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Conan: Dark Horse Collection
Conan, Vol. 6: The Hand of Nergal
This latest collection in Dark Horse's smart, innovative Conan series finds the cunning Cimmerian chased by both unfinished business from his past and a strange novice magician who seeks to deliver a dire warning to the wandering barbarian. Fleshing out Robert E. Howard's unfinished "Hand of Nergal" tale, Timothy Truman weaves several plot threads together in an ambitious culmination of ideas, and his skill at characterization is apparent in both his handling of Howard's beloved, iconic hero and a colorful supporting cast of thieves, royalty, seasoned soldiers, and magicians both good and evil. A great evil from Conan's past moves ever closer while unfathomable terrors awaken and come into view. Conan is, of course, eager to meet both head on
152 pages, Paperback
First published September 17, 2008
4 people are currently reading
155 people want to read
About the author
Timothy Truman
535 books59 followersTimothy Truman is an American writer, artist and musician. He is best known for his stories and Wild West-style comic book art, and in particular, for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex, with Joe R. Lansdale. Truman is currently writing Conan and is an instructor at the Pennsylvania College of Art and Design.
Truman's first professional comics work was Grimjack with writer John Ostrander, for the independent comics company First Comics. Grimjack first appeared in Starslayer #10 in November 1983, before moving to his own series after issue #18 in 1984, and continued for 81 issues. Along with being a fan favorite and often imitated character, Grimjack almost single-handedly defined the "grim and gritty" action comic character archetype.
Truman has been continuously creative for more than 20 years, displaying his pulp sensitivities in his writing. In 1985, he created Scout, which was followed by Scout: War Shaman, a futuristic western. A year later, he relaunched the Hillman characters Airboy and The Heap for Eclipse Comics. He also developed The Prowler, a Shadow type character, and adapted The Spider for Eclipse. In 1991, at DC Comics he created Hawkworld, a reinvention of Hawkman. With author Joe R. Lansdale, he reinterpreted Jonah Hex as a horror western. In it, their creation of villain Edgar Autumn elicited a complaint from musician Edgar Winter. With his son, Benjamin Truman, he created A Man Named Hawken.
Truman was chosen by Dark Horse Comics to illustrate a newly completed Tarzan novel and wrote a story arc for the comic book. He also wrote virtually the entire run of Turok: Dinosaur Hunter for Valiant Comics, after David Michelinie launched the book with its first three-issue story arc and subsequently departed the series. For the defunct SF imprint of DC, Helix, he created The Black Lamb. He also worked on a typical pulp adventure Guns of the Dragon, featuring Enemy Ace and Bat Lash; and wrote Star Wars at Dark Horse Comics. While at Dark Horse Comics, he took over the writing of Conan from Kurt Busiek in 2006, and after that series ended he started Conan The Cimmerian.
Truman's startling work, Simon Girty, Renegade was a two-volume black and white graphic novel that translated the horrors and triumphs of the American settler's western frontier in a fresh, interesting light. In bold, black and white use of positive and negative space, Truman appealed to both young and old audiences in West Virginia and Pennsylvania. It was especially important for West Virginians that had been struggling against novelist Zane Grey's portrayal of Lewis Wetzel in an overly romanticized, florid light. Truman himself is an avid historian who dislikes nothing more than to see a drawing of a war using the wrong weaponry, and the second volume of his two-volume series on Simon Girty was devoted to the errors caught in his first volume.
Tecumseh! a graphic novel based on the West Virginia Outdoor Theater, is a colored graphic novel that shows the play from beginning to end. It renewed interest in the warrior in Appalachia. When asked why he used "Tecumseh" instead of "Tecumtheh" he explained he didn't want to explain to the mainstream audience the variance in spelling — the movement on pronunciation began with General William Tecumseh Sherman who came from a family that wanted to commemorate the warrior, but felt the lisping "Tecumtheh" would be unmanly.
Truman's first professional comics work was Grimjack with writer John Ostrander, for the independent comics company First Comics. Grimjack first appeared in Starslayer #10 in November 1983, before moving to his own series after issue #18 in 1984, and continued for 81 issues. Along with being a fan favorite and often imitated character, Grimjack almost single-handedly defined the "grim and gritty" action comic character archetype.
