Photographic artists will gravitate to this full-color, comprehensive technical resource which explores every aspect of alternative photography. Written in a user-friendly, conversational style, each chapter introduces the history of a technique, presents an overview of the relevant alternative or non-silver photographic process, reviews its chemistry, and provides practical guidance in how to make it work. Traditional and digital contact negative production plus an array of processes such as cyanotype, Van Dyke, Kallitype, gum bichromate, platinum/palladium, Ziatype, Ambrotype and hand-applied emulsions are included. The book offers a wealth of visual inspirations and sophisticated techniques, and at the same time includes ample information to satisfy even the most demanding technician. When techniques presented in the book are practiced patiently, and with attention to detail, amateurs and professionals alike will delight in their ability to transform the science of photography into an art.
Christopher, I love you. My book is smelly and dirty from all the water and chemicals I have already spilled on it. This book helped me get my Cyanotypes on glass, thanks to his wonderful suggestion of Gelatin. During my course on Alternative Photography at the Art Institute of Boston (taught my the fabulous Cig Harvey, who's work is displayed in this current edition) I learned just what it is I want to do for the rest of my life.....print blue images on glass!
Simply one of the best books about photography I had the pleasure to read. Not only it focus on the chemestry and tries to explain it in a way that is not overwelming, the author brings out historical references and current artists that use these techniques. A must read.
The myriad photographic processes come alive in James’ prose. If you’re a photographer you’ll love it; if you’re not, you’re due to enjoy a conversation with a fine writer. Note: Mine was the Third edition.
I’ve not read this cover to cover, it’s more of a reference book but anyone who enjoys the history of photography should find this interesting. It is one of my favorite books I’ve ever owned.