In 1741, in just 24 days, the German-born, British-naturalized composer George Frideric Handel wrote an oratorio rich in tuneful arias and choruses of robust grandeur. Coolly received in London at first, after Handel's death Messiah enjoyed an extraordinary surge in it was performed at festivals across England; other composers rushed to rearrange it; it would be commercially recorded on more than 100 occasions. Jonathan Keates tells the story of the composition and musical afterlife of Handel's he considers the first performances and its place in Handel's output; he looks at the oratorio itself and its relationship with spirituality in the age of the Enlightenment; and he examines why Messiah became such an essential element in the national culture of Britain. Illustrated with beautiful images, including the original score of the work, Messiah is a richly informative and affectionate celebration of a high-point of Britain's Georgian golden age.
Jonathan Keates, is an English writer, biographer, novelist and Chairman of the Venice in Peril Fund. Keates was educated at Bryanston School and went on to read for his undergraduate degree at Magdalen College, Oxford.
At the reasonable price of £16.99 for a 190-page hardback, this would make a lovely gift for any music lover. Full review coming soon to http://annegoodwin.weebly.com/annecdo...