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Jahrestage #4
I giorni e gli anni: 20 giugno 1968 - 20 agosto 1968
È l’inizio dell’estate 1968, e sotto il sole rovente di New York risplendono e trascolorano le giornate e le memorie di Gesine Cresspahl e dei mille personaggi che abitano questa grande saga. Solisti e comprimari riecheggiano ormai nell’orecchio del lettore come note familiari eppure tanto più capaci di sorprendere, e le vicende di Gesine e dei suoi cari – su tutti la figlia Marie, costante controcanto affettuoso e polemico dei pensieri della protagonista –, così come i grandi eventi della Storia collettiva, si dispongono a intonare gli accordi conclusivi di questa opera-mondo del Novecento europeo. La sinfonia di Uwe Johnson volge al termine e, in ampie e multiformi armonie, temi e motivi convergono verso un finale polifonico, mosso e commovente. Sullo spartito del grande autore tedesco un passato sempre meno remoto e sempre più personale fa da contrappunto al presente irrisolto di una nazione divisa e di un’America d’adozione.
Il lascito de I giorni e gli anni è una porta spalancata su quel futuro che sarà il nostro: «La Storia è un progetto».
In questo quarto e ultimo volume della saga, costato all’autore un decennio di tormentato lavoro, Gesine pianifica un delicato viaggio a Praga mentre rievoca i vivaci e travagliati anni della scuola e della DDR. Marie intanto cresce veloce e, per scoprire se stessa, interroga la Storia da cui proviene. Questi densissimi mesi finali ci trascinano, in un pulviscolo di avvenimenti, fino alla scioccante repressione della Primavera di Praga.
Il lascito de I giorni e gli anni è una porta spalancata su quel futuro che sarà il nostro: «La Storia è un progetto».
In questo quarto e ultimo volume della saga, costato all’autore un decennio di tormentato lavoro, Gesine pianifica un delicato viaggio a Praga mentre rievoca i vivaci e travagliati anni della scuola e della DDR. Marie intanto cresce veloce e, per scoprire se stessa, interroga la Storia da cui proviene. Questi densissimi mesi finali ci trascinano, in un pulviscolo di avvenimenti, fino alla scioccante repressione della Primavera di Praga.
- GenresFiction
519 pages, Paperback
Published February 4, 2016
3 people are currently reading
43 people want to read
About the author
Uwe Johnson
101 books63 followersUwe Johnson was a German writer, editor, and scholar.
Johnson was born in Kammin in Pomerania (now Kamień Pomorski, Poland). His father was a Swedish-descent peasant from Mecklenburg and his mother was from Pommern. At the end of World War II in 1945, he fled with his family to Anklam (West Pomerania); his father died in a Soviet internment camp (Fünfeichen). The family eventually settled in Güstrow, where he attended John-Brinckman-Oberschule 1948–1952. He went on to study German philology, first in Rostock (1952–54), then in Leipzig (1954–56). His Diplomarbeit (final thesis) was on Ernst Barlach. Due to his lack of political support for the Communist regime of East Germany, he was suspended from the University on 17 June 1953 but was later reinstated.
Beginning in 1953, Johnson worked on the novel Ingrid Babendererde, rejected by various publishing houses and unpublished during his lifetime.
In 1956, Johnson's mother left for West Berlin. As a result, he was not allowed to work a normal job in the East. Unemployed for political reasons, he translated Herman Melville's Israel Potter: His Fifty Years of Exile (the translation was published in 1961) and began to write the novel Mutmassungen über Jakob, published in 1959 by Suhrkamp in Frankfurt am Main. Johnson himself moved to West Berlin at this time. He promptly became associated with Gruppe 47, which Hans Magnus Enzensberger once described as "the Central Café of a literature without a capital." [1]
During the early 1960s, Johnson continued to write and publish fiction, and also supported himself as a translator, mainly from English-language works, and as an editor. He travelled to America in 1961; the following year he was married, had a daughter, received a scholarship to Villa Massimo, Rome, and won the Prix International.
1964 - for the Berliner Tagesspiegel, Reviews of GDR television programmes boycotted by the West German press (published under the title "Der 5. Kanal", "The Fifth Channel", 1987).