Truman has been continuously creative for more than 20 years, displaying his pulp sensitivities in his writing. In 1985, he created Scout, which was followed by Scout: War Shaman, a futuristic western. A year later, he relaunched the Hillman characters Airboy and The Heap for Eclipse Comics. He also developed The Prowler, a Shadow type character, and adapted The Spider for Eclipse. In 1991, at DC Comics he created Hawkworld, a reinvention of Hawkman. With author Joe R. Lansdale, he reinterpreted Jonah Hex as a horror western. In it, their creation of villain Edgar Autumn elicited a complaint from musician Edgar Winter. With his son, Benjamin Truman, he created A Man Named Hawken.
Truman was chosen by Dark Horse Comics to illustrate a newly completed Tarzan novel and wrote a story arc for the comic book. He also wrote virtually the entire run of Turok: Dinosaur Hunter for Valiant Comics, after David Michelinie launched the book with its first three-issue story arc and subsequently departed the series. For the defunct SF imprint of DC, Helix, he created The Black Lamb. He also worked on a typical pulp adventure Guns of the Dragon, featuring Enemy Ace and Bat Lash; and wrote Star Wars at Dark Horse Comics. While at Dark Horse Comics, he took over the writing of Conan from Kurt Busiek in 2006, and after that series ended he started Conan The Cimmerian.
Truman's startling work, Simon Girty, Renegade was a two-volume black and white graphic novel that translated the horrors and triumphs of the American settler's western frontier in a fresh, interesting light. In bold, black and white use of positive and negative space, Truman appealed to both young and old audiences in West Virginia and Pennsylvania. It was especially important for West Virginians that had been struggling against novelist Zane Grey's portrayal of Lewis Wetzel in an overly romanticized, florid light. Truman himself is an avid historian who dislikes nothing more than to see a drawing of a war using the wrong weaponry, and the second volume of his two-volume series on Simon Girty was devoted to the errors caught in his first volume.
Tecumseh! a graphic novel based on the West Virginia Outdoor Theater, is a colored graphic novel that shows the play from beginning to end. It renewed interest in the warrior in Appalachia. When asked why he used "Tecumseh" instead of "Tecumtheh" he explained he didn't want to explain to the mainstream audience the variance in spelling — the movement on pronunciation began with General William Tecumseh Sherman who came from a family that wanted to commemorate the warrior, but felt the lisping "Tecumtheh" would be unmanly.
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Displaying 1 - 26 of 26 reviews
September 8, 2017
Remember that old trope where Conan fights a priest who's killing people to gain power from an elder god? Well, it's back. Just go watch Conan the Barbarian. It's the same plot as this but with zealots instead of zombies
June 7, 2024
Not a bad wrap up to the first Dark Horse Conan series. The Hand of Nergal was a one shot story back in Marvel's Conan #30 in 1973, but this is a longer and somewhat different story here.
I really enjoyed the Dark Horse Conan series, and will be continuing on to the next series.
I really enjoyed the Dark Horse Conan series, and will be continuing on to the next series.
September 11, 2017
This series continues to deliver in terms of lusty adventures and lurid artwork! The denouement of this one felt a little rushed, but I'm glad it ends with Conan heading homeward to find a change of scene.
February 5, 2014
"The Hand of Nergal" was a fragment that Robert E Howard never got around to fleshing out; if I remember correctly, it was little more than two pages. So what Tim Truman does here is pretty amazing-- he takes those two pages, draws on what he already knows about REH's approach to writing Conan, as well as what previous writer Kurt Busiek has established, and turns in a top notch tale. Truman's "The Hand of Nergal" very skillfully takes Conan to the next stage of his career.
Making his way back to Cimmeria after having had enough of civilization, Conan becomes a mercenary with the army of Yaralet sent to meet the escort of a Princess -- just in time to see his army slaughtered by demonic creatures. The demons mistake the "waif" Iniri for the Princess and steal her away. It's up to Conan, the Princess and a blind wizard to rescue her before she becomes a meal for the evil god Nergal.
There are a few bumps here, which I attribute to Truman getting his feet dug in, but over-all it's a well-done story. It's clear, at least, that Truman "gets" Conan just as much as Busiek did. The art, by Tomas Giorello, while not as painterly or stunning as Cary Nord's best work, is more consistent and he makes a fine Conan artist.
I'd call this a fine new beginning for Dark Horse's Conan.
