Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss Hart's Lady in the Dark - 1967 Monkey business--The Monkees flick limp wrists while caroling "Don we now our gay apparel" for a Christmas special - 1974: Pepper in the wound--A notorious Police Woman episode depicts a gang of deadly lesbians who rob, torture, and murder senior citizens - 1977: Wash your mouth out--Billy Crystal portrays Jodie Dallas on Soap, the first hit series with a gay character in a central role - 1991: L.A. Law breaks 'em--Amanda Donohoe and Michelle Greene share a two-second kiss . . . and start a storm of controversy - 2000: The last laugh--Featuring not one but two gay male characters, Will & Grace skyrockets to the top of the ratings charts
From mocking banter between Bing Crosby and Bob Hope on '50s radio to a historic peck between women on '90s television, from the stereotyping of gays, lesbians, and bisexuals as sissies and psychopaths to their widespread acceptance as real people, Alternate Channels is a compulsively readable chronicle of lesbian, gay, and bisexual images in the media--packed with unthinkable shows, bizarre personalities, unlikely heroes, and some of the strangest protests ever staged in the name of civil rights.
This is such an interesting book!! I really like getting to read the development and change in representation through the years, and to have in mind how far we've come but also how much we still need to go and how some of the conversations we're still having are the same. It's curious to learn where some of the stereotypes started and how some of them grew to change their effect on people, to see how we spoke of identities and people changed, and to see the impact characters and storylines have had on people - this book marks a story of queer generations, their icons and lack of them. The book is also set on its own time, which the author addresses in this revisited edition, but the language and expectations used are those of the 90's, which means not always are things as we would talk about them today, but that's also the point here. The book itself talks about changing meanings and words, like of the retaking of the word "queer", which felt incredibly personal, since I, myself, struggled with it being used happily and not tainted as a slur, and nowadays is the word I'm most comfortable for myself. But truly our history is important, and as someone who loves tv, who grew as a queer person from seeing (and mostly imagining - I'm big headcanons) queer stories, it's good to see where we come from, and our journey, and truly reading this at the TV time of Our Flag Means Death which gave us happy queer love and joy and of Killing Eve, that I didn't even watch but it's hard to ignore the finale - there's really a look at how things have changed and how they've fallen into new painful mistakes.
If you enjoyed Visible, the series on the apple service, this is the perfect companion piece, going deeper and further on the subject of gay and lesbian representation on American TV. The book cuts off at 1999, but far from seeming too little, it actually leaves you craving for a sequel for the 2000s and beyond.
I don't think there exists a more thorough history of the representation of queer people on television, show by show, through the year 1999. I can't give it 5 stars just because I found it a little overwhelming, but I probably should have. If you need to start on this topic, this is probably where to start, but try to get the edition that doesn't have some of pages in the wrong order.
I first became aware of this book due to a mention on a Matt Baume video on Barney Miller. That set my expectations for lots of fun stories, whereas the book was much more academic. That's fine that it is, but I had to adjust expectations.
It really is what the title says. Chapters cover different time periods, mostly chronologically, and what representation there was, and what was missing. As much fluctuation as there has been, and as much as I wouldn't have expected to know, once we got into the time period where I was alive, a lot of it was very familiar. Some of the portrayals were big news, but there are some I caught mainly through luck.
The book was published in 2000, and I was thinking at various times how he would feel about things that happened after, like complaints about killing your gays with The 100 and Killing Eve, and lots of things about Supernatural, but over the flow of the book you see that it isn't surprising. There is always that push back against any progress, like the current outrage against drag queens and similar attempts to roll back accurate accounts of race in US history. But there is also a reminder of the importance of fighting that push.
Capsuto's interest goes back to working a suicide line, and hearing from a teen that "I only know what I see on TV."
Capsuto provides insightful and well-researched context to the history of how LGBTQ was depicted on television since its earliest days. This is my go-to when conducting specific research for my podcast, Advanced TV Herstory. Capsuto's major update of his original 2000 version makes this an essential reference book for anyone pursuing gender studies, media studies, TV and social justice. Unparalleled!
Highly recommend this very in-depth book- television’s companion to The Celluloid Closet- to anyone interested in the history of queer censorship and representation on the small screen, the progress that’s been made, and how.
Fascinating how gay activism and television together have completely changed all our lives. For a gay American, it reads like a sort of cultural autobiography, and very well-written and researched it is.