In 1965, Johnson travelled again to America. He then edited Bertolt Brecht's Me-ti. Buch der Wendungen. Fragmente 1933-1956 (Me-ti: the Book of Changes. Fragments, 1933-1956). From 1966 through 1968 he worked in New York City as a textbook editor at Harcourt, Brace & World and lived with his family in an apartment at 243 Riverside Drive (Manhattan). During this time (in 1967) he began work on his magnum opus, the Jahrestage and edited Das neue Fenster (The new window), a textbook of German-language readings for English-speaking students learning German.
On 1 January 1967 protesters from Johnson's own West Berlin apartment building founded Kommune 1. He first learned about it by reading it in the newspaper. Returning to West Berlin in 1969, he became a member of the West German PEN Center and of the Akademie der Künste (Academy of the Arts). In 1970, he published the first volume of his Jahrestage (Anniversaries). Two more volumes were to follow in the next three years, but the fourth volume would not appear until 1983.
Meanwhile, in 1972 Johnson became Vice President of the Academy of the Arts and was the editor of Max Frisch's Tagebuch 1966-1971. In 1974, he moved to Sheerness on the English Isle of Sheppey; shortly after, he broke off work on Jahrestage due partly to health problems and partly to writer's block.
This was not a completely unproductive period. Johnson published some shorter works and continued to do some work as an editor. In 1977, he was admitted to the Darmstädter Akademie für Sprache und Dichtung (Darmstadt Academy for Speech and Writing); two years later he informally withdrew. In 1979 he gave a series of Lectures on poetics at the University of Frankfurt (published posthumously as Begleitumstände. Frankfurter Vorlesungen).
In 1983, the fourth volume of Jahrestage was published, but Johnson broke off a reading tour for health reasons. He died on 22 February 1984 in Sheerness in England. His body was not found until
Johnson was born in Kammin in Pomerania (now Kamień Pomorski, Poland). His father was a Swedish-descent peasant from Mecklenburg and his mother was from Pommern. At the end of World War II in 1945, he fled with his family to Anklam (West Pomerania); his father died in a Soviet internment camp (Fünfeichen). The family eventually settled in Güstrow, where he attended John-Brinckman-Oberschule 1948–1952. He went on to study German philology, first in Rostock (1952–54), then in Leipzig (1954–56). His Diplomarbeit (final thesis) was on Ernst Barlach. Due to his lack of political support for the Communist regime of East Germany, he was suspended from the University on 17 June 1953 but was later reinstated.
Beginning in 1953, Johnson worked on the novel Ingrid Babendererde, rejected by various publishing houses and unpublished during his lifetime.
In 1956, Johnson's mother left for West Berlin. As a result, he was not allowed to work a normal job in the East. Unemployed for political reasons, he translated Herman Melville's Israel Potter: His Fifty Years of Exile (the translation was published in 1961) and began to write the novel Mutmassungen über Jakob, published in 1959 by Suhrkamp in Frankfurt am Main. Johnson himself moved to West Berlin at this time. He promptly became associated with Gruppe 47, which Hans Magnus Enzensberger once described as "the Central Café of a literature without a capital." [1]
During the early 1960s, Johnson continued to write and publish fiction, and also supported himself as a translator, mainly from English-language works, and as an editor. He travelled to America in 1961; the following year he was married, had a daughter, received a scholarship to Villa Massimo, Rome, and won the Prix International.
1964 - for the Berliner Tagesspiegel, Reviews of GDR television programmes boycotted by the West German press (published under the title "Der 5. Kanal", "The Fifth Channel", 1987).
In 1965, Johnson travelled again to America. He then edited Bertolt Brecht's Me-ti. Buch der Wendungen. Fragmente 1933-1956 (Me-ti: the Book of Changes. Fragments, 1933-1956). From 1966 through 1968 he worked in New York City as a textbook editor at Harcourt, Brace & World and lived with his family in an apartment at 243 Riverside Drive (Manhattan). During this time (in 1967) he began work on his magnum opus, the Jahrestage and edited Das neue Fenster (The new window), a textbook of German-language readings for English-speaking students learning German.
On 1 January 1967 protesters from Johnson's own West Berlin apartment building founded Kommune 1. He first learned about it by reading it in the newspaper. Returning to West Berlin in 1969, he became a member of the West German PEN Center and of the Akademie der Künste (Academy of the Arts). In 1970, he published the first volume of his Jahrestage (Anniversaries). Two more volumes were to follow in the next three years, but the fourth volume would not appear until 1983.