Making his way back to Cimmeria after having had enough of civilization, Conan becomes a mercenary with the army of Yaralet sent to meet the escort of a Princess -- just in time to see his army slaughtered by demonic creatures. The demons mistake the "waif" Iniri for the Princess and steal her away. It's up to Conan, the Princess and a blind wizard to rescue her before she becomes a meal for the evil god Nergal.
There are a few bumps here, which I attribute to Truman getting his feet dug in, but over-all it's a well-done story. It's clear, at least, that Truman "gets" Conan just as much as Busiek did. The art, by Tomas Giorello, while not as painterly or stunning as Cary Nord's best work, is more consistent and he makes a fine Conan artist.
I'd call this a fine new beginning for Dark Horse's Conan.
December 29, 2016
While this volume isn't as awful as you might think from reading many of the Amazon reviews, it is a relative low-point in the series. Besides the rather bland primary story arc of a mad priest raising an army of dead and trying to gain immortality from the death-god Nergal (which sounds epic on paper, but doesn't succeed well here), this book also fails in its handling of the Epic of Nestor and the feel of continuity with the rest of the series. Really none of the characters in this one are easy to sympathize with, and even Conan himself seems different and uninteresting here. Actually, a significant portion of this book seemed like useless filler, developing characters that aren't going anywhere, showing repetitive and obvious scenes, and concentrating mostly on Conan hacking apart the undead or showing the skimpy 'clothing' of the female characters come teasingly close to fallin off completely. Sort of a teen-age translation of a Conan epic.
As for the art, I agree with the other reviewers. You really hope for more from this series, especially after the first four volumes, which were so vibrant and exciting as to make you want to actually spend a couple of minutes absorbing each frame and not just turn the pages to get through the story. Its not only the detail that is lacking here, but the muted tones and ugly characters that make it less attractive. After a battle and for the rest of the story (as the characters don't get to take a bath), Conan and friends are blood-splattered. This is fine, but the method of dabbing blotchy red speckles over all exposed skin results in ugly. Browns are the most-used colors here, and it just means this is a dreary and dark setting. While it may make sense for the story, it makes a less-enjoyable read. Hopefully things will improve in the next volumes.
All that being said, this one is still enjoyable at some level. And it does continue the epic story of Conan as told by Dark Horse. I'd still recommend it to fans of the series, just temper your expectations.
As for the art, I agree with the other reviewers. You really hope for more from this series, especially after the first four volumes, which were so vibrant and exciting as to make you want to actually spend a couple of minutes absorbing each frame and not just turn the pages to get through the story. Its not only the detail that is lacking here, but the muted tones and ugly characters that make it less attractive. After a battle and for the rest of the story (as the characters don't get to take a bath), Conan and friends are blood-splattered. This is fine, but the method of dabbing blotchy red speckles over all exposed skin results in ugly. Browns are the most-used colors here, and it just means this is a dreary and dark setting. While it may make sense for the story, it makes a less-enjoyable read. Hopefully things will improve in the next volumes.
All that being said, this one is still enjoyable at some level. And it does continue the epic story of Conan as told by Dark Horse. I'd still recommend it to fans of the series, just temper your expectations.
March 7, 2009
Conan + zombies = fantastic! Remember Nestor? If you thought his story was over, well, it is not. I hope the Dark Horse Conan series never ends.
February 1, 2018
This book ties in with the previous volumes of 'Halls of the Dead' and 'Roques in the House' both which were fine but I enjoyed this volume the most. The common thread between the three volumes is the ongoing story of Nestor the Gunderman and the waif/sorceress who appear in all the volumes. Their stories conclude in this book before Conan heads of the Cimmeria for further adventures. The book itself continues the familiar themes found in most Conan stories - Devious elites, corrupt and evil priests, men hunting him down and monsters - but this book doesn't dwell too much on any of that. Conan spends most of the book apart from the evil doers being pre-occupied by a zombie army and his new role of a mercenary. They all converge in the end and it doesn't end well for the bad guys as expected but getting there was a wonderful ride.
The artwork takes a drastic turn with this book and it may take me some time to get used to the change. It's busier than before and the colors more muted. This is obvious when reading the prologue involving the wondering prince who wants to hear the Conan story. The art is good and the battle scenes are epic and exciting and the characters are well drawn but it looked scratchy to me and gone are the shadows and backgrounds that I loved so much. Still, there is little to complain of and Dark Horse is still turning out a quality comic worthy of the character.
