Robert Peary, an arctic explorer who in his early days was reliant on the money of Jesup, president of the American Museum of Natural History, brings home six Polar Eskimos on one of his journeys to the Arctic as a gift for the Museum. In the unfamiliar climate of America and exposed to strange bacteria, four of them quickly die, including the father of the littlest one, Minik. The fifth is repatriated back to Greenland, but Minik is kept and raised by William Wallace. He has an idyllic childhood, but in his adolescence is plagued by feelings of loneliness and guilt at being a burden to Wallace, who had earlier lost his money through no fault of Minik’s. Then Minik finds his father’s skeleton in the Museum. He finds out that the burial his father had received was a sham one – a log was buried for Minik’s sake, while the body was taken for anthropological studies. Minik spends several years in vain attempts to persuade the Museum to return him his father’s body, and grows increasingly depressed and lonely. He contemplates suicide. But then he makes friends, and after much struggle and politicking, he ends up on a ship back to Greenland. There, he finds out that he has lost all knowledge of Eskimo language, and he is lonely once again. He quickly picks up the language and hunting skills, and makes himself useful when an American expedition arrives to discover the fabled Crocker Land. However, having lived amongst the bright lights of New York, he never feels completely at home in Greenland, and finally boards a ship back to New York. He does several odd jobs before finally getting a job in a lumber camp. Finally anonymous, he spends several happy months before dying in an influenza pandemic at the age of 28.
This book has received raving reviews, mostly from people who are horrified by the treatment of the Eskimos and the concealment of their exploitation while the perpetrators of their grief are exalted in museums and textbooks. I agree with them. The Eskimos were terribly, brutally treated, and Peary and the museum board who brought Minik to America quickly declined responsibility for him once they had lost interest in their experiment.
Unfortunately I just could not like Minik. He has a self-pitying attitude, and thinks of himself as a poor orphan victimised by the world. He has a false bravado that his friends forgive too easily. When he returns to Greenland, he creates fantasies and tells tall tales of his time in America to gain – what? Fame? Popularity? Respect? And yes, I recognise that he is a victim, that he was emotionally and psychologically tormented by his experiences which influenced his mental state and behaviour. But it does not excuse his behaviour, and it especially irked me that Kenn Harper persistently defended him, making excuses for him, and telling a rather one-sided story that made out Minik to be a poor little good kid and Peary, Jesup and everyone involved with the museum to be arrogant selfish bullies. The story, with its bias, just didn’t ring true for me, and I wish we got to see the other side of the picture.
That said, Harper did a fantastic job researching this book. He has the advantage of actually living in Greenland, with friends and an ex-wife who are sort of distant relatives to Minik, and so managed to uncover information from first-hand sources that would be difficult for outsiders to attain.