Meanwhile, in 1972 Johnson became Vice President of the Academy of the Arts and was the editor of Max Frisch's Tagebuch 1966-1971. In 1974, he moved to Sheerness on the English Isle of Sheppey; shortly after, he broke off work on Jahrestage due partly to health problems and partly to writer's block.
This was not a completely unproductive period. Johnson published some shorter works and continued to do some work as an editor. In 1977, he was admitted to the Darmstädter Akademie für Sprache und Dichtung (Darmstadt Academy for Speech and Writing); two years later he informally withdrew. In 1979 he gave a series of Lectures on poetics at the University of Frankfurt (published posthumously as Begleitumstände. Frankfurter Vorlesungen).
In 1983, the fourth volume of Jahrestage was published, but Johnson broke off a reading tour for health reasons. He died on 22 February 1984 in Sheerness in England. His body was not found until
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Displaying 1 of 1 review
May 29, 2019
Si conclude (finalmente) la storia di Gesine Cresspahl e della sua famiglia meclemburghese.
Questo quarto volume sembra più simile a un diario di auto-aiuto che a un testo letterario. E che si tratti del volume meno riuscito della tetralogia lo testimonia anche la nota dei traduttori secondo i quali: “la rielaborazione di materiale di cronaca quotidiana del 1968 appare in effetti meno funzionale all’economia del romanzo”, con le citazioni del NYT che “verso la fine del libro” sono “prive di tale ruolo strutturale” per “ricadere in quella funzione ‘decorativa’ […] orientati alla previsione del futuro della Primavera di Praga, piuttosto che alla ricostruzione del passato anche lontano di Gesine e della sua famiglia”.
La sensazione è che già al termine del terzo volume l'Autore avesse esaurito le energie necessarie per portare a compimento il suo ambiziosissimo progetto: raccontare in 366 capitoli non solo un anno di vita della Gesine emigrata negli Stati Uniti (dal 21 agosto del 1967 al 20 agosto 1968), ma anche le vicende della sua famiglia e della Germania dall’inizio del Novecento all’occupazione sovietica e, infine, la storia "quotidiana" di quell'anno, in cui spicca la guerra del Vietnam. Purtroppo, invece di prenderne atto e rivedere il progetto Johnson, probabilmente anche sulla spinta delle drammatiche vicende personali, decide di portarlo comunque a termine, perdendo però qualsiasi controllo sulla scrittura, la cui verbosità e meccanicità sono davvero esasperate.
Ovviamente questo nulla toglie al portato etico dell’opera, che però catalogo fra le esperienze di lettura più ostiche, una sorta di ottomila letterario: una volta che l’hai scalato sei contento di averlo fatto, ma non riproveresti più l’esperienza.
Questo quarto volume sembra più simile a un diario di auto-aiuto che a un testo letterario. E che si tratti del volume meno riuscito della tetralogia lo testimonia anche la nota dei traduttori secondo i quali: “la rielaborazione di materiale di cronaca quotidiana del 1968 appare in effetti meno funzionale all’economia del romanzo”, con le citazioni del NYT che “verso la fine del libro” sono “prive di tale ruolo strutturale” per “ricadere in quella funzione ‘decorativa’ […] orientati alla previsione del futuro della Primavera di Praga, piuttosto che alla ricostruzione del passato anche lontano di Gesine e della sua famiglia”.
La sensazione è che già al termine del terzo volume l'Autore avesse esaurito le energie necessarie per portare a compimento il suo ambiziosissimo progetto: raccontare in 366 capitoli non solo un anno di vita della Gesine emigrata negli Stati Uniti (dal 21 agosto del 1967 al 20 agosto 1968), ma anche le vicende della sua famiglia e della Germania dall’inizio del Novecento all’occupazione sovietica e, infine, la storia "quotidiana" di quell'anno, in cui spicca la guerra del Vietnam. Purtroppo, invece di prenderne atto e rivedere il progetto Johnson, probabilmente anche sulla spinta delle drammatiche vicende personali, decide di portarlo comunque a termine, perdendo però qualsiasi controllo sulla scrittura, la cui verbosità e meccanicità sono davvero esasperate.
Ovviamente questo nulla toglie al portato etico dell’opera, che però catalogo fra le esperienze di lettura più ostiche, una sorta di ottomila letterario: una volta che l’hai scalato sei contento di averlo fatto, ma non riproveresti più l’esperienza.
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