The artwork takes a drastic turn with this book and it may take me some time to get used to the change. It's busier than before and the colors more muted. This is obvious when reading the prologue involving the wondering prince who wants to hear the Conan story. The art is good and the battle scenes are epic and exciting and the characters are well drawn but it looked scratchy to me and gone are the shadows and backgrounds that I loved so much. Still, there is little to complain of and Dark Horse is still turning out a quality comic worthy of the character.
July 16, 2023
The Robert E. Howard stories that lean more into high fantasy and Lovecraft territory tend to be my least favorite, and "The Hand of Nergal" was a particularly tough read. As I gather, this was an unfinished Howard story and it shows based on how aimless the main story is. Tomas Giorello's artwork is initially a stepdown from Cary Nord's work on previous issues, but Giorello steps up signficantly by the final issue to deliver some great set pieces. The final issue is the high point of this volume, but it does little to salvage the rather dull main plot here. This also collects the Roy Thomas & John Buscema adaptation of the sames story, which was also rather dull to read. The Buscema artwork is quite nice for sure, but the modern recoloring was garish and a bit of a turn off for me.
January 24, 2021
Yikes. What began so well with Busiek and Nord takes a sharp downward step with Timothy Truman and Tomas Giorello and their adaptation of Howard's unfinished "Hand of Nergal" story. The art starts off strong but quickly dips in quality, and the writing swiftly feels less like old-school Conan and more like a story three steps removed from the power and passion that makes Conan Conan. Truman is a legend, but honestly, his work here feels terribly out of place, and it never gets much better in later volumes. Alas.
October 23, 2017
Correcto pero sin nada especial. Buen dibujo y color.
August 2, 2018
Para fans.
April 2, 2021
This story could have had another issue to explore more of the background, but it kept the action moving very quickly. This is the one that should be made into a Conan movie.
June 28, 2021
Další prima pokračování, tentokrát o trochu více okultně-lovecraftovského rázu.
November 16, 2025
maybe it's me but I do feel like the plot was kinda convoluted which is nothing new but it wasn't as interesting that being said still good generally badass Conan story
December 13, 2025
Not the best of the series, but still good fun. The writing is a bit bloated, and the plot is very formulaic. Pencils by Tomás Giorello are great, though the color has been better in previous issues.
November 2, 2018
Like Halls of the Dead, The Hand of Nergal is based on a Howard fragment that was never completed. It describes Conan on a battlefield, searching through the corpses and finding a woman who was still alive, and the city of Yaralet, where no one walks the streets at night because of hideous shapes that sometimes break down doors and take inhabitants away, and where Atalis the scholar with a strange, hidden deformity met with Prince Than. That's it. It's about a page and a half and it's not clear what it's even about. Lin Carter expanded it out into a full story, but The Hand of Nergal ignores that in favor of its own story.
Unlike some earlier Conan comic books, there's no other stories bracketing the title piece. After a complete retelling of the Aryan prince finding Conan's statue and asking his wazir to read him the story of Conan, it jumps right into terrible shapes stalking the streets of Yaralet and Conan stumbling on a soldiers' camp and joining up as a mercenary. The vizier is evil, the princess is beautiful, and there is dark sorcery afoot.
I guess that's why I only thought it was average. There's a tentacled monster, a servitor of Nergal, and the notes at the end suggest that the fragment might have been Howard's attempt to write a real horror story. The Hand of Nergal is not a horror story. It has some horror elements, certainly, like the child who sees the things in the streets and falls back frothing and screaming, or the heart-ripping ritual. But the mood isn't that of horror. Conan stories never have the mood of an H.P. Lovecraft story, with unknowable cosmic gulf and beings without description or name, and Conan can always bring his sword to bear against the threats he faces. But in something like The Tower of the Elephant, it's obvious that Conan is terrified to the point of immobility when confronted by Yag-Kosha. It is possible for him to be frightened.
There's no sense of terror in The Hand of Nergal. There are animated dead stalking the streets and in inhuman monster, but Conan just keeps fighting and never even expresses any dismay at being confronted by walking corpses or an otherworldly horror writhing in a pit of bones. Some of the secondary characters are scared, but that's expected. Conan is only frightened when subjected to the sorcerous gaze of an undead monster, and of course he breaks free of it because he's Conan. But that's not real fear. It doesn't count.
