for the flourishes. And she totally sold me on versal capitals, which she calls Gothic capitals.
But it was really hard to get over the fact that her strokes are shaky, not clean. Maybe it's my Chinese calligraphy background talking.