Granted, I’m sure you have to be a self-described “super fan” to read nearly 500 pages -- about the backstory, career, and inspiration for every single song – about ANY band or artist, but I really enjoyed this a lot. It was long, but it was very detailed, very enlightening, and if you really want to know about Bono’s relationship with his father, about Adam and Bono roadtripping throughout the American Southwest, leading to the inspiration to the underappreciated Rattle & Hum track “Heartland,” then this will certainly deliver. If that’s too much for you, maybe you better just put on Pride again.
The best thing about this book is that it is basically a compilation of interviews over 2 or 3 years, trying to capture the history of the band, but it is edited in such a way that there is no narrator, no interviewer questioning members, nothing except the four members (and their manager Paul) speaking in their own words – like a four-person, rotating autobiography. But the way the sections are pasted together creates a real flow to the story, like they are all four sitting with you and telling you how it was, jumping in where another leaves off and furthering the action as well as the chronology.
There are a number of great sections and powerful anecdotes. They really spent a lot of time talking about their upbringing – which, to a lay-fan, could be a bit overdone and drawn out. But when you WANT to know all this stuff about the person(s) in question, it is very appreciated, not to mention almost central to the development of the band, in that A) you see how they were never really musical, B) you see the stories of violence, rough upbringing, early familial deaths, and how these incidents shaped the band’s direction (Bono sing so much about MLK and non-violence, but as he says, “You can’t really get much farther from the songs than the singer.”), C) you see how they really went from four high schoolers who couldn’t play to fighting for their survival and landing a record contract within 2 years, then blowing up more and more each successive year, apparently without end….
If I had a complaint, I would say that the ensuing chapters tended to follow a pattern of A) how the album was made and the backstory to each song and then B) the tour and the year on the road. Then the next chapter was A) how the album was made and the backstory to each song and then B) the tour and the year(s) on the road. The good nuggets are obviously worth it, while after a while I tired of hearing them all say, “Well, we were back in the studio, and we work really slow, we are not classically trained musicians, we jam and fiddle around and chop up the tapes and what seemed like song before has really spawned three separate song and we threw out the original. It was hard, I had this new pedal and was tinkering around with it and Bono said, “What’s that?” So that became Mysterious Ways.” I mean, taken on its own, it could be a great story: Edge, the scientist, tinkering, Bono feeling inspired and jumping on it, Larry saying, “Maybe a little of this” – but literally every song they have ever written happened like this, and by the time year 23 of the band comes around, I was a bit tired of the same old recap. The tours likewise, it’s interesting, but it’s too much of a pattern, repeating. “We booked a lot of dates, we kept going, we were road weary.” I would have liked to see a bit more of their personal struggles rather than them just recapping the recording and touring process. The book starts out with personal struggles – and for 80-100 pages – but then the album/tour cycle starts and we don’t ever really hear about anything else beyond a 2 page, subtle reference to Edge’s divorce or Edge’s daughter getting sick, two pages on Adam’s alcoholism, and a couple pages here and there about Bono’s activism (which EVERYONE knows about, and which he laughs quite candidly about).
But overall, it was very enjoyable, very interesting, and I learned a lot of new things about a band I’ve been listening to since I was 13 or so. I had sung these lyrics before so many times (on my own, with a band – the first song I ever sang on stage was at band camp, I sang One with an acoustic guitar by myself) but now I really understood where Bono was coming from with each of these creations, what each line meant, represented, where it came from, and I found that extremely interesting. I thought it was cool to listen to each album as I was reading the 40-50 page sections about the period/songs that corresponded, listening to songs in a new way with a new understanding of the lyrics and such. And when the band described 9/11, just after All That You Can’t Leave Behind came out, preceded by the Beautiful Day single, and how they felt like that had to tour America, to be there, to perform in Madison Square Garden and seeing the beautiful tear-stained faces (providing the chorus for City of Blinding Lights), I felt myself tearing up. You really see how U2 connects and focuses on the spiritual, the emotional, to not only help themselves through life/pain/death/identity, but they do it to help others.