I was happy to see I was wrong and that Nestor did eventually come back, and I was unhappy that his story was resolved just as quickly. With all the build-up about the darkness, I was hoping for something a bit more consequential.
Hopefully this and the previous volume are just a short downturn and my interest picks up again.
Previous Review: Conan, Vol. 5: Rogues in the House and Other Stories.
Next Review: Conan, Vol 7: Cimmeria.
Unlike some earlier Conan comic books, there's no other stories bracketing the title piece. After a complete retelling of the Aryan prince finding Conan's statue and asking his wazir to read him the story of Conan, it jumps right into terrible shapes stalking the streets of Yaralet and Conan stumbling on a soldiers' camp and joining up as a mercenary. The vizier is evil, the princess is beautiful, and there is dark sorcery afoot.
I guess that's why I only thought it was average. There's a tentacled monster, a servitor of Nergal, and the notes at the end suggest that the fragment might have been Howard's attempt to write a real horror story. The Hand of Nergal is not a horror story. It has some horror elements, certainly, like the child who sees the things in the streets and falls back frothing and screaming, or the heart-ripping ritual. But the mood isn't that of horror. Conan stories never have the mood of an H.P. Lovecraft story, with unknowable cosmic gulf and beings without description or name, and Conan can always bring his sword to bear against the threats he faces. But in something like The Tower of the Elephant, it's obvious that Conan is terrified to the point of immobility when confronted by Yag-Kosha. It is possible for him to be frightened.
There's no sense of terror in The Hand of Nergal. There are animated dead stalking the streets and in inhuman monster, but Conan just keeps fighting and never even expresses any dismay at being confronted by walking corpses or an otherworldly horror writhing in a pit of bones. Some of the secondary characters are scared, but that's expected. Conan is only frightened when subjected to the sorcerous gaze of an undead monster, and of course he breaks free of it because he's Conan. But that's not real fear. It doesn't count.
I was happy to see I was wrong and that Nestor did eventually come back, and I was unhappy that his story was resolved just as quickly. With all the build-up about the darkness, I was hoping for something a bit more consequential.
Hopefully this and the previous volume are just a short downturn and my interest picks up again.
Previous Review: Conan, Vol. 5: Rogues in the House and Other Stories.
Next Review: Conan, Vol 7: Cimmeria.
July 19, 2015
They desperately need a reboot! I mean, c'mon, 'Big Trouble, Little China' but not Conan? Sheesh!
Oh yeah, review.
Seeing Kurt Busiek take a bow and transition over to Timothy Truman for writing duties made me a little apprehensive. And then Cary Nord wasn't to be found either. Oh, but who am I kidding, these guys know exactly what they're doing and they actually move the story and our hero forward in a meaningful way. And they did it by patching together mere fragments of REH's unfinished ideas (literally two pages). Here we have Conan as mercenary, moving beyond the alley ways and taverns of the 'Maul' as a thief and mere surviver to fighting an army of undead soldiers brought back to this realm by the evil Atalis (who uses a demonic go-between D'Snal via Nergal, an ancient God of the Dead. Love it) What really impressed me were two things: namely the added dimension of Conan's friendship and sadness regarding Nestor, the Gunderman; and secondly the story itself, which tied together about three volumes worth of material into a coherent and exciting plot. Not an easy feat. The Gunderman was probably the closest thing that Conan had to friend in many moons, and the fact that they had started out as enemies makes the emotional punctuation even stronger. Conan avenged the man's death for Crom's sake. That says a lot.
It seems from reading other harsh reviews of this volume, people were not happy with what Timothy Truman did, or the incredible artist Tomas Giorello and for the life of me I can't grasp that.
These guys have put together another great volume and I'm looking forward to the journey ahead!
Ho! Onward toward the Northron lands! To home!
