With the Orkney Islands (situated just off the northern tip of Scotland), their crossroads between Celtic and Scandinavian culture is of course also strongly reflected in Orcadian folk tales, so that Orkney lore generally shows an interesting mixture of Scottish, Irish, Cornish and Welsh thematics blended with Shetlandish, Norwegian, Swedish, Danish, Icelandic and Faroese topics (and not to mention that the folktales of the Orkney Islands also tend to mirror and to contain many aspects of general Indo-European mythology, including heroic quests, dragons, magical swords and horses, deities of the sky and of the ocean to name a few examples). And with his published in 2014 Orkney Folk Tales, Tom Muir presents a diverse (and also for the most part very nicely readable as well as enjoyable) collection of Orcadian folk tales (and where we as readers textually encounter an intriguing legend about how the Mermaid acquired a tail and which actually links mermaids to the Biblical Eve and to certain Germanic and Norse goddesses, the story of Ursilla and her male Selkie lover, the strange fate of Janet, the Storm Witch, the quest of Jessie and the Book of the Black Arts, the haunting, tragic account of Scotta Bess and a man who loved not wisely, but too well and of course and indeed many many more).
Now I have found all of the stories in Orkney Folk Tales entertaining, but yes indeed, my favourites have definitely been the stories which explain how specific places and landscapes were created (the so-called pourquoi tales). But for me, the most delightful of said pourquoi tales (and also my hands-down favourite story of Orkney Folk Tales) is Assipattle and and the Stoor Worm, a story that combines the common in much of Europe Cinderella figure (but yes, a male Cinderella, and with Assipattle's name also closely linguistically resembling the German word for Cinderella, namely Aschenputtel) with Viking hero quests (and a monster to be vanquished that is akin to the Midgard serpent Jörmungandr of Norse and Germanic mythology) and also providing an explanation of how the Orkney Islands, the Shetland Islands, the Faroe Islands and Iceland as well as the Baltic Sea were created when Assipattle killed the Stoor Worm and rescued everyone, and yes, with another favourite tale of Orkney Folk Tales being the seasonal pourquoi tale (winter versus spring) of Mither of the Sea (where the two ancient deities doing battle pretty strongly remind me of the ancient Greek myth of Demeter, Hades and Demeter's daughter Persephone).
And yes, and finally, Tom Muir uses a nicely flowing, readily assimilated style in the telling of Orkney Folk Tales and this making Orkney Folk Tales a pure pleasure to read (and indeed, many of these stories also feel like one is not just reading the tales but equally having them orally related, having them verbally told). Five stars for the collection of folktales, but sorry, I will have to lower my rating for Orkney Folk Tales to four stars (since the table of contents Muir provides for Orkney Folk Tales is not all that user friendly and that the endnotes are for some reason provided without the corresponding page numbers for the respective and featured examples).