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[Mashriq-o-Maghrab K Naghmay] مشرق و مغرب کے نغمے
543 pages, Hardcover
First published January 1, 1958
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About the author
Meera Ji
6 books3 followersMeeraji (Urdu: میراجی ) was an eminent Urdu poet known for his bohemian lifestyle and modernist poetry.
Meeraji began composing poetry, under the pseudonym of Sasri, when he was at school. It was from his later encounter with a Bengali girl, Meera Sen, with who he fell deeply in love, that he adopted his pen name on her name. Though brought up in affluent surroundings, Meeraji left his home and family and chose to lead the life of a homeless wanderer, mostly staying with his friends and making a living by selling his songs.
Meera ji is considered to be one of the pioneers of symbolism in Urdu poetry, and especially introducing Free Verse. Along with N. M. Rashid, he was a leading poet of the group Halqa-e Arbab-e Zauq, which broke away from the classic convention of radeef and qafia, explored the rich resources of blank verse and Free Verse, rejected the confines of the socially "acceptable" and "respectable" themes, rejected the stranglehold of Persianised diction, and explored with sensitivity and skill, the hitherto forbidden territories of sexual and psychological states. He also wrote illuminating criticism of poetry and yearned to alter the expression of his age.
From his teenage days, Meeraji felt attracted towards Hindu mythology. Hindi vocabulary often came across in his poetry, prose and letters. He acknowledged his debt to the Sanskrit poet Amaru and the French poet Baudelaire. He also translated certain works of the Sanskrit poet, Damodar Gupta and of the Persian poet, Omar Khayyam.
Works
Meeraji's literary output was immense but he is said to have published very little of his poetry during his lifetime. However, Khalid Hasan, in his writeup "Meera Sen's forgotten lover", records that during Meeraji's lifetime four collections of Meeraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore. His complete works Kulliyat-e-Meeraji appeared only in 1988 edited by Dr. Jameel Jalibi. Another collection titled Baqiyat-e-Meeraji was edited by Sheema Majeed in 1990. A book titled "Iss Nazm Mein" containing Essays of Meeraji was published during his lifetime.
The list of the works of Meeraji:
"Meeraji ke Geet" (Poems)
"Meeraji ki Nazmen"(Poems)
"Teen Rang" (Poems)
"Iss Nazm Mein" (Criticism - Essays of Meeraji)
"Kulliyat-e-Meeraji" (Poems) compiled by Altaf Gauhar and published by Dr. Jameel Jalibi, Urdu Markaz U.K.
"Baqiyat-e-Meeraji" (Poems) edited by Sheema Majeed and published by Pakistan Books and Literary Sounds, Lahore.
"Intikhab-e-kalaam"
"Pratinidhi Shairy"
Meeraji began composing poetry, under the pseudonym of Sasri, when he was at school. It was from his later encounter with a Bengali girl, Meera Sen, with who he fell deeply in love, that he adopted his pen name on her name. Though brought up in affluent surroundings, Meeraji left his home and family and chose to lead the life of a homeless wanderer, mostly staying with his friends and making a living by selling his songs.
Meera ji is considered to be one of the pioneers of symbolism in Urdu poetry, and especially introducing Free Verse. Along with N. M. Rashid, he was a leading poet of the group Halqa-e Arbab-e Zauq, which broke away from the classic convention of radeef and qafia, explored the rich resources of blank verse and Free Verse, rejected the confines of the socially "acceptable" and "respectable" themes, rejected the stranglehold of Persianised diction, and explored with sensitivity and skill, the hitherto forbidden territories of sexual and psychological states. He also wrote illuminating criticism of poetry and yearned to alter the expression of his age.
From his teenage days, Meeraji felt attracted towards Hindu mythology. Hindi vocabulary often came across in his poetry, prose and letters. He acknowledged his debt to the Sanskrit poet Amaru and the French poet Baudelaire. He also translated certain works of the Sanskrit poet, Damodar Gupta and of the Persian poet, Omar Khayyam.
Works
Meeraji's literary output was immense but he is said to have published very little of his poetry during his lifetime. However, Khalid Hasan, in his writeup "Meera Sen's forgotten lover", records that during Meeraji's lifetime four collections of Meeraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore. His complete works Kulliyat-e-Meeraji appeared only in 1988 edited by Dr. Jameel Jalibi. Another collection titled Baqiyat-e-Meeraji was edited by Sheema Majeed in 1990. A book titled "Iss Nazm Mein" containing Essays of Meeraji was published during his lifetime.
The list of the works of Meeraji:
"Meeraji ke Geet" (Poems)
"Meeraji ki Nazmen"(Poems)
"Teen Rang" (Poems)
"Iss Nazm Mein" (Criticism - Essays of Meeraji)
"Kulliyat-e-Meeraji" (Poems) compiled by Altaf Gauhar and published by Dr. Jameel Jalibi, Urdu Markaz U.K.
"Baqiyat-e-Meeraji" (Poems) edited by Sheema Majeed and published by Pakistan Books and Literary Sounds, Lahore.
"Intikhab-e-kalaam"
"Pratinidhi Shairy"
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