August 25, 2012
Conan: The Hand of Nergal is volume 6 of Dark Horse Books’ Conan graphic novel series. This terrific story was written by Timothy Truman and the fantastic art was created by Tomas Giorello. Many Conan stories, including this one, are pastiches based on the unpublished and often unfinished work of Robert E. Howard, the creator of Conan who died in 1936. I first read and enjoyed Howard’s Conan tales long ago as a teenager. I also enjoyed other pastiches of his work done by L. Sprague de Camp and Lin Carter. The Conan graphic novels from Dark Horse Books are extremely well written and illustrated. The stories are enriched by brilliant art work to help the reader experience Conan’s ruthless behavior in a savage and mystical world. These graphic novels also accurately covey Robert E. Howard’s barbarian and the dangerous, but fascinating, world he inhabited. They are exciting, enchanting, mystical and just fun-to-read stories. In Conan: The Hand of Nergal, the barbarian/thief comes to the aid of a beautiful princess who is betrothed to a rich prince. The prince wants to live in his kingdom with his future bride forever. His servant has agreed to help the prince gain his eternal wish. However, the servant is also a servant of Nergal, the God of death and the damned, and he has his own plans for the virgin princess. To help the princess, Conan battles the children of Nergal, who are warriors refashioned from demon flesh. In addition, Conan battles Nestor, a previous rival thief and sometimes ally, who had been hanged in Conan: Rogues in the House, volume 6 in the Dark Horse Book series. This book is full of vicious supernatural creatures and much violence. It’s a Conan book! I liked it very much.
January 14, 2015
Read in one sitting last night, except for the appended essay at the end which I finished this morning. Another fantastic volume from Truman and Giorello. I thought that the last volume was fantastic and this one certainly is at least its equal. The art is stunning throughout, and Giorello plays exactly the right "ick" factor with the zombie army that plays a role in this story.
As I mentioned in the last review having Nestor hang around as long as he did I found a plus, as it gave us a continuing presence in the book besides Conan, and allowed us to see Conan develop the first real relationship he's had since the first volume when we saw him in Cimmeria as a youth before he first left.
I thoroughly enjoyed what seemed to me an expanded narration that accompanied many of the panels in which the characters were silent. I am firmly of the opinion, that comic books, powerful visual medium that they are, are meant to be read, and sacrifice some of the unique ability to have it both ways when they lean too far toward either half (visual or linguistic) of the medium.
An excellent volume and I cannot wait to read the next.
As I mentioned in the last review having Nestor hang around as long as he did I found a plus, as it gave us a continuing presence in the book besides Conan, and allowed us to see Conan develop the first real relationship he's had since the first volume when we saw him in Cimmeria as a youth before he first left.
I thoroughly enjoyed what seemed to me an expanded narration that accompanied many of the panels in which the characters were silent. I am firmly of the opinion, that comic books, powerful visual medium that they are, are meant to be read, and sacrifice some of the unique ability to have it both ways when they lean too far toward either half (visual or linguistic) of the medium.
An excellent volume and I cannot wait to read the next.
January 25, 2017
A fantastic ending to this epic! For now at least. Tim Truman brings his first Conan story an excellent conclusion. I initially had doubts on whether I'll enjoy Tomas Giorello's art style, but it turns I had nothing to worry. The new art direction seems to mesh perfectly with Truman's writing style. I can't tell if Truman changed up his writing style, because tbh I was so wrapped up in what was going on that I barely. It really was damn near perfect.
By then end it makes sense why Conan would decide to return, before ultimately returning. But for now, on to Cimmeria!
By then end it makes sense why Conan would decide to return, before ultimately returning. But for now, on to Cimmeria!
January 26, 2016
The new Conan comic series does good justice to the Robert E. Howard stories. While the art does come and go in quality at time, overall it is a good. The adaptations of the original stories is well done. The fill in stories are also well done and follow the flow of the Character's life as written by Howard. Recommended to comic fans and Very recommended to Howard and Conan fans.
September 14, 2011
Darkhorse Comics adaptation of Conan the Barbarian.
Some of the stories are adaptation of some of Robert E. Howards best stories, others are original stories by the Darkhorse Writers. A very nice collection of stories if you like the sword and sorcery genre.
Some of the stories are adaptation of some of Robert E. Howards best stories, others are original stories by the Darkhorse Writers. A very nice collection of stories if you like the sword and sorcery genre.
January 13, 2013
Combine with the Hand of Vecna and you get a pair. Great art from Truman lifts this otherwise generic Conan story up a notch.
February 1, 2014
Great art. Great story
Displaying 1 - 26 of 26 reviews